I am very excited about today’s blog posts as I will be writing about a few of my most favorite artists. The first of them being San Francisco based painter, Jennifer Poon. Jennifer creates a fragile and fragmented world that which communicates her personal experiences, race, social identity, sexuality, etc. Her paintings always has a way of having me reflect on my relationship to the world and those around me.
Melanie Bonajo’s work is stunning. Her work are like bizarre living effigies to household self-bondage via the bric-a-brac of every day life that so literally and metaphorically “tie us down.” On the one hand hilarious in their absurdity, and on the other depressing in their attempt to lay bare self, domesticity and the modern world, Bonajo’s works are impossible, sexual, beautiful and seductive. Her show opens this May 14th, at PPOW gallery.
Artist Daniel Palacios‘ sculpture nearly seems alive. A length of rope is attached at to a machine at each end and spun. The spinning rope creates waves against a black backdrop, which are also audible as the rope cuts through the air. Visitors entering the gallery and their movement then influence the rope’s wave. The more a visitor moves in front of the installation, the more chaotic the wave pattern. It’s interesting to note a visitors surprise or sudden discomfort upon realizing their influence on the wave. The sculpture not only reveals a viewers impact on sonic surroundings, but also concretely presents also seems to eerily acknowledge each viewers existence in space and movement.
Kris Knight’s portraits are presented in such a settled and graceful manner, yet underneath the surface of the subjects in question, he is able to portray various feelings of awe and mystery. Who are these characters who candidly stare back at the viewer? Such hidden emotions are portrayed through a muted color palette and calculated brushstrokes, giving the viewer plenty to look at, yet with a feeling of wanting to know more.
Liu Zhi Yin, an emerging artist from China, recently earned her Masters at the Luxun Academy of Fine Arts and has been exhibiting her sculptures in group shows. Liu Zhi uses fiber glass or bronze to construct sculptures of female characters that exude humor, but more than anything else, femininity in every sense of the word. Regardless of either awkward pose or expression, the movement and form of her pieces executes the constant sophisticated finish.
The drawings of Los Angeles based illustrator Sterling Bartlett are a perfect mix of heavy metal cool and Ironic humor. Each drawing is a perfect iconic image that grabs your attention from a mile away yet is easy to digest in just a few seconds. Perhaps that’s why he creates graphics for some of our favorite LA based clothing lines such as Blood Is The New Black and Krew Denim.
Apparently McDonalds is embracing graffiti with full force and using it as part of their greasy interior decoration. This is only happening in France and Japan so far but if we’re lucky we’ll have some graffiti wallpaper in the Boise Idaho stores in no time. What’s worse than graffiti in the crappiest fast food spot on earth you ask? Graffiti in the crappiest fast food spot on earth being used without the artists permission or compensation. Sure the graffiti writers didn’t ask for permission to paint your city streets but something about this just doesn’t feel right. Next thing you know we’re going to be eating a McBansky or a Space Invader fries. What do you think? Should the artists get compensated or can Mcdees do as they please?
Read more background info about McDonalds graffiti campaign after the jump.