It’s always interesting to see what graffiti writers do in the fine art world. Some keep rehashing the same work on canvas, losing all of the power that energized the work by having it in the streets. However some artists such as the legendary Dutch graffiti artist Delta take what they’ve learned through their years of painting letterforms and create amazing new works that re-imagine architecture, space, installation and painting. Wondering what Delta’s graffiti looked like back in the day? Click the read more button and check out the last image.
Exploring the gestures and movements of calligraphy, nantes-based artist kaalam (aka julien breton) has created a body of work that uses hand-held light and long-exposure photographic techniques to capture the transient form within a real setting. often utilizing urban or historical sites as his three-dimensional canvas, the self-taught artist creates his own latin-based alphabet that heavily draws from traditional arabic and eastern calligraphy. arresting and provocative, the floating light forms are not mere superimposed subjects but display a direct engagement with the surroundings.
the capturing process, which can take as long as ten minutes, requires a choreographed movement which kaalam practices before hand in heavy repetition. different colours of ‘ink’ is achieved through pigmented gelatin which is applied directly onto the lamps. none of the photographs are retouched or edited, illustrating the laborious process in a single shot.
The good folks at portfolio site builder Made With Color have teamed up with Beautiful/Decay yet again to bring you exclusive artist features. Each week we team up to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Website builder Made With Color doesn’t just help artists create minimal and mobile/tablet responsive websites but allows them to do so in a few minutes without having to touch a line of code.This week we are happy to share the work of talented artist and long time B/D friend Terence Hannum.
Terrence Hannum has always been consumed by music. When Terence isn’t in the studio creating his next work of art he can be found releasing zines, designing and releasing limited edition vinyl, and playing in his acclaimed minimalist black metal band Locrian. So it should come as no surprise to discover that Terrence’s artwork also explores the world of music. Using the magnetic tape found in cassettes as raw material, Hannum creates glossy and lustrous paintings that explore the world of minimalism and geometry.
Hannum states about this body of work:
“Typically one does not engage with the material of the cassette. Unless it was being eaten by a tape player, the average consumer never gazed upon its reflective spool. To this point most media requires a certain precious handling of it, the CD, DVD and LP require the listener to hold only the edge. Perhaps speaking to the ubiquity of the digital file these days, the MP3, FLAC, WAV and others have no real handling instructions. I want to focus on the surface. Hence, everything is the surface and in my pieces I try to construct a quiet void.”
Roof Runners (2015) is a series by photographer and filmmaker Michael Snyder. As an avid traveler and international artist, his work typically explores the intersections of social justice and environmental sustainability as they occur around the world. This series—which depicts people leaping daringly across rooftops—takes a more personal turn, drawing on Snyder’s childhood imagination. In the following project statement provided to Beautiful/Decay, he explains:
“Car sickness plagued me when I was a child (it still does). While my siblings were able to read or play video games on long road trips, I always had to look out of the window to keep from being sick. To fight the boredom I would project myself out of the car and into the landscape as it passed by. Often, I would imagine myself as a runner, crossing rooftops and hurdling from building to building at high speeds.”
Snyder turns the urban architecture of Columbia Heights (Washington, DC) into a kind of real-world platform game, where the protagonist is a powerful projection of oneself, navigating the world with a sense of adventure and invulnerability. For Snyder, this reinvestment in a youthful fantasy operates as testament to the importance of personally-derived creativity. In a fast-paced world dominated by electronic entertainment, Roof Runners encourages us to return our gaze to the corporeal world for imaginative outlets and self-exploration.
In the future buildings will crumble and burn, graffiti will warn about the end of the world, drugs will be rampant, creepy guys with black eyes will lurk in the dark, and skinny european bgirls with airbrushed t-shirts will roam earth. Oh and faint electronic music will be the soundtrack to our lives.
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Portland painter Alexandra Becker-Black is talented beyond her years. Her paintings, soft-spoken and carrying the nearly absent weight of a shadow, illuminate the body in its pure and natural state. Becker-Black has a sophisticated approach in utilizing negative space to its full potential, creating an atmosphere that the body seems to emerge out of, in an ethereal, ghostly way; as if called forth. Perhaps due to her strong yoga practice, Becker-Black incorporates many yoga poses into her work, featuring women twisting their bodies elegantly in pose. A revolving theme of flight and birds is woven into most of her imagery; birds soaring overhead or perched on top of the figures. An allusion to freedom and flight; or pushing ones self to points of self actualization. Taken from Becker-Black’s website, this analysis by Shu-Ju Wang is an excellent summary of her work:
“Once recorded, she works with the still images but continues to purge from the already naked form, choosing only what she needs and adding only what is absolutely necessary. You see muscles tense and strain against gravity; you see figures in serene repose; you see energy suddenly released when a small flock of birds fly out of a woman’s opened hands. All of this is conjured up in front of your eyes even as a torso fades to gray or a leg disappears, creating work that is ethereal and luminously beautiful, haunting, evocative and complex.”
The way the tones and color melts away brings peace to the otherwise strained poses and moods that the figures themselves are experiencing. The implied motion is a driving force for the notion of change and evolution. Always moving forward, the beauty on the canvas in direct correlation to the act of living, breathing, being.