The multitalented, Berlin-based artist James Reka uses striking colors and organic shapes to create his unique style of painting. Known as “REKA” as a street artist, his large-scale murals steal the spotlight in any setting, whether it be the railway lines of Melbourne, where he is originally, from, or the alleyways of Berlin. Heavily influenced by pop-culture, cartoons, and illustration, his work possesses a pulsating rhythm that brings the streets alive. His abstracted figures take on new shape and form in psychedelic waves that weave back and forth. With a palette reminiscent of the 70’s, Reka’s curved lines swirl around his compositions, creating a sense of depth that is both flattened and rounded, forming incredibly unique aesthetics.
Reka uses influence from his logo design background, integrating a pop-surrealist style into his murals and paintings. The sharp style of shapes and design used in his work creates a harsh contrast to the gritty walls and abandon buildings where his artwork often lives. His smaller paintings can be found in a more traditional environment, like on gallery walls, or in an even more unconventional place, on discarded, found objects. Reka’s newest body of work can be found at Avant Garden Gallery, located in Milan, Italy. The solo exhibition of the artist’s work, titled Olympus, exhibits paintings of Reka’s that pulls inspiration from ancient Greece. While still using his signature style, Reka renders scenes of bathhouses and Greek columns. This exhibition is on view now until July 10th.
Another gripping documentary recently watched care of Netflix.
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed Americas image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few bad apples?
Troy Coulterman sculpts weird and wonderful figures in bizarre circumstances. His use of unnatural, vibrant colors interrupts his already unusual sculptures, giving them an added edge. Graphic novels and comic book artists are the inspiration behind his exaggerated characters in his work, as if these vivacious and animated characters have jumped right off the comic book page and into reality. Receiving his Master of Fine Arts in Sculpture, Coulterman uses his skill to from his figures out of resin, often placing them in a realm with swirling clouds and dripping hair. Coulterman explains the meaning behind his highly stylized work.
“These abstract, absurd forms that interact with the figurative pieces, they’re in a way visual metaphors to describe the psyche of the figures, the emotional moments in the figures.”
Although some of his figures have geometric faces replacing what would be normal human features, most of his work has an element of abnormal organic matter spewing from eyes or engulfing the figure. These organic forms appear somewhat disturbing but ultimately beautiful with their striking colors and detail. Another aspect of Coulterman’s work that is impossible to ignore is each unique and dramatic facial expression his figures possess. Each expression the artist sculpts creates an unmistakable mood in his artwork. Originally from Ontario, Canada, Coulterman has exhibited all over the world and has been included in many different art publications. He is currently represented by Slate Gallery in Regina, SK, Canada.
It’s that time once again to share with you our newest works of art available for purchase through Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. Our featured artist this week is the talented Ryan Riss who manages to make even the most sober straight laced folks have acid flashbacks via his ornate black and white drawings. We’ve collaborated with Ryan many times over the last couple of years but this is the very first time we’re offering his original drawings for sale. I hope you’re as excited as we are to be able to get your hands on real hand made works of art that won’t break the bank! Read more about Ryan’s work, see detail images of these gorgeous drawings, and find out more about Click To Collect after the jump!
Combining fiberglass statues with polyurethane, artist Nick van Woert‘s sculptures are swallowed up and overcome by texture and color. Artificial Neo-Classical statues are covered in multi-colored resin in a way that looks like they’ve been caught in the middle of a downpour. The visual weight of the translucent material (and emphasis on it) is something that’s at the center of van Woert’s work. In an article about him on Sight Unseen, the following is said about his philosophy of making:
Figuratively speaking, the idea is that the world we’ve built for ourselves is only as good as the materials we’ve used to build it — these days, that means all manner of plastics, strange chemicals, and the hollow plaster that replaces stone in the replica statues van Woert repurposes.
In the same article, van Woert’s practice is said to be driven by the mantra “you are what you eat.” Essentially, it’s the idea that we’d replace marble statues of Ancient Greek and Roman figures with cheap fiberglass will eventually catch up with us. The things we make now might not hold up the test of time as marble sculptures have. In his work, van Woert attempts to reconcile what it means to uphold the past visually, but not in terms of raw materials.
Artist Daniel Palacios‘ sculpture nearly seems alive. A length of rope is attached at to a machine at each end and spun. The spinning rope creates waves against a black backdrop, which are also audible as the rope cuts through the air. Visitors entering the gallery and their movement then influence the rope’s wave. The more a visitor moves in front of the installation, the more chaotic the wave pattern. It’s interesting to note a visitors surprise or sudden discomfort upon realizing their influence on the wave. The sculpture not only reveals a viewers impact on sonic surroundings, but also concretely presents also seems to eerily acknowledge each viewers existence in space and movement.