Chinese artists Sun Yuan and Peng Yu have materialized a tangible loss of hope with their most recent work simply entitled “Angel”. The life-size sculpture made entirely of silica gel, fibre glass, stainless steel, and woven mesh depicts a fallen angel caught in a net. The angel is depicted here as an old women, with all of the feathers gone from the wings lying at an angle that suggests she is not alive anymore. The sculpture is on display in a public setting, which gives it the role of an epic spectacle not only because of its aesthetic features but also for the message it carries.
The craftsmanship and work put into this piece are almost eerie in all their hyperrealist nature. The details put into emulating a human face and realistic, accurately sized wings contribute to the disturbing effect of the piece and bring an otherworldly being into a world in a brutal way that makes us assess the situation as if it were actually happening.
The symbolic value of such a piece lies in the idea of an angel being able to be of help to mankind, yet, in the powerless position Yuan and Yu have presented it, this role is diminished if not erased completely. This piece also explores the clash between the world of angels and the world of human beings, which are brought together here in a painful, if not catastrophic manner. The magnificent horror of this piece lies both in its strong visual and symbolic value and gives the viewers something to reflect upon.
Football and the defence sector have a lot in common. For example, they both need a strong defence, potent attacks and a capable captain organising everything. NATO Review tries to show how recent changes in the defence industry would look if they were played out on the football pitch.
The defence industry has a new area it needs to defend – itself. With budgets low or falling in many places, with several new entrants into the market, and with a whole new array of non-traditional threats to guard against, ‘business as usual’ in the defence industry is under attack on several fronts. Can the industry adapt to survive? Watch the video below to find out more.
Artist Eyal Gever mixes two and three dimensions to capture the movement of destruction. For these installations Gever begins with a three dimensional model of an explosion that is split into ten layers. The layers are transformed into inkjet prints on acrylic, hung, and lit from underneath. Combining the ten layers gives the piece a strange sort of depth and seems to freeze time. Viewing the sculpture, though motionless, you begin the anticipate the motion and unfolding of the explosion as if it were a running algorithm. Gever explains the technology and concept behind his work saying:
“My sculptures are created from software I have developed. I am influenced by the destructive impact within our environment. Uncontrollable power, unpredictability and cataclysmic extremes are the sources for my work. They inspire, fascinate and remind me of the constant fragility and beauty of human-life. Beauty can come from the strangest of places, in the most horrific events. My art addresses these notions of destruction and beauty, the collisions of opposites, fear and attraction, seduction and betrayal, from the most tender brutalities to the most devastating sensitivities. I oscillate between these opposites. Using my own proprietary 3D physical simulation technologies, I have developed computational models for physical simulation, computer animation, and geometric modeling. Combining applied mathematics, computer science, and engineering, my work captures and freezes catastrophic situations as cathartic experiences.”
Check out the videos above and after the jump to see how the three dimensional images are sliced.
Midwest illustrator Sabrina Burbaker is a self described is an illustrator, pack rat, insomniac (robot), horror enthusiast, eldest child, dog lover, & maybe-possibly-probably wino. When she’s not busy being all of the above she spends her time making beautifully detailed pen and ink illustrations with a slightly dark sense of humor.
The drawings of Los Angeles based illustrator Sterling Bartlett are a perfect mix of heavy metal cool and Ironic humor. Each drawing is a perfect iconic image that grabs your attention from a mile away yet is easy to digest in just a few seconds. Perhaps that’s why he creates graphics for some of our favorite LA based clothing lines such as Blood Is The New Black and Krew Denim.
There’s been a lot of talk of 2012 being the “Year of the Infographic”: visual representations of data as aesthetically pleasing as they are informational. Chad Hagen welcomes us to “the world of fictional information” with illustrations that explore what we’ve come to accept as infographic staples — a visual key, multi-dimensional shapes, a vibrant color selection — with none of the facts. Without the burden of telling a story culled from factual data, various dimensions, planes and colors are free to tell whatever story they choose. (via)
Sunday is a day of rest but if you’re like me you can’t sit still for 5 seconds. So lets kick off the day right with a fun action packed music video for B. Fleischmann created by Saman Keshavarz. Watch the full video filled with lo-fi stunts, animation, and stop motion goodness after the jump.