German artist Martin Roller constructs assemblages of objects in hilarious and astonishing ways in his body of work. Taking found object from the streets of Berlin, he photographs interesting mash-ups of everyday objects and remnants of trash, transforming their original function. Setting the scene similar to commercial photography, each newly created object looks as if it is on display in an ad, waiting to be bought. Who knows, maybe Roller’s banana shoes will be the next big thing, although they are not exactly wearable. This colorful and clever series is both aesthetically appealing, with its perfect color blocking, and intriguing, as each item is not altered digitally.
At first glance, you may think that Roller’s images are digitally spliced photographs that together create the finished product. Although this would take some skill, each object is more impressively built by the artist’s own hand, and therefore, actually exists in real life. Roller explains that we live in an age where technology has given us endless possibilities that are accessible to a vast majority of people. Because these digital alterations, as well hand-cut collages, are so common today, these techniques are of no interest to him. He instead aims to assemble his own “collage” from a more realistic source, the objects themselves. Each image displays an amazing combination of real life objects, with an eye on modern design.
I don’t normally go in for crafty stuff, or faux-vintage design, or, um, purses, but I have to say I am really digging these embroidered purses from Olympia Le-Tan. They may appear to be books, but as style.com reports “The ‘books’ in question are actually rectangular box clutches that feature hand-knit copies of the covers of some favorite reads.” These make me wish I carried a purse, err, “rectangular box clutch.” Maybe she can make some laptop bags or something? Or some actual book covers? Come on Penguin, commission this woman!
There’s a pervasive sense of childlike fantasy that seems to underline many pop surrealist works. Make-believe animals that don checkered coats, tight rope walkers and re-imagined cats all vibrate within and beyond the confines chosen by each artist at hand.
The alluring world of pop surrealism frequently ushers in a sense of mythical innocence and humor, unifying the superficial world of popular culture with the recesses of the unconscious. With underlying themes of fragility and the macabre delicately hidden beneath a veil of cultural kitsch, saccharine sweet dreamscapes transform and redefine a caustically bright world enamored with packaged goods. The fantastical worlds created through the lens of the following artists explores the relationship between the seemingly pristine and the accompanying bittersweet decay that dwells beneath it. Featured artists include: Casey Weldon, Mac Sorro, Rafael Silveira, Leslie Ditto, and Britt Ehringer.
KOKOFREAKBEAN is a maker living in San Antonio, Texas. KOKOFREAKBEAN creates videos of fractured childhoods and psychotic emotions, wrapped around a bouncy ball that won’t quit. If you push the play button, there won’t be many options left. It’s do or die, and this artist likes Kevorkian.
The work of artist Adel Abdessemed is at once direct and poetic. He often uses common imagery and objects as a point of departure. However, the mundane beginnings of these objects only further underscore the weighty nature of his art. Abdessemed’s installations are able to provoke a sudden impact of its viewer. Still, the installations communicate complex ideas that unfold over extended viewing. At times controversial, his work is effective in piquing thought and discussion.
Women always say that men think with their crotch so Cuban artist Yoan Capote decided to create a series of work replacing the male genitalia with a giant brain. All of Yoan’s smart and witty conceptual sculptures mix a dash of irony with a dose of comedy such as the ladder with rocking chair legs or a pair of pristine running shoes carved out of pure marble.
Burned heads on life-size matches. A representation of human kind living in today’s society by German artist Wolfgang Stiller. The artist works either from an established concept coming from his mind or from random pieces he finds wandering in his studio. The ‘Matchstick Men’ series got created from left over molds he once used while working in Beijing and thick bamboo woods lying in his studio. Wolfgang Stiller started out by playing around with the heads and the sticks until they both merged, the heads on top of the sticks. The artist is interested in in-situ (specific site) installations. Therefore, the need to build matchboxes and different heights of ‘Matchstick Men’ became obvious.
This faces lying on the bottom of a matchbox resemble vulnerable corpses lying in a coffin. Each face, each person has a similarity with its neighbor. They all experienced a tragedy and are now resting in piece. The fact that they seem to always be displayed as a group of more than two matches makes the process easier to contemplate. Because staring at these heads makes us feel compassion and care. Wolfgang Stiller is not looking for a general interpretation of his art. He creates for a reason and has his own intent but he prefers to leave a space for interpretation between the art piece and the viewer. (via Fubiz).