Something is not quite right with Nandan Ghiya‘s portraits. Indeed, several are titled Download Error. Ghiya’s antique portraits of upper class men and women from the past seem to be physical manifestations of garbled JPEG files. Each portrait is collaged and each frame carefully modified in a ways that resemble corrupted digital photographs. The now forgotten subjects of these portraits may have sought posterity through these images and the artist seems to communicate this in a familiar visual language of the digital. He uses life documented through JPEG’s, glitches, and error messages to reflect the modern plastic identity.
The artwork of Andrew McAttee erupts from the canvas in an atomic explosion of vivid colors and bold lines. His compositions suck you in like a vortex of cosmic proportion. Like an explosion of atoms, asteroids, fire bolts, and lightning, McAttee’s dynamic, large-scale paintings catch your eye and demand your attention. Each painting is layered in acrylic paint and spray paint in incredible, bright colors. The artist mixes flat lines and shapes like that in a comic book, with a variety of more dimensional elements.
This repetitious explosion present in McAttee’s work hints at themes of cause and effect. Both beauty and destruction can be seen in the breathtaking palettes and the collisions of the color combinations. It is almost as if his painting are molecules ready to erupt. The artist’s comic-pop style combines the occasional action word such as “Smash!” straight across his compositions. He is very apparently influenced by comic books and graphic novels, and also pulls inspiration from pop art and abstract expressionism. Street art and graffiti also has a hand at play in his multifaceted paintings, as he is known as a street artist as “STET”. Andrew McAttee is represented by Stolen Space Gallery in London and works and lives in the UK.
”My aim is to provide the viewer with a colourful riot of gravity-less forms set in highly layered, seemingly endless space with a sense of ambiguity, humour and celebration”
– Andrew McAttee
Jowhara AlSaud makes hybrid photo/drawings that dance with anonymity and censorship. Jowhara started working with this subject after noticing commercial photos altered in Saudi Arabia, seeing “…skirts lengthened and sleeves crudely added with black markers in magazines or blurred out faces on billboards.” She then applied the censors’ language to her personal photographs. The work is strangely readable for giving so few clues away.
Mark Alsweiler has some new work out and it’s just as intriguing as his last. Each piece is eerie, full of color and texture, and references a different time. I love the pilgrim like characters who seem to have wandered into a different dimension. His work shows people doing normal tasks in this disappearing, melting atmosphere. I’m excited to see what’s up next for this talented gent.
Elizabeth Tolson‘s range of interactive, light up futuristic styled dresses are a light-hearted look at quite serious topics. Called Vessel, the concept centers around two garments – the Fertility Dress and the Chastity Dress. Combining cutting edge technology, soft circuity, connective threads, connective garments, simple switches and plain white cotton, Tolson has created two innovative wearable art pieces that are dealing with feminist issues.
The Fertility Dress works in cohesion with the female body. It contains lights that change color depending on the woman’s menstruation cycle and fertility. The lights turn blue to indicate ovulation, red for menstruation, and glow white to indicate excellent hygiene, and finally, turn yellow to denote poor hygiene levels. This dress is meant to not only display internal bodily states, but also to remind us that woman are fertile beings, all day, everyday.
The Chastity Dress is a combination of lights and sounds, triggered by sensors that go off if certain parts of the garment are touched. Tolson explains more:
So the final result of the Chastity dress had sensors so when the girl in it was touched inappropriately, sensors went off to remind her of how she should behave. It was creating an audience for the girl as an object because she needs to watched over. It was a way for people to be aware of her actions, but she also needs to be aware. I also created a bra that has sensors so if you push her chest it creates a high-pitched noise. (Source)
Inspired by strange dating books she was sent from her mother, Tolson wanted to draw attention to some outdated attitudes that still exist about female sexuality. With a playful , tongue-in-cheek mentality, Tolson manages to raise awareness about gender politics, marriage equality, abortion laws, birth control and a whole plethora of topics most people love to avoid. Read more about her work here. (Via Design Faves)
British photographer Nick Veasey uses an x-ray machine to discover the transient magic of everyday things from clothing to stuffed animals, but most beautifully– flowers. Although, the concept is simple, the effect is quite radiant: imagery blooming with intricate nuances, highlighted by surprising shades of light. The whole collection is fine reminder of that medium’s powerful science outside of the airport– that technology doesn’t just serve to protect, but how it also serves to expose.
The above picture is documentation of Stefan Benchoams 2008 installation Ejercicio de Dibujo at the XVI Paiz Biennial in Guatemala City.