TOMAAS is a Paris-based fashion and beauty photographer whose stunning works explore the way man-made materials and objects accompany us in our daily lives. This particular series, titled Plastic Fantastic, incorporates plastic bags, forks, tubing, straws, bottles, and more into the creation of surreal and cinematic imagery. His white-washed models are both alien and beautiful; with plastic adorning their bodies and faces, what is most often seen as a functional and/or wasteful material becomes the luminescent fabric of space-age fashion.
Throughout his work, TOMAAS is interested in imagery that presents multiple themes. Plastic Fantastic is one such series, wherein he examines the prevalence, significance, and artistic versatility of plastic in our modern-day world. While conceptualizing this project, TOMAAS wanted to emphasize “the design and design choices behind such man-made products” (Source), and furthermore, explore what happens when such functional objects are removed from their normal contexts; take plastic forks and tubing into an arts and beauty studio, arrange them in unusual ways, and suddenly they become eerily beautiful and expressive crowns and dresses.
This approach to plastic as desirable or aesthetically-pleasing may be a bit difficult for us, given its noxious status in environmental discourse. But this is TOMAAS’ intention, to show beauty in unexpected places (and perhaps challenge some ethical perceptions in doing so). “There is no denying that [plastic] is one of the most commonly used materials in today’s society,” TOMAAS writes, describing what inspired him to create the series. By synthesizing plastic with fine art photography, he allows us to see — perhaps with a bit of resistance — beauty in a synthetic material that has become deeply integral to our human habitat.
Check out TOMAAS’ website for more of his works, including a series called Eco-Beauty, wherein he integrates other materials (such as straw and rope) into his photographic narratives. (Via Art Fucks Me)
Vladimir Kato grew up in the urban environment of Yugoslavia in the 1980’s, influenced by the anarchy, graffiti and punks that inhabited his city and surroundings. Much of his imagery comes from comic and pop artists of the time. After moving to Canada, he gained an education from The Interpretive Illustration and Classical Animation Programs at the Sheridan College of Art and Design . He is now an artist, illustrator, and cartoonist for several recognized magazines and clothing companies. His new show examining wild animals, entitled “Wilderness,” opens June 4th at the Show & Tell Gallery in Toronto, Canada.
East coast Collage artist and lover of type, Able Parris, offers any art-tuned web-explorer a selection of delights. I suggest starting with his collage collections and Able’s sketchbook videos. and viewing his other work as featured on tumblr. Able shares his collage art through downloadable wallpapers, and shares his editorial perspectives as a frequent contributor to both Graphic Hug and We Love Typography. Thanks for sharing, Able!
Bozena Rydlewska (aka Bozka) is a Polish artist who creates enchanting nature illustrations blooming with life. Her works resemble dream-like visions of a fairytale forest: ornate plants burst and divide across the paper, creating patterns and symmetry; animals from different habitats (frogs, birds, and tropical fish) intermingle harmoniously. Bozka has turned some of her illustrations into mesmerizing 3D pop-ups, intricately layered and rich with illustrated texture. From bright, buzzing jungles to mysterious gardens at dusk, the vibrant color schemes give each ecosystem a unique energy.
For many of us, Bozka’s works may be attached to a sense of nostalgia; they remind us of those children’s books that engrossed our imaginations by springing to life as we turned the pages. Bozka has taken this art a bit further, of course, in the divine complexity of each piece. Some of her pop-ups resemble theater sets, like elaborate stagings celebrating the harmony and geometry of nature; we expect at any moment for the birds and butterflies to explode into a synchronous movement. Check out Bokza’s website and Facebook page for more imaginative creations. (Via Hi-Fructose)
Steven Yazzie is a Native American (Navajo Nation) artist who lives in Arizona. He served in the U.S. Marine Corps before pursuing painting through residency at the prestigious Skowhegan School of Painting and Sculpture, and is currently pursuing his BFA in painting from the University of Arizona. Although this review focuses exclusively on Yazzi’s Coyote Series, he has an extensive body of work that ranges between abstraction and surrealism, incorporating an interest in pattern, shape, the Southwestern landscape, and Navajo culture and history.
Yazzi’s paintings question the relationship between man and nature, and between interior and exterior spaces. Elements of the wilderness and the playful trickster Coyote are placed alongside modern, minimalist domestic spaces; several paintings even reference the ultimate minimalist establishments – the gallery space – drawing from principles (if not necessarily the practice) of Institutional Critique.
Looking closer, all of his interiors are symbolically suggestive of their original elements – an animal printed ottoman, stone colored couch, grassy rug, unprocessed lumber table, and landscape paintings adorning the walls all mimic the desert landscape to which they are adjacent; the coyote must still feel somewhat at home within these fused environments.
Among his many achievements, Yazzi has exhibited at the Museum of Modern Art, New York, NY; National Museum of the American Indian, New York, NY; the Museum of Contemporary Native Art, Santa Fe, NM. Phoenix Art Museum, Tucson Museum of Contemporary Art, Tucson Museum of Art, and the Museum of Northern Arizona and has been featured in the 2011 West issue of New American Paintings.
Brooklyn artist John Breiner never seems to pin himself down to one medium. Whether he’s using watercolor or ink, he always brings a lot of humanity to the table without sacrificing any aesthetic value. Breiner creates work that is really full- both in composition and technique. He’s also pretty heavily involved with music as well. Seems like he’s got too much going on creatively to really be pinned down in any one place. Definitely not something for us to complain about.