Designer Yo Shimada of the firm Tato Architects built this structure in conjunction with students from the Kyoto University of Art and Design. The entire wall is made of post-it notes – 30,000 cells of post-it notes. The brightly colored sticky notes are stuck together to create individual cells which are then stacked. The installation exemplifies both innovative design and architecture. Using a simple material, Yo is able to create a relatively large and sturdy artful structure. [via]
I personally am not a fan of pipes and think they should only be used by 110 year old pirates on their very last voyage of death to the Bermuda Triangle but I have to admit that Alan Powdrill’s Pipe Up series is fantastic. I just wonder if these ladies actually smoke pipes or if this is purely for our photographic pleasure.
Every winter, nearly two million people from all around the world venture to Sapporo, on the northern Japanese island of Hokkaido, to celebrate all things winter for one week at the Sapporo Snow Festival. The festival, which has its roots from when the city hosted the Winter Olympics in 1972, has been taking place since the early 1980’s. From enormous buildings, temples and slides to more intricately detailed and finely-sculpted statues, the city’s streets are full of all types of snow and ice works to celebrate the natural beauty of the winter season.
Now the festival draws sculptors and competitors from all around the world for its famous annual competitions, taking place in several different sites around the city. The event has set several World Records, including the audience-participatory construction of the most snowmen ever made in one place (over 10,000 – a record which still stands). The next installment, now the 65th Sapporo Snow Festival, will be held this February 5th through 11th in 2014. (via weirdtwist)
I met Brian Blomerth a few years ago, he is an interesting guy who makes art about Pomeranian dogs and Alysssa Milano. He combines those two themes with acid colors, mysticism, and snazzy design. He also lived in a (now closed) building called The Church of Crystal Light, and was from what I saw he inspired that group of people. They were Richmond Virginia’s version of Fort Thunder.
Toronto based artist Talwst is a master of the miniature world. He patiently builds tiny fantasy scenes referencing the world of music, pop culture, films, climate change, conspiracy theories, sports stars, current events, and everyday experiences. Seven years ago, the artist was gifted an antique ring box by a Vancouver street vendor and given the challenge to make something with it. Talwst grabbed a hold of that idea and ran with it.
His miniscule realms feature Kanye West singing to an imaginary audience and Kim Kardashian in the background taking a selfie; a homage to his favorite painter Edouard Manet’s 1864 work La Muerte del Torero; a recreation of Japanese erotic art of the 1700’s; and a contemporary version of a Dutch landscape complete with a McDonalds restaurant in the background. His unique blend of art history, contrasting cultures and traditions are a witty comment on contemporary life. He cleverly draws us downward, and into his dioramas, immediately commenting objectively on the world we inhabit.
This form is calling me. I can make these feel like a poem; I can make these feel like a movie; I can make them feel like all the other mediums I was working in. (Source)
Talwst developed his love for piecing together mini worlds after growing up in the Canadian winter. For weeks at a time, the temperature wouldn’t be higher than minus 40 and he would sit in his room hibernating and entertaining himself by building models. The obsession certainly paid off – his skill and attention to detail is definitely something worth looking at. And you will get an extra chance to view his work – this September, a collaboration with VICE magazine will bring Talwst’s work to a newsstand close to you. Keep your eyes peeled! (Via Design Crush)
Robert Melee’s exploration of human behavior through his thick, paint encrusted sculptures exude an equally generous amount of drama, narrative, and a nostalgically disturbing interaction.
Myoung Ho Lee, with the aid of assistants, cranes, and ropes, places blank white canvases behind trees in various natural settings throughout South Korea– in order to bring a part of the background into the foreground. According to The New York Times, the artist only digitally retouches “the trace of his own hand” because “If the mechanics of the artwork were visible, it would be easier for people to recognize the scale and the method . . . I want to hide them, to infuse a magical and vague aspect to my work, so that viewers may question and try to find answers themselves.”
We all know that advertising is an illusion, and built around pandering to our desires. But, it would be safe to say that a majority of us aren’t fully aware of just how far that mirage extends. Russian compositor Ashot Gevorkyan is helping remove the wool from our eyes by exposing the secrets of the industry that he himself works in. In his series of composited GIFS, he demonstrates just how the final image is built up. He shows us the initial shot, and also the steps completed in post production to achieve the end result.
We are able to see how 3 actors in front of a green screen in a studio are eventually placed in a post apocalyptic city, hectically shooting at a crowd of zombies surrounding them. Bodies are unnaturally lengthened; artificial skies added behind groups of people; lighting effects are fabricated; even the color of clothing is transformed.
It is an interesting experiment in raising awareness of just how critical we need to stay of the media around us. Just because we are consuming more media, doesn’t mean we should try what we see and hear any more than in the past. Mocking up these images, Gevorkyan demonstrates just how easily and efficiently it is for professions to advertise a completely make believe world. For more eye opening images, see after the jump.