Spanish artist and illustrator Isabel Chiara creates impressive gif collages, some uncannily reminiscent of animations in the Monty Python vein. Chiara cites the great masters of painting as her influences, and that’s something you can easily identify in her gif collages. One of her gif collages, “George Clooney is Inside,” was recently awarded Best Gif Collage at The Giphoscope Award 2014. Blending popular culture, absurdity, and classical aesthetics, Chiara creates unique animations that captivate your attention by telling a story. Juxtaposing classic and vintage human figures with modern, surrealist elements undoubtedly yields humorous and enchanting results. Visit Behance to explore more of Chiara’s work. (via cross connect)
There is no doubt that the current resurgence of the .gif medium is indicative of how image-based and internet-dependent our networked society has become. Born of and propagated through the Internet, .gifs offer a perfect medium for our constantly consuming Share-Culture, a culture that artist Mark Vomit masterfully samples from, and takes particular pleasure in critiquing. Inspired in equal parts by nostalgic ’80s and ’90s ephemera and modern Internet imagery, Vomit’s aesthetic has made him a leading voice in a new online visual arts movement, despite his often apathetic and apocalyptic style.
This philosophical and aesthetic difference made Vomit (who also performs in the the art-doom-rock band Bollywood) a competitive contender in a recent head-to-head tournament of the world’s best .gif artists organizes by the influential new media art and tech site VIA. Considering the often too-cutesy and completely referential (read: unoriginal) work which proliferates Tumblr posts, it serves as a refreshingly radical reaction to have an artist defacing and exploring the medium with a grittier, grimier approach.
Mark Vomit‘s .gif work will be featured in Post Physical | Visual Reactions to the Post-Internet Age, which opens June 28th, 2014 at SooLocal in Minneapolis, Minnesota. The exhibition runs through August 10th. More information at the event page here.
These surreal landscapes are a series titled Con/struct by South African designer and photographer Justin Plunkett. He compiles imagery into scenes of desolate or forgotten places, where often these structures are the tallest thing on the horizon amongst swirling clouds and dusty streets. They are patched together exteriors of slated roofs, windows, shipping containers with advertisements on them. An artist statement about this series gives insight to these unusual buildings:
Con/Struct is an exploration into the themes of empowerment and imagination. Plunkett, using his own photography, has created new juxtaposed environments that encourage questioning and exploration: inviting the debate around how marketing- induced aspiration and perceived value can empower but can also corrupt, how it can be both perverse and create beauty. At the same time, at the core of his work, he honours and applauds ingenuity and the creative spirit. (Via Colossal)
For her project Rouleaux, the French multimedia artist Annastassia Elias builds tiny world within single toilet paper rolls. Lit from behind, her delightful cardboard scenes appear like stills from a mysterious work of shadow puppetry. Here, the roll, most commonly a piece of trash associated with the mundane rituals of domestic life, becomes elevated to the realm of high art. Elias’s visual narratives span time and space; as surely as summer swings fade to frigid snowmen, we move from an underwater universe to the barber shop around the corner.
Caught between the circular borders of the toilet paper roll, Elias’s characters seem to emerge from the cardboard of their own volition. Each racehorse and dinosaur is constructed from cut pieces of paper that share their color with the naked roll itself. The artist chooses not to paint either the rolls or the scenes that emerge from within them, allowing the textured, sand-hued paper to maintain a uniform circularity; ultimately, each tiny world appears to be eternally collapsing into itself. Horses run in circles, and a weary man and his donkey, who lowers his head in exhaustion, appear to trudge forward down a path that will only lead to the start.
Fitting in the palm of one’s hand, Elias’s delicate pieces remind us of the preciousness of even the most banal moments. Beneath sheets of toilet tissue, we might discover secret universes, available only to those with a childlike imagination and a thirst for adventure. Rouleaux is now available as a book, and the pieces are currently on view at the National Museum of Singapore until August 3, 2014. (via Demilked)
Merging sound and landscape, Ukrainian architect and designer Anna Marinenko has created a series of images – called “Nature Sound Form Wave” – that presents juxtapositions of sound waves alongside panoramas of sky, water, mountain, and tree lines. Marinenko’s pairings demonstrate the synchronicity and parallels to be found in different patterns among natural and manufactured designs, the similarity between the forms remarkably uncanny. Because Marinenko meticulously lines up the designs and maintains the same color palette throughout the images, ocean waves, flight paths, and landscapes appear to be transforming into the sound waves, the transition nearly seamless. (via design boom)
I first encountered Russian artist Svetlana Petrova’s renderings of classic paintings, modified to include her very large, fat cat, a couple of years ago. I was pleasantly surprised to find the artist is still re-creating paintings, and that her work has recently become a part of a gallery show in Abingdon, England.
Petrova’s mother died in 2008, leaving her cat, Zarathustra, behind. She claims her mother spoiled the cat, contributing to Zarathustra’s large stature. Petrova was very depressed after her mother’s death and wasn’t able to make art until a friend suggested she create an art project using the cat, and thus, Fat Cat Art was born.
Petrova says, “I’m a professional artist, and I was fond of Internet memes, and I thought maybe I can make an Internet meme who would at the same time [be] a work of art. And I did this.” But her confidence in her work was at first met with some hesitation. “I thought that I could hold an exhibition, but gallery owners said: ‘This is not art, this is just cats.’ I asked: ‘Why is a shark in the formaldehyde art, but and a cat in a classic painting is not art?’ Nobody could give me an answer, and these people began to avoid me saying that I am mad.” Eventually, though, her cat art won the hearts of the gallery in the UK.
Petrova has been most recently inserting her cat into movies, and she welcomes suggestions for fat cat placements via her Twitter, or the project’s website, whose disclaimer reads: “We are real. All the artworks at this site are real. Nobody’s opinion about Us, Our art or this site will ever disturb Our suprematism.” (via archie mcphee and huffington post)
If you are a collector of random things or have an impressive junk drawer, then you will probably appreciate the work of artists Edwige Massart and Xavier Wynn. The duo, who are also married, have taken a random assortments of trinkets and chachkis and assembled them into cross-section sculptures of the human head. Their surreal series is aptly titled Heads, which appear to look like medical diagrams.
In Massart and Wynn’s portraits, we see stones, seashells, door handles, yarn, and even pieces of wood that make up the contents of the skull. There doesn’t seem to be any sort of thematic tie to any of the objects, but that doesn’t detract from how fun and interesting these works are. This series could tell us more about the artists themselves rather than tying a story to the heads. We’re able to see all of the things they’ve collected and all of the memories made by virtue of owning these possessions. (Via Colossal)
Artist Leonardo Ulian offers another interpretation of the mandala with his assemblages of electronic components, copper wire, and more. The intricate, finely detailed works radiate the innards of what makes technology tick. Ulian crafts smaller geometric patterns within a larger, more general shape that become more impressive once you see close up shots of his handiwork.
The mandala is typically a spiritual symbol that is often destroyed after its created (like the ones created from sand). This is a practice that establishes a sacred space, which is Ulian’s technological collage can be a metaphor for. Circuit boards, computer chips, and wire connectors have not only transformed the way we live, but the way in which we see the world. The artist could be saying that our dependency on it is akin to the worshiping of a larger being. (Via The Inspiration Provider)