Photographer Lincoln Clarkes examines the street corners of Vancouver’s Downtown Eastside to expose moments in the lives of over 400 female heroin addicts over the course of five years.
It began when Clarkes took a photograph of his long-time friend, Leah, “shooting up” against the backdrop of a Calvin Klein billboard starring Kate Moss- and interesting juxtaposition indeed.
“Heroines” captures the bleak realities of female addicts within the city. Clarkes exposes the physical and emotional scars of women whom inhabited a space were death was always nearby. Although the images are disturbing in many levels, it is hard to ignore Clarkes’ attempt to make the women shine through a different kind of light, perhaps a positive one, where their vulnerability brings forth an unusual kind of beauty. The photos serves as a kind of a tableau vivant of unwitnessed experiences in the social history of the Vancouver city life. (via Huff Post Exposure)
Korean artist group Everyware (Hynwoo Bang and Yunsil Heo) recreates the sky and its clouds as part of an interactive installation on the ceiling of a Korean exhibition space, the Savina Gallery.
Cloud Pink, a multi-media project, serves a pseudo sky pool in which you can touch and interact with the color, shapes and sizes of clouds. The work is composed of a fabric screen, and an interactive software; the two work together to create a believable yet whimsical recreation of the clouds on the sky.
“Today, I visualize my colorful cloud of words right in front of your eyes. Touch the pink clouds drifting on a giant fabric screen, reminisce your childhood clouds of dreams. I spent countless sleepless nights just to realize my unproductive and only romantic cloud of words. But, isn’t it nice if we could feel the clouds at our fingertips?”
Argentinian artist, Alexandra Kehayoglou creates rugs that look like pastures and meadows. The grassland carpet seeks to mimic the appearance of naturally occurring, but fast disappearing Argentinian landscapes.
Kehayoglou grew up around textile artists, her family followed a textile tradition that was developed thousands of years ago in Asia Minor. After graduating with a degree in visual arts, Kehayoglou returned to her roots making carpets as her ancestors did, but with a twist. As varied as the grasslands and natural scenery of South America, the carpets are beautiful representations of natural and cultural heritage.
Carpet weaving is innate knowledge for me. It makes me feel connected to another time. It is a way of building meanings throughout my life and that of my ancestors.
Her creations carry a strong message of sustainability; these carpets are made from wool often found in mounds of leftover fabrics behind factories. (Via DD.AA.)
Jeremy Olson, an artist based in Brooklyn, New York, is interested in geometry and simultaneous perspective. Much like the canonical works of Pablo Picasso and Georges Braque, Olson looks at portraits in a different manner; the intricate ways in which he chooses to scramble the geometric pieces that make up the sitter’s face, makes for a fun time. The viewer must intently figure out which pieces go where to make sense of the portrait as a whole.
Aside from his interest in geometry, Olson, also plays with traditional painterly portrait styles by using a hyperreal approach. By including all of these three elements [geometry, traditional and hyperreal portraiture], the artist breaks down the face into a spectrum of beauty that simultaneously makes for a violent yet charming visual. (via Ignant)
Janol Apin’s “Métropolisson” is a creative project that illustrates the literal translations of the names of various Parisian Metro station stops. The collection of photographs features more than 100 images of Apin’s friends posing in the underground subway stops; from an astronaut in the Champ de Mars station, to a couple dancing tango under the Argentine stop, he leaves nothing out.
With clever puns and creative costumes, Apin makes it possible for this work to be understood by anyone…there’s obviously no need to speak French to capture the essence of this work. Almost every snapshot from this series is comprehensible through the upbeat and universal imagery that the photographer creates. (via Bored Panda)
Scott Dalton, an award-winning photographer and filmmaker based in Houston, Texas documents the pilgrimage devoted to Mexican faith healer, Niño Fidencio, in Espinazo, Mexico.
Through the years in Mexican cultural history, Curanderos (Faith Healers) have served an important role in peoples’ medical and spiritual lives. In fact, many of these healers become celebrities, as their miraculous healing creates huge followings. In the early 20th century, El Niño Fidencio became one of the country’s most celebrated healers; today he is regarded as a folk saint by thousands of his devotees, or, as they call them, fidencistas.
In 2009, Dalton traveled to Espinazo to document the festivities devoted to El Niño Fidencio.
“What interested me in the project was just the idea of faith, and how it takes a variety of forms in peoples’ lives. This project just looks at one part of that, but I think it serves a reminder of how important faith is for so many people throughout the world, and how we all come to terms with our own belief system within the context of our own society and environment.”
Fidencistas believe that modern-day curanderos can channel the spirit of Fidencio; these photographs show many of the rituals provided by these modern day healers. To us this looks unusual, cinematic and surreal, but to them these ritualistic activities only mean their salvation. Dalton said he witnessed transformations, in which the eyes of curanderos would roll back and they’d assume a high-pitched voice- taking Fidencio’s spirit in order to heal. (via Slate)
‘girl with a pearl earring and an iPhone’ – based on ‘girl with a pearl earring’ by johannes vermeer, 1665
‘always in my hand’ based on ‘in the conservatory’ by édouard manet, 1878-9
‘a family gathering’ based on ‘the balcony’ by édouard manet, 1868
‘her mirror’ – based on ‘rokeby venus’ by diego velázquez, 1647–51
Korean illustrator Kim Dong-Kyu gives technological updates to Girl With A Pearl Earring and other iconic works in Art History.
Kyu’s images, although hysterical, are quite critical of the way smartphones/gadgets have dramatically changed today’s social interaction. Themes of alienation, avoidance, self-centerness, and attachment prevail through the series of images. It is interesting to think back on the cultural history of most of these works [mostly the 19th and 20th century works on here]; the juxtaposition of the cultural implications of the scenes of each painting and today’s conception of socialization is quite amusing and very different, yet, at some points, very similar.
For instance, Degas’ The Absinthe Drinker’ from 1876, reveals the increasing social isolation in Paris due to a stage of rapid growth and confinement brought forth by the highly urbanized and elite-driven atmosphere of the new Paris. The woman, actress Ellen Andrée, blankly stares into the walls of a Parisian café. With a glass of absinthe in front of her, she solemnly contemplates the nothingness of what is going on around her. The man, painter Marcellin Desboutin, sits next to her but glaces towards the opposite direction, looking to catch on to something interesting outside of his close quarters. Similarly, on Kyu’s rendition, the woman find herself ignored and in a state of alienation as she is the only one not using a gadget.
These definitely leave us wondering if social interaction has been one of those things that evolve to become more of the same thing. With or without technology, it seems clear to me that the urban, and the elite societies, both rendered in these paintings (with and without Kyu’s additions), look to the outside, and inside, towards their phones, in order to fill some sort of void, and/or escape whatever lies in font of them. If this is true or not…that is up to you to decide.