In his new series of collages entitled Love is like a Butterfly, artist/musician Wildcat Will delves into the absinthe drenched demi-monde of Parisian cabaret, and uses his own pop art inclinations, and other contemporary elements to create original pieces. This new series in based on the powerful imagery of the butterfly, its transitional phases, and its ephemeral and intense beauty as a parallel for the beauty and tragedy of human life.
His collages combine photographs from the Parisian cabaret Les Folies Bergère with texts. The intricate backgrounds of his collages incorporate elements such as zebra print, oversized flowers and, butterflies. The combination of old photographs with modern typography and colorful, ornate details leave room for the viewers to get lost in his work and examine the world of cabaret from a different perspective.
The clashing of old photographs and typography work together towards creating a sort of punk aesthetic which Will attributes to his cultural upbringing . He equates the ladies of the Folies Bergère to the punk rock movement and, by doing so gives another level of depth to his collages. Through these pieces, Will has created a magical platform for us to meditate on our morals and standards.
If you’ve ever taken a road trip, you are probably familiar with tourist attractions (also known as tourist traps). Caves are not an uncommon destination for these off-the-highway places, and are often ostentatious with not a lot of intellectual substance. Large-format photographer Austin Irving travelled across America and East Asia photographing these places, which were developed for weary travelers. She titled the series Show Caves.
The caves feature unnatural lighting, revolving doors, public restrooms, and man made design elements. There are penguins, for instance, that line the path of one interior and feels like a disingenuous attempt at showcasing the wonders of the wonders.
There aren’t any crowds in these photos, which allow us to see the attractions clearly. It also showcases the fact that these places are not much different than some place like a suburban shopping mall. (Via Artlog)
Using salvaged materials Boston based artist collective !ND!V!DUALS create sculptural installations occupied by large-scale or life-size characters and creatures that are influenced by 1990’s cartoons, animations, and film set designs. Creatures and anthropomorphic beasts have been the focus of work as well as an interest in creating environments and transformative art experiences. The narratives are fairly open, but encourage viewers to be transported into the world of there humorous and playful sculptures. (via)
The drawings of Los Angeles based illustrator Sterling Bartlett are a perfect mix of heavy metal cool and Ironic humor. Each drawing is a perfect iconic image that grabs your attention from a mile away yet is easy to digest in just a few seconds. Perhaps that’s why he creates graphics for some of our favorite LA based clothing lines such as Blood Is The New Black and Krew Denim.
According to a famous anecdote, three pioneers of modern art Constantin Brancusi, Marcel Duchamp, and Fernand Leger are said to have visited the 1912 Paris Air Show. Observing a propeller, Brancusi said, “Now that is what I call sculpture!” A hundred years later, Paola Pivi’s How I Roll suggests that the modernist romance with industrial design lives on.
Pivi’s sculpture (made possible by the Public Art Fund) incorporates an entire six-seat plane that has been specially modified, enabling it to rotate through 360 degrees while held aloft on its wing tips. The artist’s transformation allows this Piper Seneca to be seen in an entirely new way. Airborne but flightless, its steady circular movement is mesmerizing. The shift of context from airport runway to New York City plaza is equally dramatic. It creates the striking and surreal experience of a familiar object seen in an unexpected place doing a very unfamiliar thing. Like a child’s dream come to life, How I Roll is typical of the artist’s bold and playful imagination. Watch a video of the sculpture in action after the jump. (via)
Sculptures looking like lace drawings floating in the air. Zadok Ben David, an Israeli artist based in London is using metal to create magic and illusion. A personal mean he chooses to connect culture and innovation.
From far, the sculptures seem indistinct, projecting only a large silhouette. Up close, we are able to discern the intricate details that form the shape. Zadok Ben David laser cuts themetal to generate the irregular patterns covering the surface. The pieces should not be visualized from one angle. By circling around the pieces we uncover the hidden feature: the flatness of the sculptures. The artist is playing with volumes, going from 2 dimensional to a make belief 3 dimensional structure.
Zadok Ben David depicts human bodies in unusual postures. The individuals seem to be in the middle of an inner contemplation and the artist have caught them by surprise. He is rendering spontaneous moments and delivering them to us. The artist’s meaning behind the figurative sculptures is to question humankind’s place in the world. This notion of presence is channeled by the representation of the botanical inspired motifs, the airy silhouettes and the harmonious combination of it all.
Olivia Locher might just be 21 years old but her photography has a level of sophistication that you don’t often see at such a young age. Creating layered and complex narratives Olivia takes us on a surreal journey where young girls are stacked in corners like dolls, marshmallows are stuffed down your pants, and pretty girls and pretty flowers are wrapped in plastic to keep them beautiful for eternity.