Diggin’ on these illustrative ink and watercolor works by James Ulmer. His repetitious, almost vintage-looking characters roll on and on across the page in a flood of really earnest, straight-up human appeal.
According to the artist’s website, we can look forward to seeing his work in a group exhibition at Grass Hut in Portland very soon.
Jose Davila lives and works in Guadalajara, Mexico. His large installations are “…fueled by the interest in the relation between place and fiction, space and temporality under architecture…” Davila accomplishes this with wood and metal objects that outline a room with a skeletal structure. Another series features colorful mobiles that constantly shift as they hover above the ground. His formations define their environment as they investigate form and color.(via)
Paul Parker‘s video “Seagull Skytrails” shows a living map of bird flight, charting their paths like free-wheeling weather patterns or miniature time-lapsed jet planes. In some parts of “Seagull Skytrails,” the birds almost look like patterns on a zoetrope or frames of some life-sized GIF. The effect is playful, as though we’ve been allowed to look behind the scenes.
Parker also uses After Effect, a piece of video editing software, to blur the birds’ paths into pulsing dark ribbons, looking almost like ocean currents transposed onto the sky. These “skytrails” offer us a peek into the transit system of another world: the freeway of birds.
Justin Clifford Rhody is the proprietor of Friends and Relatives Records, a Ypsilanti, Michigan-based music and zine label. I first became acquainted with Rhody through Smut, his powerviolence band, and through his eponymous acoustic project. He currently plays in (D)(B)(H) but has turned most of his creative energy toward photography. His photos capture the melancholy of declinist America; the decaying Fords in the moldering suburbs of the Rust Belt, the plastic-casts of statuary standing sentry over the overgrown lawn – the physical forms of our economic and spiritual malaise.
2012 looks to be busy for Rhody: a book of his photography, Sliding Glass Door, is slated to be published this spring by Bathetic Records, a solo exhibition of Rhody’s photography opens at Skylab Gallery this March in Columbus, Ohio, and Rhody has an exhibit with the painter Peter Shear planned for the summer in Bloomington, Indiana.
In the meantime, Rhody plans to continue touring the states with his slideshow and to revisit Guatemala, the setting of a few of the photographs found after the jump.
Jason John paints extraordinarily detailed scenes of dramatic narratives. These stories touch on the ephemeral side of a serendipitous coincidence – that cold forbidden zone of the wandering brain. More after the jump!
Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.
His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.
I love a graffiti artist with a good simple typeface. The artist simply known as “Rero” works exceedingly simply – but all the better to get his point across. Recently, he has been making challenging through contradiction, posting fliers with phrases like “I hate graffiti” and “I don’t really like people who stick bills on walls,” as well as questioning our perception of public art.