Jeff Sonhouse creates the most tripped out jester-saint psychedelic pimps who are all standing on the verge of getting it on. Fly tinted shades, canary top hats, tight pin stripes, righteous afros, bow ties, fox pelt stoles…you get the idea!
Klaus Pichler’s One Third project explores the wasteful nature of food consumption. Rotting food, arranged into elaborate still life’s, portrays an abstract picture of wastage of food. According to the UN one third of the world’s food goes to waste- the largest part thereof in the industrialized nations of the global north. Equally, 925 million people around the world are threatened by starvation. Pichler’s series describeds the connection between individual wastage of food and globalized food production. Now that’s food for thought. (via feature shoot)
Giovanni Bortolani has this really twisted series of people gutted out and stitched back together. To mix it up a bit, there are some portraits of culinary students.
Beijing based fraternal pair Gao Brothers have been collaborating on nstallation, performance, sculpture, photography works and writing now for three decades and shocking museums around the world with their guerrilla tactic art, one such featuring an apologetic Chairman Mao on his knees with a detachable head. Exhibitions by the Gao brothers, whose work the authorities find politically challenging, have been shut down in the past, and their studio has been raided. So they keep the head of Mao hidden in a separate location — reuniting it with its body only on special occasions to show friends and colleagues. Normally, the body of the statue remains headless, unidentifiable and nonthreatening.
I’ve been looking at abstracting the human figure in my own work lately so it was a nice surprise to find the work of Gillian Lambert in my inbox. Gillian’s self portraits contort, bend, twist, and pull her face in every which way creating surprising, grotesque, and beautifully awkward images for us to enjoy!
None of the people photographed for Klaus Pichler‘s newest series, “Just the Two of Us” are dressed in Halloween costumes. For this project, Pichler documents Austrians involved with various types of costume play (cosplay) at home in full costume. By capturing these costumers in their domestic spheres, Pichler allows his subjects the comfort of home, but for objective viewers of the work, the subjects could feel a bit out of place.
“Normally, all the costumes and traditions, they have one thing in common: there is some kind of public use of these costumes,” Pichler explains. Some of his subjects are enthusiastic participants of the Carnival season, which is called Fasching in Austria, while others are part of a LARP – live action role play – community. Pichler even captures portraits of the Krampus and the Perchten – traditional Austrian figures associated with Christmas and Wintertime who are often conflated.
“Who hasn’t had the desire just to be someone else for awhile? Dressing up is a way of creating an alter ego and a second skin which one’s behaviour can be adjusted to. Regardless of the motivating factors which cause somebody to acquire a costume, the main principle remains the same: the civilian steps behind the mask and turns into somebody else…’Just the Two of Us’ deals with both: the costumes and the people behind them.”
French artist Antoine Corbineau does a little of everything–painting, graphic design, video. Regardless of the media, his pieces “feel like carnivals or boardwalks, bursting with energy and life.” Corbineau’s organized chaos is achieved through bold injections of text and a bright but controlled color pallet.
Inspired by a nightmare, “Analysis Creature” is Wonman Kim (Animabase)’s series full of weird and strange skeletal and mechanic creatures. Each piece is like an x-ray of a unique creature from her brain. He is currently working as a graphic designer, illustrator, and conceptual artist in Seoul, South Korea.