Venice, Italy-based artist/illustrator Jacopo Rosati does these felt collage illustrations that are really cool. Rosati, whose clients include -among others- Wired Magazine, The Wall Street Journal, and Geico, has a nice sense of color. Each piece really pops and the felt adds a unique texture to his work. The images are so subtle, but they communicate everything they need to through the artist’s clever, economical character design. The superhero piece (above) is especially great. (via)
Italian based artist team, Carnovsky, unveiled their RGB Fabulous Landscapes during Milan Design Week 2013. Their digital fresco’s were printed using an innovative technique by Italian company graphicreport. In plain light the landscapes, figures, architecture and atmospheres vibrate and the images are tangled with one another.
But when red, blue or green light is applied to the digital fresco’s a whole different series of pictures emerge. In the piece Atmospheric N. 1 the sky seems to be in a flux of sunrise, sunset and storm as the lighting changes.
In Landscape N.1 a room that seems to go back into infinity is taken over by a lush green landscape which then gives way to a centuries old battle scene.
Both the technique and the imagery are compelling and together the juxtaposition creates an ethereal and haunting effect. (via)
Colorado-born Frieda Gossett‘s craftsmanship is mind-blowing. Her style alludes to taxidermy, and is highly reminiscent of tattooing. Frieda’s craft consists of dyeing and treating the leather, and actually hand-stamping (!!!) the ornate patterns onto her various creatures. She doesn’t have photos of these beauties uploaded to her site, but I managed to pull these from the Systema Naturae shows she did with Gallery Nucleus.
It’s Monday! Can’t waste anymore time sitting in front of the boob tube rotting your brain away watching Jersey Shore reruns! But before you kick it into high gear watch this investigative and exploratory hands-on gloves-off study into the practice of putting things ‘off”. Sometimes the only way to get something done is to do two dozen other things first.
Swiss designer Philipp Herrmann‘s “DIPLOM 2006” project was taken from the diploma catalogue of the graphic design class at University of Applied Arts in Zurich. I really like how, in the image above, the tape and camera angle beguile the eye to create a sense of depth on a flat surface. Very neat optical illusion!