A young designer named Teresa Lim uses a centuries old tradition to remember her trips to exotic places. Instead of a shutter and lens she threads needle and yarn to embroider her memories. The idea first evolved when she wanted more than just a photograph or postcard as a memento. She used her training and expertise as a textile designer/illustrator and concocted the embroidery idea. The labor involved in the project satisfied Lim’s taste and was a positive way to imprint these unique places into her memory.
The always-colorful work by Erin Rachel Hudak has the distinct ability to seduce with its bright and vibrant appearance. Hudak consistently produces work that looks happy and exudes love. The attraction, while complete, can be somewhat misleading, and upon closer inspection Hudak has often encoded a message, lesson, or suggestion hidden within the colorful work.
“Love You Forever,” a temporary installation in both New York and Idaho, included mylar balloons. An adoring public service announcement in both locals, the installations became celebrated destinations. However, despite the message of everlasting adulation, the installations were completely fleeting. On the one hand the works were romantic and beautiful gestures, or from another perspective they were impossible promises.
Often Hudak entertains such distinctions, juxtapositions and opposites—using the way ideas are defined by separation from other ideas. The concept is almost always referencing, or completed by, the viewer. Her outdoor installation-to-be at Paul Artspace in St. Louis involves a mirrored sculpture that reads “You Are My Reflection,” involving the viewer in a process of self-analysis. Combined with a rich visual vocabulary involving metaphors and language, Hudak’s works are always highly symbolic.
Catch her latest installation at the SPRING/BREAK Art Show taking place this weekend in New York. “Waterfall Wall” installed in the stairway of the SPRING/BREAK space is a cascading barrage of color and reflective surface. It is the visual manifestation of Hudak’s observations about power, freedom, access and restriction.
Katherine Sherwood creates sumptuous paintings that visualize, in a lyrical and esoteric fashion, the age old metaphysical concerns of the body, life after death, and the tenuous relationship between art and science. Sherwood’’s works exhibit a Buddhist, Zen-like approach to color, form and composition, elegantly balanced and unafraid of both dense areas of joyous, swirling patterns and passages of silent, empty space. Just below the seemingly abstract planes is a latent structure of corporeal diagrams, such as angiograms, brittle tree-like linear nerve endings, and mystical Solomon’s seal, lending the paintings a religious, even ecstatic talisman-like quality.
Eric Yahnker‘s first NYC solo show, Virgin Birth ‘N’ Turf, is being held at The Hole, the two-year-old Bowery space that picked up some of the pieces left when Jeffrey Deitch changed coasts. The show, which opens tomorrow night, is looking like quite the banger. Some HUGE (10 ft.) drawings will be on display in addition to sculptural and installation works. See more from Virgin Birth ‘N’ Turf after the jump, and if you’re looking to get even more hyped on the Los Angeles artist, watch our video interview with him from last year.
The installations, sculptures and street art, of Jakub Geltner is subtle, disconcerting, and very in-sync with the Zeitgeist and hot topic of the moment. The Prague-based artist installs groups, or rather – herds – of security cameras, satellite dishes, and surveillance equipment in different outdoor settings. Drawing attention to the presence of being watched and filmed in some way or another, the groups of equipment is very creepy.
Geltner places the gear in absurd places – screens are tilted to look directly at a brick wall, or to spy on a moss covered rock at the beach. Satellite dishes are clumped together on the side of a church – obviously not much use for anything and cleverly parodies the aesthetic of so many apartment blocks littered with the dishes in our modern day, technology-obsessed cities. The artist explains a bit more about his work:
My project is simply called “Nests” and mimics the random human activity in the urban landscape. I was inspired by the characteristics of several cities on my travels around the world where I often found different unplanned, almost organically placed, elements that interfere with the typical facades of the buildings in specific cities.
Through this project I wanted to point out the extent of these “infections” to show how disruptively absurd as well as interesting the urban space can become. I have been working on these nests since 2011, when I set up the first “Nest 01″ in the city center of Prague. I installed it directly on the waterfront of the Vltava river while I was still studying at the Academy of Fine Arts in Prague. (Source)
So maybe next time you are walking on the street around your city, remember to look up and check out just what, where and how many technological ‘infections’ there are around you…..they may just spread their disease to you…. (Via Bored Panda)
50% off on EVERYTHING for one week only! Do we need to say more? Beautiful/Decay is putting the finishing touches on an entirely new site, launching next week. We can’t tell you all the details just yet, but we’re super excited to show you the results!
To celebrate, we decided to say goodbye to our current website and shop with a bang by slashing our prices! ALL books, magazines, apparel, and accessories are half off. Most of our goods are already almost sold out- and none of it will ever be remade. So visit our shop and take advantage of this sale now!
NYC-based artist Jon Widman really pays attention to surface quality in his seemingly mundane, photo-realistic paintings of papery things. Record sleeves, paperback novels and cardboard boxes are rendered in careful detail, but with the faintest trace of the painter’s hand in the tiny, graphic details. In some pieces, small, industrious rodents make an appearance, hinting at Widman’s sense of humor as they climb and hide among stacks of antiquated media. The subject matter would usually leave the viewer with a trace of nostalgia, but his color palettes and intriguing compilations keep the work feeling fresh and vibrant.
Helsinki, Finland is already known for its beautiful landscapes, sonorous Baltic coastlines and for its focus on civic design (the city having been named the World Design Capital of 2012). To celebrate this honor, Helsinki tapped Madrid-based design firm Lighting Design Collective (LDC) to create a permanent urban art light piece.
Named for the repurposed oil silo, Silo 468 is a project for the cities residents to enjoy from the inside and out. The silo’s walls feature more than 2,000 perforated holes which echo ideas of a traditional lighthouse, displaying an incredible light show for Helsinki’s Kruunuvuorenranta district. While the coastline is illuminated by the modern lighthouse, the inside of Silo 468 offers a different, more intimate experience. Painted a deep, captivating red, there is an additional light show for citizens to enjoy.
The Director of LDC, Tapio Rosenius, fully explained the project. “At night 1250 white LED’s flicker and sway on the surface of the silo controlled by a bespoke software mimicking swarms of birds in flight – a reference to silo´s seaside location. The prevailing winds, well-known to those living in Helsinki, are used to trigger different light patterns in real time.
‘The enduring fascination of the complex movement of light and the amazing location by the sea will make this a captivating experience for the visitors and the residents of Helsinki.” (via designmilk and u1u11. Photos by Hannu Iso-oja, Tuomas Uusheimo, and Tapio Rosenius.)