To all our bald readers: we may have a new solution for you. Water Wigs is a new photography experiment by action photographer, Tim Tadder. The series consists of high-speed still frame images from a photo shoot that combines bald men with buckets of water. The images are snapped right at the moment the water hits the head to create a hair-like form. Take a look at some of our favorites from this extensive series after the jump.
Artist Neil Powell recently opened the show, “Down By The Side Of The Road” at 222 Gallery on July 10th. The exhibition featured a selection of works on paper and sculptures. Powell’s work evokes a whimsical, yet graphic approach—appearing as indexical maps of personal narrative or scatological documentations. His illustrative worlds are littered with idiosyncratic characters, situations and translations. Neil Powell’s show will be up at 222 Gallery until August 1st.
The work of artist Adel Abdessemed is at once direct and poetic. He often uses common imagery and objects as a point of departure. However, the mundane beginnings of these objects only further underscore the weighty nature of his art. Abdessemed’s installations are able to provoke a sudden impact of its viewer. Still, the installations communicate complex ideas that unfold over extended viewing. At times controversial, his work is effective in piquing thought and discussion.
Photographer Bernhard Lang captures an aerial view of the Opencast Coal Mining Pit in Germany, which is one of the largest man-made holes in the world. At nearly 1,500 feet deep and covering almost 22 square miles, everything is at a giant scale. Massive machinery, the size of a 30-storey office buildings, scoops out coal, sand, and dirt to mine and move it about.
It’s hard to imagine something of these proportions, and through Lang’s sweeping landscape photography, he minimizes its grandiose scale. When looking down rather than upwards, it’s hard to get a sense of just how big these things really are. At times, they look like patterns of ant farms rather than the handiwork of humans. Perhaps it’s part of the point to say that these hulking machines and sprawling cleared paths aren’t as important as we’re lead to believe.
The real visual impact of these photos comes from their abstract qualities: the different colors of dirt that have been piled next to one another; the lines that are made by machines as they drive down the road; and the hills and valleys themselves. Through Lang’s careful framing, he’s captured their unintentional beauty.
Artist Seth Alverson paints the body in a realistic fashion, but not in a way that looks aesthetically appealing. Severed hands, bizarre contortions, and skin linked together like a sausage casing are just some of the ways he’s depicted the figure. It stands in stark contrast to the Old Masters traditions of life-like renderings, which are all about idealizing and hiding flaws. Instead they’re in-your-face in a way that it’s hard to look away from.
There’s a range of grotesqueness, from detached body parts (bloody ends and all) to oversized hands, and finally to things that aren’t shameful, but our society dictates they are. This includes cellulite on thick legs or sagging breasts. They seem to mock the airbrushed media and when compared with Alverson’s other more ghastly alternatives, definitely aren’t as bad. (Via Hi Fructose)
German hotel owner Michael Bonner has transformed a 600 square meter vacant warehouse into Base Camp Bonn Youth Hostel, an indoor landscape of 15 refurbished and themed caravans. Each caravan’s space is uniquely detailed and designed to reflect a particular era or theme, such as the “Hausboot,” “Flower Power,” and “Big Ben.” The hostel also plays host to two U.S. airstreams and two German railway cars that can accommodate small groups. This concept creates a charming community space for guests from all over the country. Prices vary per size and sleeping capacity, but start at EUR 54 per night. (via design boom)