Chris Haas is a Colorado-based artist who creates otherworldly skulls embellished with bright paints and flowing sculptural details. Among his ever-growing collection are various mystical creations, from ghostly green bears to devilish, silver-violet rams. Haas has even fashioned his own hybrids, such as a deer skull with mask-like detailing, a fierce beak, and keen incisors. Eyes like fiery orbs or dark obsidian pools peer from cavernous sockets, engaging the viewer with an eerie, beyond-the-grave vitality. In a final gothic-esque touch, each creature is displayed on ornate wall mounts.
Haas’ work is not your typical taxidermy; his is a project of passion and immense imagination. His studio—pictures of which can be seen on his Facebook—looks like it was transported out of a dark fantasy novel. His style is distinct, blending childlike dream imagery with the aura of the mythical undead. Instilling each skull with its own character, he renews them with life while also attending to the faces of death with respect, curiosity, and creativity. Visit Haas’ website, Facebook page, and Instagram to see more of his remarkable creations.
Perhaps the fascination for artists utilizing chrome and mirror in their works is the increasing divide between seeing ourselves more and more via social media, yet understanding ourselves less. This is particularly evident in the work of New York-based Korean multidisciplinary artist Kimsooja, which often deals with the self-perception and the self and the other. In her installation To Breathe – A Mirror Woman at the Palacio de Cristal, Parque del Retiro, in Madrid, Kimsooja transformed a classic greenhouse by removing everything and replacing it with a mirrored floor. Next, the Tague, South Korean-born artist used a translucent, light-diffracting film to coat the windows, which cause an array of naturally occurring rainbows, which were in turn continuously reflected by a mirrored surface that covered the entire floor. Like many of her projects, an audio pairing accompanied the visuals. Visitors would experience a recording of Kimsooja breathing, enhancing the contemplative yet personal and relatable mystery of the installation.
Taken from Kimsooja’s description of the project, “Outside light filters through the glass of the pavilion and reflects off the diffraction film. It diffuses into rainbow spectrums, transforming the external panorama seen from within the palace. The resulting effect is that the entire structure as well as the rays of colour reflecting off the mirrored floor. Natural light, colour, and sound are all ethereal elements within the empty space. The artist’s breathing from the performance, The Weaving Factory, bounces off the mirrors and fills the entire building to intermix with it, breaking down barriers of inside and outside, self and other, and reality and fantasy.”
New York-based travel photographer Sivan Askayo explores intimacy through a universal behavior: hanging clothes out to dry. Askayo’s series Intimacy Under the Wires depicts clotheslines from around the world—snapshots likely more personal than intended. According to Askayo, the project began in Tel Aviv, and continued through Madrid, Barcelona, London, Florence, Venice and Buenos Aires, and we have to take her word for it: aside from small hints in t-shirt logos, random signage and perhaps an architectural clue, locations are largely a mystery.
Lorna Barnshaw likes to experiment with digital renderings of human faces. In her series of 3D art prints Replicants, Barnshaw used a different computer, software, application, and printing method with minimal interference with each computer’s rendering. The results are geometric, cubed, and warped mask-like representations of the human face. Complementary to this work, Barnshaw’s gif series Reality Reduction, depicts human figure images reduced to their basic geometry using a digital filter. Together these series engage us with their reflections on technological influences in contemporary culture.
Amii Stewart, disco legend, and starring in possibly one of the most decadent music videos I’ve seen. I’m not sure what the pinnacle of video technology dictated in the late-late 70s but digital media artists like John Whitney were already starting to make fairly advanced films out of just graphics programming as early as the ’60s. “Knock on Wood” lyrics are after the jump if you were so inclined to watch the video and sing along…
Cai Guo-Qiang was born in 1957 in Quanzhou City, Fujian Province, China. He was trained in stage design at the Shanghai Drama Institute were he initially began working with gunpowder to foster spontaneity and confront the suppression that he felt from the controlled artistic tradition and social climate in China at the time. Pretty bomb. Check out some of his work after the jump.
Everynone is a creative team made up of Will Hoffman, Daniel Mercadante, and Julius Metoyer III. They produce brilliant short films that explore the universal themes that connect us all. Treat yourself to a little humanity today after the jump, you’ll be glad you did.
Pierre Andre Senizergues is a professional skateboarder and owner of Sole Technologies. He has developed his dream home that will be built in Malibu, California. The house is entirely skateable both inside and out and was designed to be a compact living space that will overlook the Pacific Ocean. The prototype was designed by Gil Lebon Delapointe and Francois Perrin. Nicknamed the PAS House this abode is a true skateboarders paradise.