As traditional Middle America and the housing market continues to breakdown, its imagery on the television or in advertising seems to persist, with an eerie commercialized flatness. It is here, in this strange space, where artist Lori Larusso’s work finds its stride.
Of her paintings, Larusso explains: “I am interested in exploring the unavoidable contradictions which exist in our personal (and collective) systems of belief, by pointing to the complexity of individual situations. Very often, our ideals are a reflection of the way we wish things were, rather than a product of the way we actually experience them. I find this conflict to be in direct connection to the representational image.”
Annie Farrar’s work explores the gray area between painting and sculpture, the territory between picture-plane and object, and delves into themes of entropy, decay, time, blackness, the abyss, the infinite, death and regeneration, loss and renewal.
Cuneyt Akeroglu’sRed Room series is a polished exploration of love and sex through the lens of fashion. Akeroglu enlisted top models like Lara Stone, Anja Rubik, Natasha Polly, and many more to enact scenes meant to convey the many facets of love through nude portraiture. The photographs are each stunning in their own right. Nude women (except for one male model) with ideal figures set in front of a striking red backdrops with sometimes extremely suggestive props, like Natasha Polly’s red rose spilling white liquid – read semen – down her leg, or Lily McMenamy entangled in a snake.
I’m particularly drawn to the photo of Anja Rubik where she squats on top of a mirror looking down at herself with curiosity/rapture, and holds her breast while covering the portion of the mirror that would (presumably) reflect her vagina. Akeroglu captures a moment of discovery for Rubik’s character in the photo, as well as demonstrates the complexities of being able to reach out and touch someone or oneself, and the confusion and excitement that comes from the attempt.
The only problem I have with the series is Akeroglu’s approach to the male portrait. I acknowledge right off the bat that the precedent for the subjects of nude portraiture in both fashion and art history is predominantly female, and so it’s entirely expected that his subjects would be a majority of women. What I find strange is that every woman is on full display with her entire body in the frame, where the male model, Arthur Grosse, is taken only from the shoulders up, not even baring a nipple. It’s barely a nude portrait, and only addresses the themes of sex and love using tiny beads of sweat that could indicate physical activity of a sexual nature. Although I enjoy the subtle tones of the photo in contrast to the overt sexuality of some of the female portraits, I question the decision to include a male portrait where the subject is treated with such hesitation.
Photographer Henry Hargreaves and food stylist Caitlin Levin have joined forces to bring you the tastiest architectural photo series on earth! Focusing on iconic museums and institutions from around the world the duo has painstakingly recreated every little detail out of licorice, gummy bears, chocolates, bubblegum and of course gingerbread! Museums such as the Guggenheim in New York City and the Louvre in Paris are transformed into tasty morsels of architecture by Levin and then dramatically shot by Hargreaves. The result is a delicious treat that will satisfy your artsy academic side as well as your belly!
Hargreaves and Levin will be exhibiting this series during Miami Basel at Dylan’s Candy Bar. Go see them in person and have some candy for us! (via design boom)
Really clever and adorable (!!) stop motion video about a wolf who wants to eat a pig… the whole thing is constructed of photos in developed film, involving multiple mediums and layers of reality. Kind of meta-meta. Also, last I saw it was in the popular section of saved bookmarks on Delicious!
The women in Ewa Juszkiewicz‘s portraits have experienced a decapitation of an unusual sort: their heads replaced by a series of inanimate object from plants to mollusks.
“In my paintings I take critical view on the way women have been pictured in history of painting and other visual media up to today,” Juszkiewicz explains in her artist’s statement. “I work mostly in the field of portrait, which I intend to approach from a different angle that avoids focusing on the appearance.”
Her paintings, which are based on real historical portraits, seem to draw on some sort of surreal symbolism, perhaps meaningful partly because of their inscrutability. “I am interested in how the replacement of the face by different forms changes the perception of the human figure,” Juszkiewicz says.
In pursuit of that, she erases the identities of the women she portrays, completing their objectification literally. Her subjects are robbed of any sort of expression, instead gazing out at the viewer with an impassive beetle’s head or a shroud of cloth. (via Artnau)
Designers and stylists Isla Bell Murray and Jessica Saia recently featured some bold and edgy San Francisco street fashion over at The Bold Italic. In an effort to correct “street style” blogs that have used streets and their permanent fixtures as mere background to “people style,” the duo have captured a variety of popular and stylish items found on the streets, complete with quotes from the fashionistas they encountered. This humorous series lightheartedly mocks street fashion photography, reminding us not to take ourselves too seriously.