The playfully colorful and innocent world of Brooklyn based photographer Amanda Jasnowski is completely irresistible. The compositions in her photography are filled with brilliant colors, clashing patterns, and minimal settings. Each one is stranger than the last. Cropped just at the right spot, hiding just enough content, her photography seems familiar to us, but leaves a strange yet lovely taste. Jasnowski is tricky in setting up compositions so intriguing and sublime, they leave you wanting more. Because her photography does not allow us to see or make sense of exactly what is going on, they create a playful suspense, similar to a film still. Not surprisingly, this whimsical artist is a big believer in fun and the importance of never taking yourself too seriously.
Because much of the focus in her works is on the meshing of pattern on clothing, Jasnowski’s photography style holds the flavor of a high fashion photo shoot. Of course, the focus is not just on the clothing worn in her photo shoots, but on the whole, wonderfully surreal compositions. Jasnowski holds an amazing power of experimentation over her creativity. She is constantly pushing and transforming her own technique to create more complex composition by combining stunning colors, busy patterns, and flattened space. Her palette is not just restrained to her beautiful, shallow backgrounds or props, but she also envelopes the models in her photographs with her signature pastels. This was done in her series titled Greetings From Utopia in collaboration with fellow artist Jimmy Marble. (via IGNANT)
Alessandro di Prisco has created a number of beautiful design objects. His latest is Cubico, a multi-functional cube that can serve as a coffee table, magazine rack, stool or as just an objet d’art. Clever design is really all about marrying form and function in an intelligent and beautiful way.
London-based artist Julie Cockburn revises old throw-away photographs and paintings with embroidery thread, shears, and other sundry items to create new contemporary curiosities. Each delicately considered piece contemplates craft culture in relation to the industrial age or mass production, and the identities that roam invisibly from one transmission to the next.
Of her work, Flowers Gallery suggests, “Julie introduces ideas to found objects that generate dialogue about modernity and art history, gender and identity, nature and urbanity and the relationship between process and idea.”
As a result of Moebius‘ recent death, the interent has exploded with the man’s masterful works, and surely the sci-fi and art community is in need of great talents to fill this void. While not at Moebius’ level (which seems nearly unattainable), Kilian Eng is nonetheless incredibly imaginative and prolific, and it is certainly possible that he may one day too become a master of his own sort. He brings his own brand of funkiness to these far-off worlds, and each image holds either countless narrative avenues, or mind-clearing abstract pleasures. The future, his future, his futuristic future, is a bright and promising one (a past interview and a world of goods and greats).
Mary Jordan’s Water Tank Project brings to the New York skyline a beautiful and pertinent reminder that water is, in most respects, sacred. The project has brought glorious eye candy into the periphery, yet its first and foremost mission is to spread awareness regarding the dire water situation the majority of this world experiences.
The backstory to the effort reads like a movie: filmmaker Mary Jordan was working on a documentary in Ethiopia back in 2007. Three months in she became deathly ill from accidentally ingesting contaminated water. Nursed back to health by the women of the village she was living in, Jordan survived and was urged by these women to thank them through working to increase awareness on the water crisis within their country and the world.
One day, while back in New York, Jordan gazed up at a water tower and had an epiphany: “They’re like these little temples that hold water,” she thought, and realized the inherent symbolism of the structure itself, and the potential power to communicate that it held. Thus, the Water Tank Project was born. Jordan founded Word Above The Street, with the intent of utilizing the city’s water-related infrastructure to showcase water-related art and increase awareness.
The project gained an impressive level of momentum as artists Jeff Koons, Maya Lin, Andy Goldsworthy, Jeppe Hein, John Baldessari, and many, many others have signed up to produce graphic wraps for the over 100 water towers included in the project. With the tag line: Art Above NYC, Water Above All, Jordan is doing a remarkable job at fulfilling her promise, and getting you to think about your relationship with water and what effects the conservation of water can mean to those in countries less fortunate than ours.
Chicago based artist Montgomery Perry Smith finds beauty in the unexpected. His process often includes taking discarded elements of once functional objects (i.e. the base of a papasan chair or a broken lamp) and coupling them with meticulously handcrafted details. The end result of which is a strikingly sophisticated body of work. Smith’s sculptures are as sexual as they are formal, but he is never hitting you over the head with it. Drawn forms are delicately paired with altered materials to create elegant compositions that reveal subtle references to sexuality. Since graduating with a BFA from The School of the Art Institute of Chicago in the spring of 2008, Smith’s artistic career has been steadily gaining momentum. A recent solo show at Sabina Lee Gallery marks Smith’s first foray into the Los Angeles art scene, but if the prediction of Smith’s future success by Chicago publication Newcity as one of nine “Breakout Artists” to watch in 2010 is as prophetic as I think it might be – we will be seeing much more of his work in the years to come.
Designer Bilge Nur Saltik creates stunning objects that magnify beauty by playing with light and geometry. Featured here is Op-vase, a series of glass vessels crafted in Istanbul that are cut to produce kaleidoscopic effects. Once a flower is placed inside, its image is dispersed across the concave, faceted surfaces; a single rose is transformed into an illusory bouquet that shimmers and proliferates behind the glass. With human perception as the catalyst, each angle produces a unique and subjectively experienced pattern. Watch Dezeen’s video above and see how the flowers magically change as the vessel turns.
Saltik’s fascinating oeuvre includes similar works that create enchanting effects by distorting and multiplying reality. In 2014 she created a wall light containing layers of textured panels that reflect light and warp patterns as they rotate; similar to the Op-vases, Saltik also crafted a collection of glass objects carved with geometric surfaces that trigger optical illusions as they move. With a keen eye for contemporary design and a knowledge of the seemingly limitless capacities of human perception, Saltik’s work unfolds worlds of mystery and hidden beauty.
While these images might look like strange and surreal landscapes, they are actually macro images of different creatures. Armenian photographer Suren Manvelyan’s series Animal Eyes captures an extreme viewpoint that gives the average eye an otherworldly feel. The crackles, vibrant colors, and individual hairs are all visual in these beautiful photos. This isn’t the first time we’ve seen Manvelyan’s handiwork – he’s also shown the human eye in incredible detail.
Manvelyan is not just a photographer, but also holds a PhD in theoretical physics. In these images he combines technology, science, and art to show us something that’s unexpectedly familiar. We see brilliant blue pools, red rings, and crystallized whites; the close proximity makes this work appears as places to go hiking rather than something like a parrot’s eyes. (Via Featureshoot)