Portland based, Corey Arnold, has taken some truly amazing documentary style photos of the honest accounts of what it means to be a fisherman at sea. Corey’s photos are endearing telling stories of grueling and gritty conditions of the life of a fisherman tackling themes of isolation, courage, absurdity, and fortitude. Corey is a fisherman himself, and has been taking astonishing real account photos as long as he has been fishing. It is important to note that what makes Arnold’s photos so true and honest is the fact that he is actually a fisherman, just one of the guys out at sea, and has to earn his mate’s trust and pitch in like the rest bearing the harsh conditions of the day but still finding the nerve to grab his camera in opportune times. In the summer Corey captains a wild salmon fishing boat in Bristol Bay, Alaska. Arnold has exhibited his show “Fish-Work”: The Bering Sea earlier in 2012 and has published a book titled ‘The Bering Sea.’ (via)
Jamie Campbell works with the themes of insecurity, burden, vulnerability and desperation, but does it with self-deprecation and humor and profound honesty, leaving you unsure of whether you want to hit him or hug him. Our favorite images by Jamie are of the ghosts wandering around and the living who are stopped in their tracks and drawn into the light.
Truly disturbing (and awesome) portrait collages by David Zsako.
Sonia Rentsch is an art director and still life artist from Melbourne. From intricately arranged appetizers to a hanging lamp fashioned out of a head of lettuce, Rentsch’s work is both dynamic and elegant, often incorporating food as a subject. This trend is put to most effective use in her series Harm Less, an installation in which Rentsch fashioned weaponry out of completely organic objects. Each piece is visually arresting, the imagery of handguns and bullets hauntingly familiar and yet transformed into something beautiful when created out of green produce and plants. The series, in which handguns are made out of everything from bamboo shoots to roses, presents a powerful statement about gun violence and its impact as well as Rentsch’s impeccable eye for detail.
Rentsch has worked with photographer Scott Newett, assisted with design duo Tin and Ed, and worked as the production designer for Australian popstar Kimbra’s music video for “Good Intent”. Her work is consistently bright and colorful, but always proffers a lens through which viewers can fully immerse themselves in the elaborate scenery. One of her most recent projects, a public installation with artist Ben Davis, included a garden of colored pinwheels displayed in Melbourne’s La Trobe Place. Although the meticulous design behind Rentsch’s still life images is evident in each minute detail, Rentsch is assured in working with no set process. As she said in an interview, “An idea comes as quickly as it has to.”
Illustrator & art director Julia Kostreva is a lady with many talents—whether it’s working on membership kits for creative co-lo hotspot Makeshift Society, web design for brands like Kodenko Jeans or creating intriguing artwork for The Dirty Projectors. After studying graphic design and printmaking at Maryland Institute College of Art in Baltimore, Kostreva made the trek out to San Francisco, where she has rooted herself in a multi-faceted creative career. Kostreva has gone on to develop a series of simple, visually striking letterpress prints, notebooks, calendars and cards—in addition to textile patterns.
Every winter about 125 miles North of the Arctic Circle a hotel is built entirely out of snow and ice. While definitely a unique hotel, ICEHOTEL, as it’s called, is just as much an art project in its own right. In a way the structure is contemporary interpretation of traditional homes built of the same material. However, each year brings an entirely new design to the hotel. In addition to being filled with guest rooms and a bar, the art and design group at ICEHOTEL also work from a handpicked group of artists. The hotel becomes a temporary home to art and people, to be destroyed and rebuilt next year. [via]
Brazilian artist Angelica Dass has an ambitious project, titled Humanæ, that attempts to collect all possible human skin tones using one of the main systems of color classification, Pantone®. The background of the portraits are all dyed with the Pantone® color that matches the same color as an extracted sample of the subject’s photographed skin tone. Dass’ ultimate goal is to provoke the viewer and use the internet as a discussion platform on ethnic identity by creating images that connect us independent from factors such as nationality, origin, economic status, age, or aesthetic standards. Dass lives and works in Madrid.
LA based artist and designer, Esai Ramirez, has created an imagined series of art inspired Crayola box sets. With a BFA in advertising, Ramirez has used his eye for marketing along with his talent for design to rebrand classic concepts. Inspired by the Pantone color-coding system, Ramirez has matched specific palettes from iconic works of art and has manufactured them into organized lists of crayon colors. One of the conceived collaborations is with the color theory master himself, Joseph Albers. Here we see an alluring array of orange to match Albers’ Homage to the Square: Glow. The others include palettes influenced by the works of Jen Stark, known for her hypnotic, vibrant paper sculptures, Damien Hurst’s muted, aquatic blues, greens and grays, and, probably most humorously, a full box set of Yves Klein’s signature velvety blue. He also has created a Crayola/ Pantone collaboration box set in which he imagines hue names such as a vivd red titled “pms 185u.”
Esai Ramirez aims the project to be fun and hopes it “encourages adults to play more with color and art.” His work tends to revolved around the marriage of two concepts, ideally creating a new unified vessel to conceive each one. His states about his work:
“Whether it’s two lovers about to kiss for the first time or two boxers about to slug it out–the things that bring us together as well as pull us apart are what I look for in everything I see.” (via Design Boom)