Recently, Canadian installation/performance studio Moment Factory put on a really ambitious show in Barcelona. The group designed and executed a video projection piece using the facade of Gaudi’s Sagrada Familia cathedral. Looks incredible. MF pulled off the piece three nights in a row during the recent La Merce Festival. It would kill my brain if I tried to engineer a video projection piece using a structure as complex as the Sagrada Familia. More images after the jump. (via)
Missing the cult classic post-punk musicians that changed the course of music history? Never fear! They are back in action…but as superheroes! Illustrator “Butcher Billy” has taken your favorite Post-Punk icons and transformed them into Marvel superheroes. Each legendary musician becomes an ever-popular hero by giving them just a few character essentials like a spandex outfit, bold lines and color, and a catchy comic title behind them. If these unforgettable musicians weren’t already your heroes, they will be after you see them on these specially created comic cover mock-ups that cleverly match each icon with their appropriate superhero counterpart. These incredibly on-point mash-ups include bright, eye-catching titles displaying various infamous lyrics such as “I don’t care if Monday’s blue,” from The Cure or “When a problem comes along” from Devo. After seeing these re-imagined icons, you realize how much they already looked like superheroes, or perhaps villains.
Mixing together cult classic comic characters with equally popular musical icons is genius. Not only do they both have “super powers,” whether it be possessing super strength or being a lyrical genius, but also often adorn themselves with spandex clothing. The best part about these hybrid hero/musicians is that us super fans or comic nerds are not the only ones that love these illustrations. Shown is a photo of Morrissey wearing a shirt showing himself in full hulk form, and another includes Siouxsie Sioux proudly displaying clothing with her own superhero alter ego, complete with her audacious hair and signature make up. (via Shortlist)
Beautiful/Decay is ringing in spring with our latest selection of art-based T-shirts. This season’s roster of artists include Ben Tegel, Jiro Bevis, YAIAGIFT, Steve Bonner & Ryan Riss. Playful re-works of iconic pop cultural references, sleek design, and humorous, hand-drawn graphics all collide within our latest collection.
The Spring 2010 Lookbook was shot on the Beautiful/Decay headquarters’ very own rooftop, and in the surrounding Downtown Los Angeles neighborhood.
Pick up your T-Shirts on the Beautiful/Decay online shop today, as these limited edition shirts sell out quick!
A nod to the passing of prodigious asinine youth culture documenter, Dash Snow, who reportedly fell victim to the same choice of poison as his photographic subjects. Most of his images are too gnarly (snorting cocaine off a penis, sexual escapades, general urban debauchery) to post on this blog but I’m sure you’ll find them very well & easily if you just Google him. Here’s some of tamer ones after the jump…
Nicholas Alan Cope is a photographer based in Los Angeles. Aside from heavy commercial engagements, he creates wonderful, stark pictures that turn the mundane into extraordinarily arresting figures of motion and texture. He’s recently collaborated with Dustin Edward Arnold (see above image), and the results are mind-blowing. See Cope’s personal work and more Arnold collabs after the jump.
When I think of New York City I imagine rough and tough grandma’s cussing you out and not taking shit from anyone. Other cities just don’t produce in your face, loud mouth senior citizens. This can get annoying in most situations but not when it comes to amazing Sister Helen Travis. In Sister Helen you’ll find one of the most unanimously acclaimed documentaries in recent years and winner of the coveted Sundance Film Festival Directing Award. A recovering alcoholic who lost her husband and sons to substance abuse Sister Helen fights the South Bronx’s drug wars one person at a time with more off-the-top catch phrases than a 1990’s rap song.
Sister Helen is an inspiring documentary filled with an equal dose of comedy and drama. The love/hate relationship between this tough-as-nails nun and the men who both fear her and rely on her to help them battle their own inner demons is unreal. Inspired by Sinatra’s “my-way-or-the-highway” mantra, Sister Helen runs a tight ship in which everyone must obey her rules and the hand that writes them. For the residents who wish to permanently kick the habit, this sobering dose of tough love may be their last and only hope.
For Brazilian artist Fábio Magalhães’ hyperrealist oil paintings, the more grotesque the better. Using gruesome body horror imagery such as hacked up, barely identifiable body parts and suffocated faces in plastic bags, Magalhães’ work is as incisive as it is skillfully rendered. The breaking down of recognizably human appendages and entrails into chopped up, stomach churning chunks is purposefully reminiscent of a real-life counterpart: that of animal cruelty. Although we’re accustomed to seeing animals deconstructed into bright, vacuum-sealed packages of meat every time we go to a supermarket, it’s only when faced with the sickening sight of what our own bodies would look like if sold in similar plastic bags that truth of the cruelty behind the meat industry becomes stunningly clear. Magalhães’ paintings are nightmarish in portrayal, and certainly something you’d never want to see in real life, but when put to canvas are strong, provocative, and memorable works. Magalhães studied at the Federal University of Bahia in the city of Salvador, where he is currently based. (via Illusion)
X-ray and embroidery by Philadelphia based Mathew Cox.
“By joining the cold, blue, medically technical plastic of the x-ray with the colorful, decorative and tactile embroidery thread each is removed from its original intention and creates a new entity. Handling these media also gives me an opportunity to comment on the ever-increasing presence of photography in contemporary art- by introducing labor over the quick, slickness of film.
In Heartthrobs, Avatars and Playboys, 2011 – 2012, I am transporting this technique to a new place using iconic heartthrobs from Pop culture such as Snow White and David Bowie and avatars from Eastern religion and Greek mythology such as Krishna and Minotaur. The possible visual imagery is rich, vast and exciting. This new move has also given me an opportunity to physically move out of the rectangle of the x-ray by extending the embroidery upward and outside of the frame.”