Jordan Westre (Living Couch) is a Canadian artist who creates beautiful and critically engaging collages from amalgams of modern and vintage print media. While Westre’s works are all highly unique and nuanced, many of them share recurring imagery, including landscapes, space travel, war, and the feminine body. From a broader aesthetic perspective, her collages are seamless and evocative; Westre has a brilliant ability to weave together seemingly disparate images in a holistic way. The more you look, however, the more a deep — and often dark, or disconcerting — social commentary emerges, one that examines cross-generational anxieties regarding the state of society and its relationship to human sexuality.
Westre’s artistic process begins with a self-impelled assembly of aesthetically-pleasing images. As she explains: “I don’t set out with a definite vision, I just flip through magazines […] or books with vintage photographs or illustrations, [and] pull out anything that might serve as a good subject, background, or element.” From there, she lays everything down and seeks compelling combinations — “and that’s where the inspiration comes about.” Currently, she uses liquid glazes on canvas or canvas board, but is planning on experimenting with hot and cold-pressed papers and spray adhesives.
When it comes to the meaning behind her work, Westre says that most of it unconsciously materializes as “anxiety-riddled observation[s]” of society. The collages depict the world in an oscillating utopic/dystopic state; or indeed, as an oft-idealized place that is festering at its center. In Westre’s words: “[My work is] grappling with the awareness that a lot of our society and the path we’re on is utterly fucked — for lack of a better phrase — while we’re all smiling and laughing and consuming […]. Polish & the rot beneath.”
Westre also brings human sexuality into these critiques, exploring what she identifies as the “ultimate vulnerability and ultimate power” of sex. Desire — which is represented here by eroticized images of the female body — vacillates between states of seduction, submission, and destruction. It is unpredictable; hence why it might contribute to Westre’s fear of a world slipping into chaos. Check out Living Couch for more of her incredible work.
Designed by talented UK artist Christopher gray the Casual Apple print is one of the most minimal and clever prints that we’ve offered to date. Featuring everyone’s favorite cool guy taking a smoke break and kicking back, this print is sure to brighten up any room in your home or office office and set the mood for some serious relaxation. Get the Casual Apple print along with the hundreds of other prints we have for sale on the B/D Shop.
Darcy Prendergast and the creative team at OH YEAH WOW spent 6 long months creating this epic light animation filled with mysterious characters frolicking in a post-apocalyptic industrial world. Watch the full music video for All India Radio‘s Rippled single after the jump.
While sitting under a chair, fifteen toy guns shoot at irregular intervals into the void. The sound is loud, oppressant and the feeling intense. Jonathan Moore has us caught in the real time firing of drone strikes by the US military. The information is then printed in a receipt next to the installation informing of the date, time, location, number of death forecasted and actual number of death.
The “Artificial Killing Machine” interactive installation is built out of a printer, motors, toy cap guns, batteries and a control electronics which accesses every five minutes the public database of the US military drone strikes. The materialized data is allowed to accumulate in perpetuity or until the life cycle of either the database or machine ends. At first, the installation doesn’t appear frightening, its painted in white, symbol of innocence. The sound, however, is what starts to make the experience difficult. It becomes almost unbearable once the purpose of the art piece is understood. (For a better understanding please watch the video below).
Visual artist Jonathan Moore interacts with powerful significant data in order to question war, technology improvement and perception of death. He places statistics and data in a context that gives the opportunity to realize what is actually happening. The means used are playful and familiar, the toy cap guns and the receipts put us in an intimate territory; making the rest of the experience harsh and uncomfortable. (via Supersonicart)
Megan Van Groll paints women– mediating on the fine line between nakedness and nudity, or how these two concepts relate to freedom or identity. Likewise, from bathing in cocoa puffs to sensually brawling at a donut shop, her food motif is an interesting one, often working in tandem with the female form– provoking thoughts of fetish from the outside, but also, a much more personal and complicated binging ceremony.
Of her own craft, Groll states, “My narrative portraits of women are, at their core, a painted attempt to understand and portray how modern women create identity and meaning from the world around them. I am interested in exploring the way we perform our projected ideal personas, for ourselves and for others.”
Illustrator Jason Polan is on a mission. A mission to draw every person in New York. Jason is spending 2 minutes a piece drawing people he sees in the streets of New York City and blogging the results daily. The result is fun doodles of interesting characters and even some famous names. If you’d like to be a subject, check out the blog and email Jason, and he may inconspicuously sketch you at your decided location. More NY portraits after the jump.