Star rain is a metasigil, a materialized digital wish, a artistic virus that wants to change the operating system of our reality. It is a creation myth that tries to exemplify that all come from the same source from the 5th dimension outside the barrier of space and time, where anything that can be imagined exists. By Charles Glaubitz.
Football and the defence sector have a lot in common. For example, they both need a strong defence, potent attacks and a capable captain organising everything. NATO Review tries to show how recent changes in the defence industry would look if they were played out on the football pitch.
The defence industry has a new area it needs to defend – itself. With budgets low or falling in many places, with several new entrants into the market, and with a whole new array of non-traditional threats to guard against, ‘business as usual’ in the defence industry is under attack on several fronts. Can the industry adapt to survive? Watch the video below to find out more.
‘Dirds’ is a series of Photoshopped images that combine the heads and bodies of birds and dogs. We’re not sure exactly who started this new internet craze but we have to admit that we can’t stop looking at these perplexing creatures.
Although they are incredibly cute, you might still find yourself thinking about how these flying pup hybrids are actually quite disturbing.
Photoshop allows us to have more power than ever before. We can literally make anything come to a tangible existence.
What do you think about these ‘creations’?
These beautiful marbles from Portland based glass artist Mike Gong shows us he hasn’t lost his marbles at all – he has definitely still got them and, in fact, wants us to buy them. The talented man hand crafts colorful, intricate marbles filled with psychedelic swirls, bubbles, swooshes, and flecks. Ranging from about 13mm to 50mm, his marbles, which he calls ‘Acid Eaters’ are incredibly detailed and contain amazing miniature worlds within.
Gong’s marbles are full of abstract colors and forms, and he really exploits the materiality of the glass. Only with this particular material – and Gong’s patience and skill – can he achieve the depth, transparency and luminescence we see. You can purchase them here to look at them up close and in depth yourself. (Via Juxtapoz)
“I knew from a fairly early age, about 15 or so, that I wanted to be an artist. The problem was, my father was a detective in the police. In his view, artists were almost as suspect as criminals”, explains Austrian artist Edwin Wurm. He obviously withstood his father’s objections to his artistic ambitions and followed his vocation. Good for him and for us, because Edwin Wurm is now one of the most successful contemporary artists in the Northern hemisphere.
Utah photojournalist Trevor Christensen‘s latest photographic project Nude Portraits is not what it sounds like. He has come up with a clever twist on the usual relationship between photographer and subject and the normal practices of taking photographs. Toying with the idea of himself being naked, taking photos of people fully clothed, Christensen was intrigued by the idea enough to follow it through. He started out by taking snaps of his girlfriend in the kitchen while in the buff, and had continuing doubts about the direction he was going in. Feeling as if it was unnatural, or definitely not normal for a photographer to work in a state of undress, he pursued the activity further to see just what he could capture on the other side of the lens.
By creating a memorable experience for his subjects, he is able to record a variety of reactions and emotions, revealed only in this unique set up. People range from laughing awkwardly, to averting their eyes, to being quietly stern, mildly bemused, or completely unfazed. His project has turned out to be a comprehensive and interesting study into different individual’s and societies’ attitudes toward nudity, personal space and the borders between public and private.
Throughout the process Christensen is exposed and vulnerable, but sees it as a necessary tool to ease the tension between artist and muse, and to level the playing field – where everyone is just as nervous as each other. In one case he enters the domestic space of Kendal, a gay Mormon man and what follows is indeed interesting. For Christensen, he is very confronted by this particular photo and worries he is taking advantage of some one who is too uncomfortable with the situation.
He says his main aim is to show people something they have seen or experienced before, and is worth seeing again. He wants his models to go back to that place they were in during the portrait and to feel those same things once more. Check out more images on his Instagram account, and an interview with him here.
While killing some time online I stumbled across the work of Dana Dart-McLean on Small A Projects website. Small A Projects works with a wide array of young up and coming artists like Dana who work in every medium from sculpture to photography to painting. I haven’t had a chance to stop by the gallery and see the space in person but it looks like a worthwhile destination on your next trip to NYC.
The work of Italian artist Alessandro Rabatti humorously comments on the current economic state that the world is in. Using different currencies from around the world, Rabatti rearranges and alters the faces of each political icon and transforms them into a comic book hero. By rearranging and breaking down household faces such as Abraham Lincoln and Queen Elizabeth II, the artist deconstructs their economic status. Each important leader’s status has been elevated from historical legend to fictional superhero, as if their alter egos are really Spiderman, Ironman, and Catwoman. The interesting part about this transformation is that some of these heroes and villains are more recognizable to people than the historical figures themselves.
This series, titled Facebank, comically comments on our economic state and the actual worth of money today. We trust in these icons just as children trust Captain America and the other courageous characters. In creating this series, Rabatti aims to spark a dialogue concerning the current, unstable state of world economics. Another interesting element in the artist’s work is that each face is now wearing a mask. The mask is often associated with hiding one’s identity or giving a false appearance; pretending to be something you are not. This is no doubt another layer in Rabatti’s series, commenting on political figures and their place in society. The artist’s funny and clever artwork combines comic book superheroes, economics, and political satire to create this multifaceted series. (via Design Boom)