Will Penny is an artist from Woodstock, Ontario. His art is a study in how he processes info visually and conceptually. Each design is as vibrant and energetic as the next.
Max Hamilton is a photographer based in London. He has a knack for photographing cultures and their beauty – from skateboarding to the industrialization of China. His shots create an honest narrative that resonates beyond a simple, timely image; his work is a testament to this era.
Bill Durgin‘s “Figure Studies” explores the human torso as an abstract form. He often takes inspiration from dance and other performers to capture images of the human body, (sans limbs and heads), as if their skeletons had lost their rigidity and become part of their skin, fat, and flesh. Durgin would demonstrate different poses he took away from performances and ask his models to imitate them – a lot of these guys must be yoga ninjas.
Romulo Sans creates a dramatic aesthetic using political and cultural iconography. Sans’ photographs address issues of dominance, passivity, aggression, capitalism, and sexuality. Also of note are his blends of Western and Eastern imagery, asking viewers to consider the various absurdities within these contexts. Sans’ background in art direction and interest worldwide politics ground his work. These photographs convey Sans’ attempt to understand disparate cultural elements through a visual medium. Originally from Barcelona, Sans spent some formative years in Cuba, where he admittedly watched the Al Jazeera news outlet regularly, as it was one of the only available news outlets.
Tabitha Soren‘s most recent body of work, simply titled Running, is an interesting collection of photographs that capture individuals fleeing in a state of sheer panic. By withholding most of the context from these freeze-frame images, Soren leaves her audience hanging in a moment of suspended terror—with no option but to construct a narrative around each scenario she presents. Each highly cinematic snapshot resonates with an easily relatable range of human emotions, and the focus of her work as a whole is tied up in using her lens to investigate the messier moments of life.
A longtime journalist and documentarian, Soren seems comfortable working in the realm of subject matter that is slightly unresolved. “My work is about what people can survive and what they can’t,” she says. “It’s about decay, how life can be reckless, and how you have to keep going. I explore how people can pick themselves up.” It’s interesting to see how these themes play out across the series, leaving traces of vulnerability, fear and escape etched into their collective storyline.
See Soren’s work currently on view at Kopeikin Gallery in Los Angeles.
A rainbow colored sky as a sole view. This is the dream-like scenery imagined by English artist Liz West. In a room where nothing else can be the attraction other than a multitude of colored neons reflected on mirror covered floor and walls. A place where senses and emotions relay thoughts and worries.
‘An Additive Mix’ installation is part of the group show Light Fantastic: Adventures in the Science of Light at the National Media Museum in Bradford, UK. It is a tremendous piece of art comprised of 250 fluorescent lights and 199 different colors. Aware that she has chosen to express her creativity through a rare medium she is proud to have found her signature in using light and colors. The large scale installation reflects the genuine palette the artist wanted to use in order to design an astonishing environment for the public.
An aesthetic Liz West has been nurturing for a long time. Fascinated by colors, and the way they mix together, releasing beams and streams of perfect white light. She wished the viewer could be amazed, tip toeing before entering and being part of the art itself. The purpose being to place the body into a foreign context, powerful and mysterious.
‘I have designed An Additive Mix to be an overwhelming, intense, immersive experience.’
Garrett Pruter constructs architecutral wonders with collage and drawing techniques. He combines graphite and acrylic on top of collage to create mini villages on the page. I wouldn’t be surprised if there were mini civilizations occupying his turn-of-the-century cityscapes. He is currently studying Illustration at Parsons School of Design.
Peter Schuyff’s favorite terms to describe himself are “irreverent,” “obsessive, ” and “spiritual. ” By irreverence, he means his confidence in what he is doing, his casual acceptance of an abstract vocabulary. The obsessiveness is in his technique. And through this process, his work becomes imbued with a kind of spirituality an apparition seems to build up within the layers of paint, and the light emanating from the canvas is, perhaps, a hint of its presence…he began painting one patterned surface over another, and then began to add semi translucent white grids to the two layers, further confusing the relationship between the patterns. Slightly claustrophobic, these paintings have been described as padded cells, albeit ones through which light mysteriously penetrates.