Filthy Lurker’s sculptures walk the fine line between site specific installations, street art, and teenage gags. His website states that “his art is sparkling with humor, recklessness, and shocks you to look at the world in a new way.” What do you think? Is he merely a prankster who works on a large scale or does Mr. Lurker have something profound to say?
How many Commandments have you broken? New York City-based photographer Anna Friemoth has gone against all 10 of them with her witty series of self portraits entitled 10 Commandments. With each image, Friemonth turns gluttony, adultery, stealing, and more into a conceptual interpretation of the offense. She styles herself against a dark gray background, adding props that bring each idea to life.
With Commandments like “Keep The Sabbath Day Holy” and “Honor Your Father And Mother,” it’s pretty common to not follow these. We see that for “You Shall Not Kill,” Friemonth is about to devour a bird, and for “You Shall Not Take The Lord’s Name in Vain,” she’s had a specially-made balloon that says “GOD DAMN.” The fine details in each portrait make this series amusing; they also point out that depending on how much of a stickler you are, you could easily break any one of these rules. (Via Flavorwire)
A beautiful of collection of mixed media illustrations by Jacob Escobedo including a bunch of artworks for The Shins as well as six illustrations for the June Science Fiction issue of The New Yorker that illustrated Ray Bradbury’s last published story. The New Yorker issue was released one day before Bradbury’s death.
DXV by American Standard is a landmark product line that represents the company’s storied history spanning 150 years. The collection spans four broad movements: Classic (1880 – 1920), Golden Era (1920 – 1950), Modern (1950 – 1990), and Contemporary (1990 – today). Each piece in the carefully curated collection harkens back to the era it was inspired by and combines it with modern sensibilities, technology and performance. Although each fixture is inspired by a distinct era, the entire collection has a dialogue and the ability to cross over and create a remix of eras in one space.
The pieces in the Contemporary Movement by DXV capture the ever-evolving spirit of present day design. Each quality crafted fixture, finish, and detail echo the clean lines of contemporary trends in interior design and architecture. Modern day sculptors like Donald Judd, Tony Cragg and Random International have influenced creatives all around the world with their bold approach to materials, lines and form. Contemporary sculpture lovers can create spaces inspired by their favorites works with pieces from the DXV collection.
Japanese astronaut Koichi Wakata has been creating beautiful light art while aboard the International Space Station. Using long exposure photography and a spiral top equipped with LED lights designed by light artist Takuro Osaka, Wakata produces light paintings in an atmosphere of zero gravity. In 2009, Wakata flew as a crew member of the ISS where he first experimented with the Osaka’s spiral top (also pictured here). In 2011, Wakata was assigned as a Flight Engineer for ISS Expedition 38 and the Commander of Expedition 39. Wakata is the first Japanese astronaut to command the ISS. You can check out more of Wakata’s incredible space photos on his Twitter feed. (via i09)
Chad Wys is an artist, designer, and writer from Illinois. Inspired by postmodern thought, Wys’ works examine the reproduction of the image, and the way plural images—as superficial iterations of an original object—operate on us to suggest a sense of meaning and worth.
This theoretical approach is brilliantly exemplified in Wys’ Readymades series, featured here. The Readymades consist of found busts and ceramics that Wys has adorned with eye-popping colors, bold gradients, and silvery tears. By re-contextualizing objects of “antiquity” with garish, modern color schemes, Wys compels the viewer to contemplate their feelings and values in relation to such objects. He explains further on his website:
“By retooling the object and then re-presenting it for the viewer I intend to elaborate on the conversation that takes place between the observer and the reproduction in its ‘initial’ state. Through the reclamation and manipulation of these objects I mean to acknowledge, to underscore, that our possessions can, and often do, manipulate us.” (Source)
Wys observes how, as markers of class and income, art pieces and knickknacks signify arbitrary measures of personal worth. By “disfiguring” the cherished objects, Wys produces a visual, mental disparity that deconstructs their value; the clownish colors show the tenuousness of their “high status.” While subversive in intent, the finished Readymades are curious and beautiful art pieces in and of themselves, at once celebrating and critiquing contemporary art practices and embracing imperfection. The ultimate significance of the works, however, is the viewer’s cognitive responsibility; as Wys states, they are “meant to mean different things to different people who are at different stages of understanding” (Source).
The figurative drawings and paintings of Pasadena based artist Ching Ching Cheng are remarkably captivating to me. She uses members of her family often as subject matter but continually chooses to portray them in a conceptual way embracing different ways to illustrate a memory of that person in her past more so than the realistic representation of them. Ching uses sculpture and installation mediums in her work, such as her vintage polaroid and mm camera sculptures made of found books & maps. Each camera sculpture has tremendous amounts of character to them feeling to me as if they are alive beings or the “true” soul of whatever camera they are embodying. Ching’s work is thoughtful and personal slivers of her life past and present. Her primary influences include nature, and psychology.
Saul Bass (1920-1996) was a legendary American graphic designer and filmmaker. In 1980, twenty years after collaborating with Stanley Kubrick on storyboards for Spartacus, the two artists came together again to produce posters for The Shining. However, many drafts were needed before the recognizable, yellow one-sheet depicting a crazed, stippled face emerged into existence. Here, you will see four designs from Design Buddy and TOH, all of which Kubrick rejected, his reasons for each scrawled (somewhat harshly) in the margins. Bass’ cover letter and Kubrick’s response are also included.
Among the rejected designs are images of the maze and the hotel, which Kubrick deemed respectively as “too abstract” and “looks peculiar.” Bass also tried more interpretive approaches, such as a toppled tricycle lying eerily inside a hand, or the family of three crumbling into terrifying abstraction. Kubrick’s response was likewise as blunt: “too irrelevant,” “looks like science fiction film.” While Bass’ designs are skillfully done and represent genuine efforts to capture the essence of the groundbreaking psychological horror, most of us would probably agree that the final product — the face disintegrating into madness — suits the film best. (Via The Film Stage).