Don Porcella has a show of his signature, brightly hued sculptures and encaustic paintings up for one more week at Spattered Columns in NYC. The show is entitled Everything and Nothing at All. In a recent conversation Don and I had, he brought up his love of imagery that could be read in multiple ways. He talked about painting secrets, and casting shadows in multiple directions, dislocating literal time and space into a psychological time and space. He is an artist worth paying attention too. His show has a closing party on October 26th, from 6 to 8pm. Porcella will also be playing music during the closing party. Porcella has performed his music in San Francisco, Nashville, and recently at Robert Miller Gallery in NYC. Should be a very good time.
Anonymous Spanish art collective Luzinterruptus has installed their latest public interventionist project, “Consumerist Christmas Tree”, as part of Lumiere, a citywide celebration of light that takes place in Durham, England. To construct this 9 meter high tree, the group asked people to donate their plastic bags in exchange for cloth ones, resulting in a donation of around 4,000 bags. In addition to the tree, Luzinterruptus created strands of garland by installing lights in leftover bags and hanging them across streets. According to the artists, the tree “is an installation that will help to raise awareness of the excessive use of plastic bags and the consequences that this consumption has on the environment…We thought about a grand Christmas tree, built of the bags used during the period prior to Christmas, the dates in which their use dramatically increases.” (via unknown editors)
One of my favorite pastimes while in Dubai & Sharjah is to photograph all the photos and paintings of the various Sheikhs in every single building that you enter. They all vary in scale, medium, and content but all are fascinating. I think we should take this practice up in the states, plastering Obama’s photos and paintings behind every single business desk.
Rory Kurtz, based out of Chicago, is a modern illustrator in the fact that he uses “digital paint.” Self-taught, his works are a taste of fashion and celebrity, as well as odd little black and white illustrations that remind of the works of Edward Gorey, one of my favorite pen and ink illustrators. Kurtz’ use of mixed media makes for a whole new genre of illustration.
Amanda McCavour creates delicate and intricate thread illustration-sculptures by sewing into a fabric that dissolves in water. This method allows her to build a threaded structure that stays in place once the fabric dissolves. The result is embroidery that appears fragile, on the verge of unraveling. She recreates domestic scenery, like that of chairs, side tables, electric sockets, in addition to other figures such as hands, a garden, and a steam pump. The effect of this work is ephemeral and whimsical.
From her artist statement, “I am interested in the vulnerability of thread, its ability to unravel, and its strength when it is sewn together. I am interested in the connections between process and materials and the way that they relate to images and spaces. Tracing actions and environments through a process of repetition, translation and dissolving, I hope to trace absence. My work is a process of making as a way of tracing and preserving things that are gone, or slowly falling apart.” (via slow art day)
People trapped in plastics. This is the theme of the 8 oil paintings by Axel Void for his series titled “Sehnsucht”. Forced or consensual wrapping? After examining the paintings for a minute, the debate does not seem so obsolete. Axel Void suggests an alternative explanation on how to consider these people ; they are pleased with their fate. The title of the exhibition translates as nostalgia; a wistful affection for a period in the past; implying the period of time the artist misses and which is called absurdism. Absurdism symbolises the tension humankind has created for himself, wanting to define the value life without ever being able to do so.
The dichotomy between the classic style of the paintings and the psychologic, almost psychiatric representation of the artist’s nostalgia leaves us disturbed. Moreover, the interpretation of the cellophane or plastic bag can evokes protection, eroticism or asphyxiation. Leaving us full of doubts about what will happen next to these people.
Axel Void highlights in a dark way “the confusion and state of wellbeing within our basic necessities and longing for something else”.
This intermission in which those people are caught, some of them suffering, others patiently waiting is the state of mind of absurdism. For there is no explanation to how we all have gotten here and there is no logical reason to how we will get out of this state either.
The art of Axel Void is a picture of the society issues in a social and psychological way. He interprets in his paintings the stigma of what society is experiencing in response to a quest for answers that will have no ending.
Mr. Bean as Thomas More by Hans Holbein the Younger.
Mr. Bean as Vanity by Frank Cadogan Cowper.
If you are a fan of Mr Bean, beautiful paintings, internet memes, stupid expressions, or laughing out loud, you will love what caricature artist Rodney Pike has been up to lately. Basing this series on the skit from the TV show when Mr Bean sneezes on a painting (Whistler’s Mother), and ends up replacing her face with a cartoon one, Pike decided to take the joke one step further.
Who knew that Mr Bean’s dark eyebrows, large eyes, swollen nostrils and chin full of stubble would fit so well under a fair maiden’s headscarf? Or that he could so effortlessly turn Mona Lisa into a nosy neighbor peering over the fence, or into someone who is so smug with themselves it is repugnant? Not only are these Photoshopped images a display of Rowan Atkinson’s theatrical talent, but also of Pike’s vision to imagine what would fit together. Combining two very different styles and eras, Pike is able to re contextualize many historical paintings that no longer have relevance to our contemporary lives.
Adding Mr Bean’s face into these Renaissance and Medieval paintings, Pike has re awakened the art lover in all of us cultural-meme-obsessed fans. He tells the Daily Mail
“I think it just adds to the absurdity when working with such serious source material and Rowan Atkinson can make any situation funny no matter how absurd. He’s always lots of fun and it is good therapy and a welcome break to the stresses of work sometime.”
You can see more of his hilarious faces on his website here.