PULSE Art Fair in Miami opened its doors on Dec.5th, 2013. The fifth edition of the fair brings forth an interesting mix of sophisticated, and classic works that offer a critical and progressive edge. Some of the most world-renowned artist are showcasing here, amongst them, William Eggleston, Zanele Muholi, and Robert Mapplethorpe.
Here, I have compiled a short guide of highlights that appeal to the Beautiful/Decay aesthetic:
Guatemalan artist Leandro Asoli creates these decorative, religious icons covered in colorful children’s stickers featuring some of our favorite cartoons and superheros: Superman, Dora the explorer, Spongebob, Lisa Frank, Spiderman, etc. The juxtaposition of these two things, religion and children’s television/book characters, creates interesting parallels between the concepts of idolization, religion, and popular culture.
Next, we have Moroccan artist Mounir Fatmi whom constructs lively collages out of used prayer rugs. This particular work, lends itself to heated controversy, as the usage of said rugs to make artworks is pretty much an atrocity within the Muslim faith. By using prayer rugs as his material of choice, the artist violates the religious object, leaving his audience to be exposed to a deconstruction of religious dogmas and ideologies.
If you find yourself at the High Line in New York City, you can view an installation titled Skittles by artist Josh Kline. It features a large, industrial-sized refrigerator that contains a cultural food trend – smoothies. But, these aren’t the kind you’d want to drink. Instead being packed with fruits and veggies, Kline has ingredients like credit cards, sneakers, phone bills, and more encased in a bottle.One concoction reads: “williamsburg, credit card, american apparel, kale chips, kombucha, microbrew, quinoa, agave,” meaning that they are just sips away.
Each of Kline’s “smoothies” represents a different type of contemporary lifestyle. Components of the drinks spell out stereotypes that we’d associate with the person that lives it. The minimally-designed bottles are clear with the ingredients labeled on the outside. While the packaging all looks the same, it’s the contents that set each apart. Some are colored red while others look like they contain trash. Grouped together, they showcase the physical aspects of a persona who is a product of our culture.
Kline’s Skittles is part of the larger group exhibition Archeo, which is on display until March 2015. (via Laughing Squid. Photos via nyctaeus)
Brooklyn artist Christian Maychack has put together a solo exhibition entitled Flats which opens TONIGHT at Jeff Bailey Gallery (625 West 27th Street, Manhattan) and runs through October 6th. This is the artist’s third solo show with the gallery and it looks absolutely amazing. Wood, epoxy, clay, and pigment come together in swirling compositions with really unique textures. Maychack recently received a painting fellowship from the New York Foundation for the Arts. Looks like he deserves it. See more work from Flats after the jump.
A smart new campaign launched on Earth Day (April 22) in Hong Kong has ambitious plans aimed at changing the littering epidemic the city is facing. Called ‘The Face of Litter’ and developed by The Hong Kong Cleanup, in partnership with Ecozine and The Nature Conservancy, it is a multi-media attempt to curve people’s messy habits. Groups of scientists have targeted certain areas around the city, and with the help of DNA phenotyping and specialized software, an image of the litter culprit is developed. Then by considering the type of litter found, and where in the city, an even more accurate description of the person and their demographic can be developed. The faces of the guilty litterbugs are then displayed around the city, in different bus stops, on billboards and on social media.
By publicly shaming people who drop their rubbish, The Hong Kong Cleanup hopes to drastically change their citizen’s habits. China and Indonesia are among the top polluters around the world, and now many people are acting to change this sooner rather than later.
95 per cent of marine refuse in Hong Kong comes from local sources, with over 80 per cent originating from land-based activities. Additionally, more than 70 per cent comprises plastic and foam plastic items. (Source)
Lisa Christensen, Founder and CEO of The Hong Kong Cleanup, says:
We are thrilled to be part of this innovative campaign, which is sure to have a positive impact on people and the community. Last year, during the six-week Hong Kong Cleanup Challenge, 418 teams comprising 51,064 participants, collected a total of 3,894,000 kilograms of litter from city streets, coastal area’s and country trails. Sadly, we suffer from a serious ‘pick up after me’ mentality, and this simply must change. (Source)
With rippling, coiled muscles, the sculptures of Masao Kinoshita stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land. Save for their multiple heads and engorged limbs, these beasts could easily be ancestors of man.
Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme. The Hindu god Ganesh poses confidently while a human baby and a small teddy bear develop muscles of similar size and strength.
Given the artist’s knowledge of folklore and spiritual histories, we might interpret his massive, hulking walrus as a nod to the beast mentioned in Alice in Wonderland, who is widely assumed to represent the Buddha. Built from wood, he would certainly seem at home in the story of “The Walrus and the Carpenter,” but his soulful eyes maintain a divine dignity that eluded Lewis Carroll’s infamous character.
Throughout Kinoshita’s impressive body of work, the physical and the metaphysical are allowed to coexist. Where modern religions condemn the pleasures of the body and exalt in those of the spirit, these sculptures present a world wherein the gods themselves are proud—even arrogant, as the case may be with those thong-wearing bodybuilders—to live within mortal anatomies. Take a look. (via HiFructose)
It’s difficult to tell if it is performance art, a design project, or just a weird way to date. However you classify it, graphic designers Jessica Walsh and Timothy Goodman have flung themselves into the project straightforwardly titled 40 Days of Dating. Exasperated with the New York City dating scene, the designers turned to each other. Each deals with the opposite problem – Jessica jumps in too quickly, Timothy’s reluctant to take the plunge. The two good friends decided to date each other for forty days – the amount of time often thought required to quit a bad habit. However, the dating project entails a bit more. First, there are six rules:
We will see each other every day for forty days.
We will go on at least three dates a week.
We will see a couples therapist once a week.
We will go on one weekend trip together.
We will fill out the daily questionnaire and document everything.
We will not see, date, hookup, or have sex with anyone else.
The daily dating adventures of the couple were then uploaded to their in fashionable design style. Would love and dating be redeemed or their relationship irreparably ruined? 40 Days of Dating was set to find out.