Ryan Chapman’s iconic illustrations are proof that sometimes simple is best. His quirky and playful illustrations go back and forth between digital, hand drawn, and the occasional 3D sculpture. Find all this and more after the jump!
Gypsy and the Cat performing their U.S. live debut at the Hotel Cafe in Hollywood, CA, February 19, 2013.
With the success of Australian bands like Cut Copy and a huge Grammy win for Gotye‘s Somebody That I Used To Know, I expect more and more pop-infused indie bands from Down Under will be making the long trek to try and win over American audiences. The Vaccines‘ recent show in Los Angeles had San Cisco open to a very enthusiastic crowd that sang along and went wild for most of their early set. Gold Fields performed to a sold out crowd last night at the Troubadour and Melbourne pop band, Alpine should be reaching our shores again any day now. When I was invited to the Hotel Cafe last week to see the American debut of Gypsy & The Cat, I had high expectations and wasn’t disappointed.
Xavier Bacash and Lionel Towers, former Melbourne DJs released Gilgamesh, their highly successful debut album back in 2010. It garnered rave reviews in both the Australian and European press, but failed to reach much of a U.S. audience. I’m guessing that’s why they ditched their major label and went with their own on their latest release, The Late Blue on Alsatian Music. It’s currently available on iTunes and definitely worth a listen.
Their U.S. debut at the Hotel Cafe was a perfect start to what should be a very fruitful year for the band. They played songs off both of their albums including their 2010 hit, Jona Vark that had more than a few people singing along. Newer songs like Bloom and Zombie World sounded very strong with the addition of a touring drummer and bass player. “Anyone here have our music?” Xavier asked the large industry heavy crowd to which a few clapped as they began playing Human Desire from their debut, Gilgamesh. The band were more than gracious through their short, but sweet set and finished with their new single, Sorry. Check them out this weekend and next when they perform at the Future Music Festival in Australia.
If Wednesday and Pugsley of the Addams family were born a little later they might’ve had this Gothic half pipe in their backyard. I could almost imagine Gomez and Morticia smoking in front of this beautiful wrought iron structure. Instead artist Brandon Vickerd has made something for today’s skater goth. The pipe isn’t as deep as a traditional transition but it is truly beautiful. The sides holding up the wooden platform are black and resemble the part of a rollercoaster which holds up the tracks. According to the artist he wanted to make something that spoke to architectural design incorporated with a recreational aesthetic. It achieves this goal by exploring a type which is normally found floating around music and alternative fashion. The gothic sensibility isn’t normally associated with athletics which make Vickerd’s creation more intriguing. From certain angles the iron is constructed to look like a row of church steeples. It also has the feel of old bridges and fancy park benches. It’s not clear if the artist is a skater but judging by the care involved in this project it would make sense.
Other projects the artist has been involved is making models of famous busts and other figures such as ghost rider with Skeleton faces. These reference more traditional figurative sculpting techniques and pop art from the 60’s.
The words ‘serif’ and ‘sans serif’ can get a designers heart beating a bit faster – new and interesting fonts can be a inspirational jumping off point. These photograph based letters from New York based photographer Bela Borsodi definitely have a wide appeal. Borsodi uses household objects and empty space so as to nearly make it appear he happened on the letters by chance. He clearly has a knack for making the meticulously planned appear casual. Borsodi’s skill has won him clients such as the Esquire, Details, and the Wall Street Journal. Also, see his work previously here. [via]
Jake and Dinos Chapman, ‘In Our Dreams We Have Seen Another World’ , 2013 -White Cube Gallery.
Yesterday was Miami Art Basel 2013’s preview, and B/D was there to get the scoop on Basel’s most innovative and interesting works. Here we’ve picked out a few pieces that caught our eye. Hope you enjoy these as much as we did!
Jakes and Dinos Chapman’s diorama fuses sensitive religious themes with mass branding and symbols of the global fast food chain, McDonald’s. The rather crude, and disturbing maquette juxtaposes, or rather, finds parallels between what seems to be violent scenes of apocalypse and crucifixions, and the globalization of American fast food chains. The artwork exudes great hostility; it truly makes for an uncomfortable yet very entertaining, and satisfying viewing. The piece pinpoints and creates controversy, as it look at a global economy superpower through the eyes of uncensored, critical, and dry humor.
Evan Penny’s sculpture was probably one of my top personal highlights from Basel. ‘Female Stretch’ is strange and confusing to look at. The artist accomplishes a flat look out of a three-dimensional sculpture. Besides the bizarre proportions, which I hope you can appreciate through the photos, I can say that Penny’s craftsmanship shines quite brightly through the sculpture’s accuracy when it came to small details. Hair, eyelashes and skin textures are almost impressively realistic looking.
Steed Taylor uses the open road as a metaphor to skin in his “Road Tattoo” series. Taking designs usually found in tattoo art, Steed uses the same aesthetic and principle but on a much grander scale. He produces commemorative public installations on roads throughout the US much in the same way people add tattoos to their bodies to document a life event. The designs are mostly generic tribal tattoos and loop art seen most commonly on the body as bands around arms and legs. He uses these same ideas on a much larger scale inscribed underneath with names of specific groups he wants to commemorate.
Some ideas Steed has turned into “Road Tattoos” have been Aids and domestic abuse survivors, families of deceased war heroes, and non-denominational prayer groups. They have appeared all over the country and are on display until the paint fades. It documents a part of popular culture that crosses over into a larger scale to draw attention to a segment once thought of as alternative and brings it to the masses where it acts as a way for more of society to identify with the original sentiment since most are familiar with these designs in mainstream culture.
Jose Romussi’s latest series #Anti-Serie is a visual depiction of beauty being in the eye of the beholder. The series is made up of a collection of fashion photographs which he has modified through the application of colorful embroidery. The colors in the photographs are clustered and tightly knit in order to create a textured layer which adds an aesthetically intriguing aspect to the primarily black and white photographs. The embroidery in this series is made up of abstract blocks of color and zig zags which give the series a more tribal touch.
The colors of the threads clash perfectly with the black and whites present in the photographs and give them a different meaning and even a sort of second life. His use of lines and geometrical shapes is somewhat reminiscent of the naïve art movement. Romussi aims to “give the image a new emotion, a new life, a new interpretation through embroidering”, and he does just that. He has taken a series of beautiful photographs and given them a new sort of meaning through embroidery. The original faces of the subjects in the photographs are entirely covered, which gives the thread a sort of mask-like property.
Romussi’s project is not only interesting from the visual perspective but also on a conceptual level in the sense that the ideas at the root of the project are connected to deeper debates about beauty and the personal aspects of defining such a concept. The idea that applying another layer to an otherwise finished product is interesting to examine from the perspectives of multimedia art and making meaning on a more personal level.
World-renowned art superstar Takashi Murakami (and his production company Kaikai Kiki Co., Ltd.) has always dabbled in fine art mediums with a large splash of commercial elements, but his latest venture is taking on the largest popular medium of them all. Jellyfish Eyes is the artist’s first foray into live-action, full-length films, and from the looks of the incredible trailer, it will have all of the elements of Murakami’s “superflat” mix of high and low culture.
“Jellyfish Eyes tells the story of Masashi, a young boy who moves to a sleepy town in the Japanese countryside with his mother in the wake of a natural disaster. After returning home from his new elementary school one day, Masashi discovers a flying jellyfish-like creature whom he befriends and names Kurage-bo. Masashi soon discovers that all his classmates have similarly magical pets, known as F.R.I.E.N.D.s, which are controlled by electronic devices that the children use to battle one another. Despite their playful appearances, however, these F.R.I.E.N.D.s turn out to be part of a sinister plot that will threaten the entire town.”