Tillman Faelker is an illustrator from Germany.
Mark Warren Jacques just released this doozy of a geometric-nostalgic silkscreen. Mark’s directions for use? “Order; get excited for mail; tell the mail man thanks; open & hang on wall (near plants and sunshine if possible); stare at often until you become tired and ready for sleep; fall asleep.” Available for a mere $35 (along with some other nice prints) here.
Andrew Myers‘ uses unique medium to interesting effect. His pieces are built of many carefully placed screws – up to nearly 10,000 in just one piece – inserted to just the right depth. He then uses oils to pain the image on the heads of the screws. Myers accepts the challenges of depicting soft surfaces, movement, and light with a material as hard and utilitarian as screws. The result is an intriguing mix between painting and relief. The screws add to the depth to that typically found in oil painting.
The therapeutic effects of art can reveal itself in wonderful and mysterious ways. It can also be a sarcastic “f” you given the proper creator. Photographer Statia Grossman, who fits into the second category, has just released her first book on Amazon, entitled “Sh*t You Left Behind”, a series of pictures taken with her ex-lover’s items. Judging by the pix and comments, it wasn’t a happy breakup. No, this was definitely filled with much drama and Grossman appears as a woman scorned. It’s an interesting study into what drives people and what they hold dear to them. Since Grossman is a photographer, her sensitivity to the visual image is at a high level and each of the photographs hold a memory or hurt hitting home not only to the creator but viewer. Like love, art is universal and things people think important in various situations doesn’t differ much. In this case, sex was probably a big part of the relationship and most of the images shows her in objectified positions with one of his items. We also learn a little bit about him. He was a musician who liked taking pills and didn’t express much emotion. He was also allergic to Grossman’s cat, which she resented. The project does a good job at revealing compromises we make in the name of love and how we can better serve ourselves next time around. (via artnet)
Kristian Hammerstad is a illustrator/designer hailing from Oslo, Norway. His prints for various going-ons in his hood are absolutely a-ma-zing. I’ll keep this write up very brief, just go look at them after the jump!
Sometimes it seems that the more successful one is as a professional artist, the more important personal projects become. Such is the case for photographer Zhang Jingna who has partnered with video concept artist Tobias Kwan and several guest artists for the project “Motherland Chronicles.” A weekly project, the series of 52 images has recently been completed.
“It’s an exploration of sort. An attempt at putting together elements and themes I’ve loved since I was a child. It has a bit of a don’t-want-to-forget-my-childhood-dreams sort of thing going on; since I’ve been working for almost 7 years now, I don’t want to lose track of who I am, but it’s easy to as you grow and do too much commercial stuff, you know? So it goes back a lot more to my creative roots, more illustrative and painterly, like artworks that inspired me to create. Loosely linked together with hints of dark fantasy.” (Source)
The themes for the series developed organically. As the weeks progressed, the fantasy element became pronounced, colored with Jingna’s affinity for manga, Japanese rock, and fashion. The artists’ whose work she was inspired by includes Antoon van Welie, Suemi Jun, George Frederic Watts, and Yoshitaka Amano, and their illustrative influence can be seen in the work, particularly in the even light. Each image takes between 5–7 hours and a team of 5–6 people to complete. In her fascinating blog she writes about the process of beginning a personal project, using “Motherland Chronicles” as an example, and gives excellent, step-by-step instructions on what to consider and which pitfalls to avoid.
“Pictures always start from a single point; it could be an item, a piece of jewellery or even just a vague idea for a concept. Say I want to do a shoot with firs, I’ll ask myself questions such as: what kind of environment am I creating? What types of fire can I make? How does my character interact with it? What type of character does that? At the same time I do research on art, costumes, culture and sometimes also myths and legends.” (Source)
Jingna and Kwan hope to have a book for “Motherland Chronicles” completed and ready for sale in early 2015. (Via Juxtapoz)
Kitty Von-Sometime is an Iceland-based (England-born) filmmaker who creates beautifully strange and empowering performance art videos celebrating women of diverse backgrounds, ages, and body types. Titled The Weird Girls Project, Kitty’s art pieces are visual experiments aimed at releasing the participants from inhibitions and insecurities by exploring fun and unconventional forms of identity.
As a child born of the digital world, I have a compulsive hunger to record what I do. My inspiration comes from childhood dreams, from synchronicity, from public participation, in freeing those from their constraints, and a personal obsession with spandex.
In each episode, a group of women — many of whom have never met — are assembled and briefed on the secretly planned video shoot that Kitty has carefully planned. The results are inspiring: in “Secret Garden,” for example (shown below), women walk among the trees, unveiling both body and soul under the moonlight. In “Castle of the Apocalypse,” filmed in an abandoned fake Disneyland theme park in China, a shadowy crew dances amidst the ruins of greed and corruption. Taking a turn towards the humorously absurd, “Bunny Revolution” features a cast of rabbit-masked ladies who violently battle before throwing down their weapons and humping vigorously. In each of the videos, we see women improvising, playing, and morphing into expressive extensions of themselves, exploring their individual strengths and beauties while also working together as a supportive group. I had the opportunity to speak with Kitty about her project.
Tabitha Soren‘s most recent body of work, simply titled Running, is an interesting collection of photographs that capture individuals fleeing in a state of sheer panic. By withholding most of the context from these freeze-frame images, Soren leaves her audience hanging in a moment of suspended terror—with no option but to construct a narrative around each scenario she presents. Each highly cinematic snapshot resonates with an easily relatable range of human emotions, and the focus of her work as a whole is tied up in using her lens to investigate the messier moments of life.
A longtime journalist and documentarian, Soren seems comfortable working in the realm of subject matter that is slightly unresolved. “My work is about what people can survive and what they can’t,” she says. “It’s about decay, how life can be reckless, and how you have to keep going. I explore how people can pick themselves up.” It’s interesting to see how these themes play out across the series, leaving traces of vulnerability, fear and escape etched into their collective storyline.
See Soren’s work currently on view at Kopeikin Gallery in Los Angeles.