Anouk Mercier’s work centers around the notion of escapism through the fabrication of narrative. Relying on the nostalgia of Romanticism and mythology to depict melancholic worlds and characters, her drawings celebrate both the power of the imagination to escape the quotidian and the mundane, whilst also exploring the mysterious, the abysmal and the uncanny that often lurks behind idylls.
Presented as illustrations of an enigmatic tale, her drawings range from tenebrous Animalia portraits, to haunting landscapes and mysterious ‘mini-worlds’, laced with decorative flora. The artist invites viewers to engage with this fantastical world, whilst yet creating the illusion that it can only be observed through a distancing window. Positioning the viewer in doing so, as an entranced voyeur, enticed into formulating a narrative based on the visual fragments presented.
With an amazing craftsmanship and a fairly simple subject matter, Jimmy Baker‘s paintings are accompanied with an icy winter landscape. The subjects in the paintings are always covered by some kind of blanket or by the darkness of winter nights, creating plenty curiosity and awe at the remarkable craftsmanship that is able to blend these characters with nature or the background smoothly.
Friend of B/D and all around good guy Terence Hannum has a batch of new drawings on his site that are worth a look or two. Terence works in a wide variety of mediums from video to painting, always creating work revolving around his continued fascination and exploration of music. Keeping with his interests in music, Terence is also active in the Chicago music scene with is band Locrian, whose sound can best be described as a blend of noise, power electronics, dark ambient, and black metal.
Welcome to the world of London based sculpture Alessandro Gallo where bird people hang out on a ledge, Tattooed lizards chill with a mild case of beer guts, and a cornucopia of creatures read and patiently wait at a bus stop. More manimal hybrids after the jump.
Artist Alex Garant paints dizzying works of women that have multiple eyes and are seen in double vision. The traditionally-styled oil paintings are a unique take on the standard portrait, as they combine optical-illusions, realistic renderings, and repeat patterns. This offers a graphic element to her compositions where the background and foregrounds fuse to flatten the entire thing.
Garant finds inspiration in early ink printing, vintage pop surrealism, baroque tapestries, and retro kitsch. So, it’s no surprise that we see these patterns edging on and covering the faces of these subjects.
According to the artist’s website, she uses “patterns, duplication of elements, symmetry and image superposition as a way to engage the viewer into her imagery.” The standard, front-facing portraits are made unique with offset facial features and a clash of visual cultures throughout time. (Via L’ACTE GRATUIT)
Tiffany Trenda is a performance artist on a mission to awaken us from a technological slumber. Wearing a synthetic suit imbedded with forty small 2.6 inch LED cell phone screens, she asks people to interact with her, touching and pressing the monitors all over her body. Citing fellow performance artist Valie ExportTap and Touch Cinema as an inspiration, she examines our ease and familiarity with having devices, gadgets, screens and monitors all around us, in her new work Proximity Cinema.
The word ‘touch’ has a completely different meaning for today. Originally ‘touch’ meant human-to-human contact. Now we think of our smart phone, iPad or tablet. So, today, touch refers to human-to-screen contact. (Source)
Confronting people to enter her personal space, and destroying normal social limits, she highlights the boundaries between man and machine; natural and digital, and how willing humans are to accept the influence technology has over us. Trenda not only looks at how we use technology, but also how we understand our own identities through technology.
In her body of work she becomes the digitized version of the human body and her actions replicate those of a computer. Trenda creates a platform for questioning the boundary of where the digital impression and the physical body begin and end. The viewer is physically and visually immersed in the process of how the psyche evolves to relate to the screen (LCD, television, cinema or a computer). (Source)
Trenda’s installations and performances are a fresh and very real look at how easy it is to be overwhelmed and overpowered by technology. She reminds us to reflect on how integrated technology is becoming – it is not far from becoming part of our very skin. Perhaps her futuristic bondage-looking outfit will soon be a part of our wardrobes?
Interesting presentation at the MOMA about the infamous Guerilla Girls. If you’re not familiar with them here’s a blurb from their website.
“We’re a bunch of anonymous females who take the names of dead women artists as pseudonyms and appear in public wearing gorilla masks. We have produced posters, stickers, books, printed projects, and actions that expose sexism and racism in politics, the art world, film and the culture at large. We use humor to convey information, provoke discussion, and show that feminists can be funny. We wear gorilla masks to focus on the issues rather than our personalities. Dubbing ourselves the conscience of culture, we declare ourselves feminist counterparts to the mostly male tradition of anonymous do-gooders like Robin Hood, Batman, and the Lone Ranger. “