In Ben F Carney’s digital world objects fly through your body, gravity takes its toll in unperdictable ways, and human skin can be strectched, torn, pulled, and bent in every which way possible. Make sure to check out the video by Ben after the jump.
These are much more than simple balloon animals. Jason Hackenwerth‘s creations float like giant swimming organisms. His newest creature, Pisces, which recently debuted at the Edinburgh International Science festival is particularly massive. Pisces is built of thousands of balloons blown up and tied together. It took three of members of the festival six days to blow up all of the balloons for the 40 foot structure. The piece now hangs in the Grand Gallery of the National Museum of Scotland through April 14, 2013.
Multi-disciplinary artist Christopher Taggart‘s work elegantly investigates ordering systems, photographic dissection and dissemination. Most compelling are his large, meticulously woven collages of carefully selected imagery—a combination of playing cards, personal photos and government archives. Taggart presents these works in such a way that the viewer’s attention is simultaneously swallowed by the physical scale of each piece and lost in the smallness of the individual cuts.
The overwhelming nature of the work does not seem to be accidental, as he plays with the viewer’s sense of curiosity in each bite-sized fragment of imagery. While trying to look for themes or recurrences within the work, at times the subject matter reveals itself and sets a different tone. For example, Taggart’s digital photographic collage Colony combines and restructures aerial photographs of 21 California state prisons—something that casts a darkness over the colorful shards of imagery almost immediately. His latest solo effort, Cuts And Splits, is on view at Eli Ridgway Gallery through May 4.
Street artist Mobstr produced this piece, The Story. Each painted-over line of the story allows the next to proceed. Much of Mobstr’s street art works on assumption that his work will soon be painted over – it relies on its inevitable destruction. Like his story states, his distinct approach to street art makes use this “strange harmony”.
It was a unique call for submissions: “Please send me your best nudes so I can draw them while I figure out my next move.” Seeking inspiration, Brooklyn-based artist Frances Waite posted this message on her Instagram, along with her phone number. Men and women responded enthusiastically, sending her intimate nude selfies of themselves sprawling on beds and squatting over mirrors. Choosing the images she found especially playful and unique—or rather, the nudes “where people [were] being themselves and posing in a way they [thought was] sexy and beautiful”—Waite began recreating them as illustrations, translating mischief and bodily expression into skillfully-drawn portraits (Source). The result is a fun, provoking, and ongoing series titled NUDES.
Waites’ project is one of empowerment, seeking self-expression beyond voyeurism, objectification, and the boundaries of heteronormativity. “I do think that I give people an opportunity to perform a part of themselves they might not display otherwise,” she explains in an interview with The Creators Project. “I’m some weird girl on the internet that wants to draw naked strangers, and I already have a repertoire of images that, I hope, make people feel comfortable doing whatever the hell they want.” (Source) She seeks to create a safe space where people can celebrate their bodies and sexual identities with agency and anonymity.
I absolutely love Ben Newman’s gorgeous illustrations that have a beautiful vintage feel to them. I doubt they were created using old printmaking techniques but I’m just going to close my eyes and Imagine Ben working away in a little cottage full of printmaking presses making ornate illustrations full brilliant texture and delicately faded color.
Via large-scale installations, Antony Gormley explores relationships with nature in a radical investigation of the body as a place of memory and transformation. His recent work increasingly engages with energy systems, fields and vectors, rather than mass and defined volume, evident in works like CLEARING, BLIND LIGHT, FIRMAMENT and ANOTHER SINGULARITY.
In April, Ward van Gemert and Adriaan van der Ploeg of the Rotterdam-based design studio Nightshop will be showcasing their unique “décor” at the Robert van Oosterom Gallery: large-scale rugs made out of colorful foam. Each one is created from the artists’ unique blend of urethane foam, which they put into syringes and squeeze out into spiraling and cross-hatched designs. Once the foam dries, it fuses to the adjacent “thread” and thereby creates a solid piece. There are currently seven carpets completed, and the artists plan to finish three more by the exhibition.
While the rugs appear functional (and comfortable—perhaps due to that soft, clay-like appearance), the artists have stated that they’re “they’re more objects without a clear use,” intended to be viewed as art pieces (Source). As colorful curiosities, they blend the traditional art form of carpet weaving with modern kitsch; the are reminiscent of everything from playroom décor to a carpet as seen during a psychedelic trip. On their studio’s About page, Nightshop professes to “bring aspects of ‘low-culture’ into their designs,” thereby “investigating the boundaries between good and bad taste” (Source). The foam rugs bring our attention to everyday objects, highlighting their innate design characteristics and artistic, culturally-relevant merit.