Mike Calway-Fagan’s collage work mixes dissimilar photography with a sense of urgency. The artist asserts that his works hopes to ‘critique complacency and aestheticise catastrophe’ by creating dis-ordered imagery that evoke disaster. See more after the jump.
With his paintings, Adam Miller recontextualizes baroque and Hellenistic style elements by placing them within a modern futuristic landscape. Miller implements mythological, ecological, and humanistic themes in order to address ideas of technology and progress and “the struggle to find meaning in a world poised between expansion and decay.” His dreamy and angelic compositions reflect contemporary concerns with a classic and realist style. Imagery that might at first appear dated and inaccessible becomes relatable and modern upon closer inspection.
We can like status updates on facebook… we can favorite tweets on twitter… we can give videos a “thumbs-up” on youtube… but why can’t we cry? As the first part of an intensive study into the role of crying in a networked culture, the I cried button is an experiment conducted by Dee Kim & Bistin Chen. Using Google Chrome, you can install the button as a plug-in in youtube and press it when you cry while or after watching something from youtube. The button functions similar to the ‘like’ button, because it quantifies and saves your input, but instead of rating the material with a set of shiny stars, your emotions are gauged by tear drops…
Geoff McFetridge is a creator living in Los Angeles, California. He has his hand in many things, most recently the title sequence in Spike Jonze’s ‘Where the Wild Things Are’, and never seems to disappoint. At the moment, he has a skate company called The Solitary Arts, a wallpaper company called Pottok Prints, a design business called Champion Graphics, and does gallery/museum shows in his spare time. I’ve been following his work for years, and his work deserves every bit of recognition is receives. I can’t wait to see what his hand has in store for us next.
Project H designers Heleen De Goey and Dan Grossman have completed the construction of the first Learning Landscape math playground at the Kutamba School for AIDS Orphans in Southern Uganda. After nearly 3 weeks on site, they have finished the grid’s construction, and have been tirelessly working with the teachers and students on the implementation and adaptation of the games: “Around The World,” “Match Me,” and others, which teach elementary math concepts. The playground even integrates a bench system for added functionality as outdoor seating or assembly space.
Amazing! Shapes and forms manifest into spatial learning tools. A nice step away from the flatness of textbooks and computer screens. If only there were more of these in the States.
When Michael Anderson says that the “street is my palette,” he actually means it. It’s not a metaphor. Anderson’s practice, which Beautiful/Decay detailed in a studio visit over the summer, involves snatching up posters from the street at night. Anderson has collected posters all over the globe, but lives in Harlem, and brings the energy of that place into his work. His current show, The Street is My Palette, up at Claire Oliver in Chelsea until December 30th is a virtuoso exhibition of collage with the flair, rhythm, and charisma of the street.