The lens of the Indonesian photographer Donald Jusa has miraculously allowed us to see into the eyes of tiny, wholly bizarre creatures; with his macro camera, the artist is able to capture the most minute details of the insect body. At times, the faces of these beings seem entirely foreign; as viewers, we search for marks of human feeling and features, but the multiple eyes and strange limbs transfix and confound our perceptive powers.
Unlike some macro photography cataloging the lives of insects, Jusa does not capture the surrounding environment or even the entire body. Instead, his photographs read like strange portraits; against a colored backdrop, the miniature creatures seem absurdly to sit for the artist, proudly displaying their features. Fixed perfectly within the boundaries of the frame, Jusa’s non-human subjects are magically motionless, as if frozen between periods of buzzing and flight. At such close range, the viewer experiences the texture of insect flesh and bone; our eyes scan coarse, moistened hairs.
Jusa’s insects, magnified many times over and seen in such fine detail, tone, and resolution, resemble strange beasts, unrecognizable as the tiny creatures that they most certainly are. As we peer at them and their multiple eyes stare back, we might feel affrighted or startled by their clarity, the very fact of their largeness. It is unnerving to imagine our own faces reflected a thousand times over in these complex, repeating ocular lenses, and yet magically, we can interpret the tiniest hint of recognition within the insect eyes. Take a look. (via Demilked)
Capturing monumental beauty in the little things in life, artist Pyanek photographs captivating images of everyday objects up close and personal. In his series Amazing Worlds Within Our Worlds, he photographs ordinary objects like cornflakes, book pages, and soap foam. However, these seemingly mundane objects do not look so ordinary when they are taken in Pyanek’s close-up photography style. What was once a familiar object has now become unrecognizable through the artist’s lens. The images are zoomed up close, and dramatically cropped to the point of abstraction, with Pyanek referring to this technique as macro photography.
The incredible detail shown in this series goes beyond what the naked human eye can see. We are shown tiny worlds where a grain of white sugar appears to be a diamond and a kitchen sponge looks like a strand of DNA. These stunning photos reveal every texture and color in the commonplace objects that we overlook everyday. We are able to examine every fiber of the stalk of an apple or the page of a book. Pyanek reminds us to stop and notice the small things in this remarkably beautiful series. If you are hungry for an even more dramatic, striking photographs of ordinary objects magnified, than you are sure to love the video compilation of the series Amazing Worlds Within Our Worlds, which was edited and scored by the artist himself.
adidas collaborated with a renowned performance artist Marina Abramovic to create a short film for the 2014 FIFA World Cup. Video takes inspiration from Abramovic’s 1978 performance Work Relation and explores the notion of teamwork and parallels between sport and performance.
Same as the original piece, the reenactment features a group of 11 people (a reference to the number of soccer/football players on the field) transporting stones from one side of the court to the other. They are all arranged into three contrasting models: a couple, two individuals and a human chain. By doing so, Abramovic explores the contrast of cooperation and efficiency.
Work Relation was a perfect piece for adidas to pay tribute to its partnership with the 2014 FIFA World Cup. According to Abramovic who appears in the video herself, she sees a broad affinity between sport and performance.
“One similarity that I wanted to highlight in this video is the importance of group collaboration. <…> I believe that it is important to learn from other disciplines in order to bring new life to whatever it is that you do.”
The black and white video was shot by SHOWstudio in the manner of early motion cinematic experiments. All participants are dressed in their personal clothes, however they all wear a white lab coat from Marina Abramovic Institute and adidas’ Samba sneakers. As the performance author explained, the apparel was meant to create a sense of collective experimentation and mute external distractions.
Happy Halloween everyone! Let’s all take a few minutes to celebrate the funniest holiday of the year. Hope your day is filled with lots of ghouls, goblins, ghosts, spooky monsters and maybe some David Letterman??? More crazy pumpkin carving pictures after the jump!
Dreams, memories, and bodies melt together in the hazy, surreal work of Los Angeles-based photographer Davis Ayer. We featured his otherworldly landscape and double exposure shots last year, wherein Lindsey Rae Gjording eloquently describes him as a “true nostalgist” whose timeless work “allows the viewer to insert their own subconscious desires into the narrative” (Source). In regards to Ayer’s ability to compress emotion, time, space, and consciousness into his photography, this stunning series, entitled Time Travel, is no exception. Here, Ayer again pulls on the magic and semi-lucidity of dreamworlds, using nude bodies as a projection screen for vintage images; among them, you will see trees, beaches, rushing street lights, and the moon, all mapped onto the surfaces and contours of the nude body, turning skin into a visual narrative, like the one that plays in our heads as we close our eyes to sleep while remembering the past and visualizing our feelings.
What makes this series even more curious for discussion is the idea that the images and memories projected onto the bodies are not the models’ own. Certainly, our bodies are vessels of our own experience, but how much can we embody or touch the past? When we feel nostalgia for the “old days” and vintage culture, what are we missing or mourning? By projecting foreign memories (“foreign,” in that no one’s inner experience can ever be exactly simulated), Time Travel moves the human body — vulnerable, powerful, and honest in its nudity — through time and space, transcending memory and lived experience, and connecting a present lifetime with a past one in moments of intensity and reverie.
We all love the lights that pop up during the holiday season. Most of the time individuals and local city planners hang the standard lights that we’ve come accustom to or the occasional Santa Silhouette climbing down a chimney. However this holiday season the good folks of Madrids’ Barrio De Salamanca had the smarts to hire Architect Teresa Sapey to push the envelope of cheerful holiday lights. Instead of using the traditional holiday symbols that we’re used to seeing Sapey designed a series of concentric circles that overlap creating the trippiest holiday light display you’ve ever seen. The patterns overlap and become more intense the further you are with colors, patterns and shapes overlapping one another to create a spectacular and optically dazzling new take on a tradition that has been taking place for many decades. Happy holidays to all indeed! (via)