After only a month and a half Beautiful/Decay:Future Perfect book is officially sold out. This book, as with all Beautiful/Decay books, will never be reprinted in its entirety turning into a limited edition collectible that will be passed down from artist to artist as the ultimate source of inspiration. If you didn’t get a copy of the book you have one final chance to get one of the highly coveted 1,500 copies. We have 10 copies reserved strictly for subscribers on a first come, first serve basis. Simply subscribe as soon as you read this and during checkout ask that we start your subscription with Beautiful/Decay:Future Perfect and you might just get one the very last copies available. We can’t guarantee that you’ll be one of the lucky ten but those that miss out will start their subscription with Beautiful/Decay Book 7!
Typographer, graphic designer and businessman Erik Spiekermann has created timeless, influential and, yes, Meta-physical work over the past three decades.
Next to founding MetaDesign and FontShop, the latter being the first ever digital distributor of fonts, and designing more instant classic typefaces than any other, he has been recognized as an outstanding expert internationally as a lecturer and professor.
Listen to the design genius talk about new visual languages, design processes, the analogies of music and typography, and why we need better client culture in this fantastic short documentary by our friends over at Gestalten. Watch the full video after the jump!
Ashkan Honarvar’s work is definitely not for the squeamish. There is macabre beauty in his work that compels you to keep looking at it. Honarvar’s work reveals the the darker side of the human body and mind… something most of us would rather look away from. The human body, whether torn by war, exploited by the sex industry, or as a tool for discovering identity, is the focus of his work. Ashkan Honarvar is now part of the La Petite Mort Gallery in Ottawa, Canada.
If you’re trying to cut back on caffeine, try replacing it with Ali Smith‘s paintings; they are pure visual energy. “With their rough edges, fractured compositions and unpredictable scale-shifts, the L.A. artist paints energetic pictures whose wild swipes and slashes are not expressive — in any way, shape or form. Rather than standing in as authentic emblems of inner turmoil or heartfelt emotions, the whiplash gestures in Smith’s paintings take on lives of their own.” – Los Angeles Times
Las fall street artists MOMO and El Tono were invited collaborate on a project for the Bien Urbain festival in France. Both artists often work with an abstract painted style. For their collaboration, though, the artists added a third dimension. Using pieces of wood, the artists filled gaps in walls and windows throughout the city. Instead of being unused negative space, the gaps were transformed into a framing device for these abstract compositions. Simple but elegant, the series is illustrative of innovative trends in street on new approaches to interacting with the urban environment.
Bill Dunlap‘s portfolio is a wealth of revulsion. These images, from Dunlap’s “Black” series, look like viscera made of paint and bad moods. Woe betide the five-year-old who finds one of these faces lurking under their bed at night.
The boombastic Superoboturbo illustrations remind me of how excited I used to be when I saw monkeys on television. I used to be obsessed with those little fuzzy guys, and I’m beginning to swoon for this man’s work the same way. His controlled pallette and friendly line-weight make for a rambunctious duo that make it hard to pull my eyes away.
Also, he recently broke his leg so maybe send him a nice note or a little work to help cheer him up/pay the medical bills at: [email protected]