Ben Wu and David Usui of Lost&Found Films take us on a journey into the world of John Coffer, a wet plate photographer who lives in a small log cabin that he built on his 50 acre farm in New York. John abandoned the hustle and bustle of the city over 20 years ago to live a simpler life where ones life isn’t ruled by a punch clock and where the only one that you have to answer too is the rooster crowing at the first site of sunrise. Watch the full video after the jump.
Los Angeles-based painter Justin Bower makes portraiture a glitched metaphor, literally and figuratively, to the present and future of a combined human and computer existence. Bower “…paints his subjects as de-stabilized, fractured post-humans in a nexus of interlocking spatial systems. His paintings problematize how we define ourselves in this digital and virtual age while suggesting the impossibility of grasping such a slippery notion.”
Absorbing different movements and styles (visually one could see a connection to the paintings of Francis Bacon, Jenny Saville, Op Art, as well as early 90’s Cyberpunk and post-Millenium Glitch aesthetics), Bower creates large-scale works that seem almost pained, frustrated or weariness, but with a computer-like void of any tangible, specific emotion. This is balanced delicately by the controlled, digital-referencing malfunctioned backgrounds, combined with loose, painterly brush work, affirming the power and communicability of the paint medium.
I recently stumbled upon Pigasus Gallery, a Berlin based shop that specializes in Polish Poster design. I hadn’t really been aware of the specific design genre of Polish poster design, but after poking around I found a few articles stating that beginning with the period right after World War II, the Polish Union of Artists along with support from all the major art universities set rigorous standards as far as poster design, creating a rich environment that bred a plethora of creative posters that exhibited unqiue imagery as well as technical proficiency….an amazing phenomenon creating some great posters! More after the jump…Check out Liza Manelli’s stockinged legs fashioned into a swastika in the “Cabaret” poster– not sure what to make of that, anyone?
French artists Zim and Zou, comprised of Lucie Thomas and Thibault Zimmermann, took Spain by storm this May during EXPO Milan 2015 with their elaborate, thought provoking artwork. In store windows in the streets of Milan, the talented pair installed displays of intricate, three-dimensional work bursting with color and environmental messages. Created mostly out of carefully cut paper, Zim and Zou’s series illustrates the harmful effects GMO’s and aggressive farming can have on the environment, our own bodies, and the food industry as a whole. This fell in line with this years EXPO Milan theme for 2015, which is “Feeding the planet, Energy for life.”
The series in the display windows, titled Edible Monsters, reveals an array of sterile looking plants and animals, complete with mutant-like features and unnatural colors. Although these seemingly bright and cheery scenes evoke feelings of warmth and pleasantness at first glance, they all hold a bizarre aura, showing how the path that we currently are on can lead to terrible and irreversible effects on nature. One scene displays brilliantly colored, happy flowers that devour insects. In another window, one can see a fish swallowing harmful pills and a rabbit with a mutated third ear and crazed eyes. Each installation is beautifully done, but has a dark undertone of what effects chemical use and genetic manipulation can possibly have on our future. These eye-catching window displays shed light on the important subject of the world’s dietary habits and sustainability in a fantastical way. (via Design Boom)
Cody Hoyt titled his website ART, and with a wide selection of silkscreen, photo lithography, and etching mixed media projects, as well as siiiiiick album covers and posters, I can’t say it’s an inappropriate title.
Los Angeles–based photographer John Divola is perhaps best known for this series of photographs documenting the gradual destruction of an abandoned and oft-vandalized beachfront property at Zuma Beach in Malibu. Without a studio of his own in the 1970s, the artist roamed Los Angeles in search of vacant properties that he could photograph. Using them as his canvas, he sometimes spray-painted his own designs onto their interiors, photographing them before the buildings were destroyed. Reflecting his painterly manipulation of the physical site, Divola’s Zuma photographs skillfully frame spectacular sunset views within these dilapidated structures, making his visually compelling, color-saturated photographs more than just pure documentation. See Divola’s work in Under The Big Black Sun currently on view at MOCA until February 13th, 2012.