The art of cross-stitching is no longer reserved for floral patterns and butterflies. In a curious combination of erotica and a (usually) conservative medium, Brisbane-based artist Leah Emery has embroidered a series of pornographic images. The project began when Emery discovered explicit pictures that had missed the spam filters on her work computer. Imbued with mischief and a good sense of humor, Emery decided to learn how to cross-stitch while putting the images to use. In the above video, Emery discusses her content and “research”:
“[My porn scenes depict] human beings in the throes of carnality, which isn’t always attractive from the outside — it can sometimes be quite confronting and twisted and sweaty and hairy. And I really enjoy depicting those real moments. And doing the research is sitting on the computer looking through porn files on porn sites, which is a kind of funny career aspiration.”
Some of the images are hard to immediately discern — you might notice the gorgeous stitch work and colors before your eyes adjust to what they actually depict. Among masses of blurry skin and spread legs are a variety of sexual acts, from penetration, to threesomes, to voyeurism, to headstand cunnilingus. Somehow, the pixelated “censorship” makes the images more provocative, giving us a decent idea of what’s going on without the full visual satisfaction of high-definition.
Humor and eroticism aside, Emery’s artistic goal with her cross-stitch porn is to initiate conversation and sex positivity. She concludes the video with the following statement:
“It’s not the intention to shock. I just like the idea of contributing to a healthy sexual debate, which I don’t think we have a lot of in the media these days. I think we could all have a much healthier understanding and approach to topics of a sexual nature if we talk about it a little bit more.”
We can’t talk design without talking about the products that make it all happen. When I first heard of Wacom’s forthcoming Inkling I could barely contain my excitement at the possibilities. It works on an up to A4 size paper, you can draw in layers and importing into your computer seems seamless. Imagine what you could do in Adobe Photoshop and Adobe Illustrator with this tool? My current Wacom Intuos is a permanent fixture and I can’t imagine working in Adobe Illustrator without it.
With an unparalleled legacy of alumni and faculty members, the San Francisco Art Institute has been a long-term leader in fine arts education since 1871. Baer Ridgway Exhibitions is hosting an exhibition which features artwork by faculty and alumni. A Thin Slice, running from May 16th to June 20th,provides a small, but dynamic survey of artworks that display a breadth of engaged investigations.
Interested in the idea of anthropomorphism, Madrid-based photographer Miguel Vallinas retouched animal photographs and made it appear as though they were wearing human clothes. Though an initial reaction may be to dismiss Vallinas’ images as something of a cliché, the richness of the photographs combined with the humor have a charm to them that is alluring and endearing. Segundas Pieles (Secon Skins), is an ongoing project that explores notions beyond anthropomorphism. In fact, Vallinas’ photographs seem to accurately investigate concepts such as psychology, stereotyping and personality. The images of the primly dressed swan, or the melancholy donkey portray emotion and narrative beyond simple humor.
Attempting to depict the way he imagined different animals would dress if they had the ability to, Vallinas plays off our preconceived ideas of what our clothing choices signify and what we may, even subconsciously, believe about certain animals, certain people and ourselves. (via Colossal and dailymail)
Lukasz Wierzbowski is a freelance photographer from Wroclaw, Poland. His photographs exude youthful energy and a sense of humor. With a keen eye for composition and a love for nature his work often features a figure playfully interacting with an environment. The result is a body of work that serves as pictorial allegories involving our relationship with the world around us.
In the fall of 2009 artist Michael Anthony Simon left Chicago behind, and moved to the countryside of Korea. He wanted to experience a new place and culture that would hopefully inform a fresh body of work that could exist beyond the constraints of the western art world. In the spring of 2011, contemporary artist, Ai Weiwei was arrested on falsified charges of tax evasion by a notoriously conservative Chinese government. The claims were suspect to say the least, and many silent protests were organized throughout the world by major museums and institutions calling for his release. These silent protests became a louder gesture than anything anyone could have audibly said. This act of defiant solidarity became a source of motivation for Simon in the year to come. Realizing that by attempting to silence something you make it’s presence that much more apparent he commenced on a series entitled “The Silence Paintings”. Analyzing the design and significance of the word ‘silence’ in different languages lead him to the creation of an intuitive process that would allow for compositions to develop naturally, but with purpose and intention.