“Museum Anatomy is a collection of documentary photographs of works from museums around the world that have been recreated onto the human body. The artwork goes through a significant process until reaching the final outcome, a photograph of Chadwick, sometimes unrecognizable as a human form, with an elaborate, detailed painting covering a portion of his body. The recreated paintings of these historic portraits recapture the subjects in their own moment in history. The resulting photographs reveal a unification of art combining antiquity, history and technology in a contemporary context.”
This week we’re bringing you another talented artist as part of our partnership with premiere website building platform Made With Color. Each Tuesday we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek websites. Made With Color sites aren’t just easy on the eyes but feature powerful yet simple backend which allows anyone to create a professional site with just a few clicks.This week we are excited to share the colorful and magical work of London based painter Super Future Kid.
Welcome to the fantastical world of Super Future Kid, where scale constantly shifts, pet kittens fly through space, My Little Pony’s are battle ready, and cotton candy and ice cream cover the ground. SFK’s paintings depict a flourescent hued world where childhood and adolescence merge, forming a state of wonder, surprise and uncertainty; where the past blends with the future.
Using the sensual quality of paint, Super Future Kid melts things together, arranging and replacing realities, thrusting invisible matters into a physical being which folds and unfolds upon itself between the second and third dimension.
The result is a hot pink and sprinkled covered galaxy full of wonder where the viewer is drawn in by feelings of strangeness, suspense and the excitement of exploring a new world -just like drifting into a vivid dream.
The candy-colored works by New York-based artist Jaz Harold have a subversive nature about them. Although they use pastel colors have soft features, you can’t avoid the sexual undertones and overtones that are prevalent throughout Harold’s sculptures. We see grotesque displays of rotting skin, nippled pom poms, and sensual lips with just a hint of tongue. She writes about her charged works, stating:
Using an aesthetic that consciously appeals to child-like naïveté, Jaz’s work softens the emphasis on the ego, ritual, intimacy, and stigma that society generally attaches to sex.
Cherry blossoms (sakura) are a perfect balance of sexual innuendo, beauty, and innocence. The cherry blossom, symbolizing love in many cultures, adds an additional element in a body of work that covers both areas- an innocent love, and a simple uninhibited lust.
Harold makes the pure not so pure, perhaps in an attempt to scramble the visual culture that we’re used to, or as a way to offer a confusing reflection onto being young and learning about sex/being sexual. (Via Asylum Art)
It takes some serious skills to make photorealistic watercolors, but that’s exactly what Christopher St. Leger has going on in his work. He’s rendered a series of skateboarders kick-flipping and cruising which are particularly fluid, along with a range of impressive cityscapes. Like a looser, more colorful Richard Estes, St. Leger will trick you into thinking your looking at the real thing.
I’m not sure if Uffie is a rapper, a pop artist, or permanently drunk, but she is interesting. Here’s a video of her walking down an endless trippy hallway while barely mouthing her lyrics. The best part is at the end where she runs with her back at you like a toddler.
Photographer Ana Oliveira‘s Identities II is a touching series of portraits. She begins with old photographs of her subjects and through similar lighting, clothing, and poses she creates a parallel photograph. As much as sixty years lies between some of the older and newer portraits. The two portraits arranged side by side become a sort of existential before and after. I find myself imagining what took place in the decades between the two photographs, evidence of something in the now more pronounced lines in each sitters face. Its difficult not to envision expressions of expectation in the younger portraits, and mixtures of disappointment or content in their older counterparts.
Chef Stephen McCarty is giving new meaning to the relationship between art and cuisine. Under the name Sukhavati Raw Desserts he creates cakes which are made from all vegan ingredients and decorated with exquisitely designed Mandalas. With intricate detail he comprises his vegan cakes in unique colors with the thought that it will all be consumed and gone in a few days. Very much like Buddhist Monk sand drawings there’s so much care involved in creating something beautiful which at the same time is transient. Just another symbolic example of life’s impermanence and how it should be relished moment to moment.
The colors used in McCarty’s cakes are all made from natural plant and fruit extracts. Some of the mouthwatering flavors include banana jungle nut butter chocolate cheesecake, coconut lime raw vegan cheesecake and acai blueberry mango cheesecake. The names like the colors of this talented chef’s cakes are well thought out and executed beautifully. Some resemble tie dye t-shirts while others reflect complex new age patterns. The coconut lime cheesecake looks exceptionally good not only in taste but appearance as well. A deep green is the primary pigment used to create its minimal but detailed design. One ultimately good enough to eat.