Yunwoo Choi, who holds two M.F.A.’s (one in Sculpture, one in Fine Art), creates large scale sculpture out of rolled up magazines. But that sounds so much more boring than what the artist’s work actually brings to the table. The magazines lend a chunky, geometric punch to the already weighted works that is hard to anticipate only from a textual description. So many magazines are used in each piece that the works almost buzz with a busy violence, which is weird when you consider that they only consist of a a bunch of newsprint. This contradiction calls into question conventional concepts of strength, weight, and coherence. (via)
The work of Laurent Craste lies at the crossroads of two mediums. It participates in the world of visual arts, but never crosses its borders. This is explore in his use of ceramics. The form, linked by tradition to crafts, requires a technical knowledge and know-how so restrictive that artists are prompted to remain within canonical forms, never pushing their limits. In this series of ceramic sculptures, Craste has used porcelain vases, representative of certain upper class tastes, and laid into them with a variety of blunt objects, essentially critiquing the fusty conservatism of both this group and the medium itself.
Cuban artist Erik Ravelo is known for his ability to confront the difficult and taboo directly by presenting fearless, visually provocative work (previously featured for his Los Intocables, or The Untouchables, series here). Lana Sutra (combining the Spanish word ‘Lana’ meaning ‘Wool’ and ‘Sutra’, which means the thread which connects us) takes the idea of these strings – love, humanity, sexuality – and displays them literally, binding human forms together in intense colored poses.“I’m a human being and I don’t believe in borders. I think the world belongs to everyone born on Earth. This is my planet, our planet. No man is an island. Yes, I was born on Cuba but, above all, I was born on Planet Earth. I like to think that Lana Sutra talks about universal love which cancels diversity.”
Created during his residency at Italian communication research and artistic grant center Fabrica (connected with clothing brand United Colors of Benneton), Ravelo began Lana Sutra by guiding models to pose together, and then casting these poses in plaster. The plaster mannequins were then covered in yarn (in the fall colors of the Benneton line), with separate colored threads from each mannequin being bound together in Kama Sutra positions. Bursting with color, the fifteen installations of present a completely unbiased version of humanity, no longer separated by race, religion, creed or sexuality, and merely bound by our shared humanity. (via collater.al)
So I’m in this VJ group called Collabo (Nice Combo, because the combos are oh-so-nice) and we’re going to be doing visuals for the whole night at the RERAX event tomorrow. Come check it out. An asinine flyer, for your reference below.
The Centro Financiero Confinanzas Skyscraper in Caracas, Venezuela, has been home to 3000 squatting residents since October 2007. Alejandro Cegarra took five months to create The Other Side of the Tower, a photo-series that documents the lives of the abandoned building’s inhabitants. Although it is in no way an ideal life – Cegarra reports that there are places without railings where drunk people or children have fallen, and that the water and electrical systems are not adequate – the Tower of David, as it has been nicknamed, is a place where people have created their homes to live mostly peacefully.
Cegarra’s photographs provide a candid look at the community, and how they have developed the unfinished building into something livable. There are shops, and even an unlicensed dentist working in the building. Although the elevators do not work, people ride motorcycles up to the 10th floor in place of them. Residents live up to the 28th floor, meaning some walk 18 flights of stairs even with the use of a motorcycle.
The photo-series brings up an interesting issue of living standards and help versus enforcement. After difficult negotiation, government officials agreed in July to move hundreds of families to new social housing in Cua, south of Caracas. There has apparently been interest expressed in developing the rest of the building for its original purpose, but the government states it is open to a dialogue concerning the use of the building. Still, considering some residents would have been living there for 7 years, is dislocation the best option? Could the government have invested money in developing the building as a better home to those who already live there, or is it a-moral to nurture inherently unstable conditions.
Cegarra’s photographs help to illustrate the perspective of those most affected. Although his own lens may equally distort in favour of the tower’s inhabitants, romanticizing their condition, it may be closer to the truth than anything else offered. Ultimately, it should be the inhabitant’s needs that are considered the most heavily.
Cegarra has been awarded the Ian Parry Scholarship for The Other Side of the Tower. (Via TIME Lightbox)
The installations of Dominique Pétrin are visually overwhelming. Images, patterns, and designs seem to cover every as much available space as possible. Walls are plastered from floor to ceiling often even covering ground. Her expansive installations overlay the outsides and insides of buildings alike. Pétrin accomplishes her pieces by using large silk screened panels of paper. The imagery recalls an internet of the early 90’s – a time when the overabundance of information and imagery the web had to offer was only beginning to come clear.