In a darkly poetic new video titled “Quand c’est?” (When it is), singer and songwriter Paul Van Haver (aka, Stromae) sings a chilling address to cancer. The video, shot all in black and white, depicts Stromae performing for an audience of animated alien limbs and nettle-like growths—a creative portrayal of the disease. His words are emotional, bold, and honest:
“Oh yes, we know each other well
You even tried to get my mother
Starting with her breasts
And my father’s lungs
D’you remember then?”
As the video proceeds, Stromae dances across stage, moving in the same strange, articulated fashion as the disease that seeks to devour him. As the music builds, his graceful movements unravel into desperation as one of the limbs seizes him while another—approaching unseen from the back—strikes him dead. The remainder of the video spirals into a fervor, depicting his ghost being his cast into a black pit festooned with the bodies of countless others.
Stromae is known for his videos that touch upon topics of an important nature; the award-winning song “Papaoutai,” for example, explores the experience of growing up without a father. “Quand c’est?” (which is also a homophone for the French pronunciation of “cancer”) explores the trauma of the disease from both an intimate and universal perspective; the majority of us have been touched by cancer in some way, as is expressed by the network of bodies trapped in the alien nest. Weaving together vocals, dance, and animation, Stromae’s haunting performance is an expressive embodiment of human pain and perseverance.
In his giant installation art / performance Para-Production, artist Ni Haifeng reverses the common global process of production. A massive movement of commodities takes place each day often beginning in the country of Ni Haifeng’s birth – China. Many companies defer production of their goods to the country which are then often exported for consumption in the Western world. In Para-Production, however, a large room is filled with loose garments and sewing machines. Gallery visitors are then invited to work, to sew these items together. In a way, the installation becomes a performance of labor – people that are often the consumer of Chinese-made products instead produce a product for a Chinese artist. [via]
Cody Hoyt of Apenest fame recently created a brand new limited edition silkscreened print, “Rise and Shine,” sent straight from an astral projection and into your orange shag, unicorn carpet disc0-ball custom RV. Cody is part of ourindependent artist’s network (represented by tiles on the lower right hand side of our site). What is probably most exciting about this acid-induced multi-armed vision is that it can be viewed in daylight….and blacklight! Remember in high school when your one friend had the cool hang out with the parents never home and you’d have friends over to stare at mushroom-vortex blacklight posters and pretend you were burned out hippies on mushrooms, even though you were only 14? Well, my friends, Apenest has created a slightly more adult version for all us UV-obssesed kids who have grown up (or not). Some amazing behind the scenes process shots after the jump, including his tromp l’oiel suggestion box bathroom…..
Fe, Fi, Fo, Fum. I smell the blood of an Englishman, Be he living, or be he dead, I’ll grind his bones to mix my bread! Someone took the old British nursery rhyme a little too far it seems…In honor of the upcoming holiday, I’ll only be posting creepy art on the blog….In case you’re wondering, no, B/D has not gone into the gruesome business of baking humans- what you see is the artwork of Kittiwat Unarrom, a Thai artist and baker who sculpts macabre edible creations. He got his inspiration from working in his parents bakery- talk about playing with your food! I found a video on YouTube of the artist at work below- it seems to only be Thai but its cool to see the 3D works…
In Japanese artist Erika Yamashiro paintings and drawings pretty angelic girls live in a fantasy world full of small cuddly critters and magical mushrooms. These worlds are where young girls go to escape reality and find the place that they inhabit in their sleep.
The sculptor Livio Scapella‘s shrouded figures seem to be in eternal conflict with their materiality, trapped like lost souls within the confines of stone. In this strange work, titled “Ghosts Underground,” the artist uses the aesthetic dialogue normally associated with classical Renaissance masters, establishing the suggestion of movement within the frozen busts; necks contort, and mouths hang open as if to speak. Visual weight is distributed uncomfortably, and like Michelangelo’s Prisoners, Scapella’s figures yearn for escape, gasp for air.
Like a moving, writhing funeral shroud, the fabric is rendered with the utmost delicacy and softness, affording the busts a ghostly significance, as if they were invisible men and women defined only by the cloth in which they are contained. Like those caught frantically between life and death, the haunting figures seemingly do battle with the elements of the natural world and its order. As they strain against stone, they are powerfully anchored by spectacular quartz and amethyst held steadfastly to their chest. Like an external representation of the soul or spiritual self, the burdensome yet magnificent gemstones lie cradled within the airy fabric above the heart.
In a particularly powerful diptych, the “white soul” sits beside the “black soul;” where the white soul rests, embracing her permanent and immobile fate, the black soul strives against eternity, his mouth open in a frightful scream. The male, art historically associated with the intellectual and rational, is in turmoil; the female, on the other hand, becomes unified with nature and with the elements from which she is constructed. Within each of us lies this powerful duality: will we succumb to death or will we struggle to escape it? Take a look. (via Hi Fructose and Juxtapoz)
It’s no secret that Melbourne-based artist Phil Ferguson is fond of food. After all, giant slices of crocheted pizza, cracked eggs, bacon, hot dogs, and much more are strapped onto the top or side of his head. They take the form of decorative hats and costumes that frame the wearer’s face, and their larger-than-life scale makes them a delight. Ferguson posts as @chiliphilly on Instagram where he has 14.2K fans (at the time of writing).
The artist is originally from Perth in Western Australia, and he started crocheting the food and sharing on Instagram as a way to connect with other artists in the area. It all began with a burger that was inspired by Tuck Shop Take Away, his place of work. “From that point onward I thought about how to do food hats,” he told Daily Mail. “[Food] has been the most accessible thing people can relate to and it will stay that way until I’m bored.”
Depending on the design, Ferguson is able to complete a piece in two to three days. The artist describes himself as a self-taught crocheter (he watched instructional YouTube videos) who has never learnt to read patterns. Even so, he’s crafted 24 delectable creations so far. (Via Daily Mail and Milk Made)