Rogan Brown Creates Beautifully Intricate Cut Paper Sculptures Of Microbes

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Looking into Rogan Brown’s artwork is like diving into a microcosm of ultra-detailed organisms. The artist creates a myriad of tiny sculptures made out of paper, arranged into one piece which he calls a ‘Magic Circle’.

The sets of paper sculptures are hand and laser-cut. With a scalpel or a knife, Rogan Brown cuts out patterns and motifs inspired from cell structures, tree moss, bacteria, coral, diatoms and radiolaria. The work is laborious and meticulous, taking up to several months for the artist to complete. The choice of paper is deliberate. This mean represents within a same concept, both the fragility and durability of nature. By looking at the infinite details comprised within the final piece, we understand the slow process of growth and decay, life and death which characterizes the cycle of nature.

The artist wishes to mix science and art to metaphorically suggest that a vast range of observations is subconsciously modified by individual imagination. The complexity of nature attracts human curiosity and its need to observe, analyze and classify. A process endeavored by science which is often stopped by too much existing data. Rogan Brown says his “work similarly attempts to frustrate categorization”.
The artist reveals in the profusion of his artistic microorganisms his main belief. Nature can be the source of infinite imagination. (via This Is Colossal)

The ‘Magic Circle’ piece will be presented at Aqua Art Miami through C Emerson Fine Arts  from December 2nd to December 5th 2015.

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Half Humans, Half Animals. The Creations Of Crystal Morey Act Like Talismans That Connects Us To Nature

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Tiny humans wearing animal heads. Crystal Morey creates porcelain sculptures to represent her personal connection to nature. The little characters, part of her ‘At the Edge of Time’ new series are full of meaning and power. The artist envisions them as talismans meant to deliver a message and protect their owners.

Each naked human body has its top part covered with an animal head; an eagle, a bear or a deer. The texture of the skin, the eyes, the teeth are intricately depicted. The sculptures are left white, a color associated with fragility and purity. And their height doesn’t exceed a few inches, which emphasizes their dainty and frail look.

Crystal Morey symbolizes nature and the role the environment has on humanity. The humans forced to live with an animal appearance unveil the deep and dark feeling of being trapped. A sentiment the artist is experiencing while watching human kind forcing its destiny on nature.
Questioning this relationship is the purpose of Crystal Morey’s art work. She wishes that the viewer will come across the sculptures and take the initiative to contemplate the world they are living in. And hopefully reconsider their role within this planet or envision new perspectives on how to create a better place for both species. (Via Hi Fructose)

Crystal Morey’s ‘At the Edge of Time’ series will be displayed at the Antler Gallery in Portland until December 31st 2015.

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Made With Color Presents: Tik Ka Shares His Inner World By Painting Angelic, Heaven Sent Children

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Artists from all over the world choose Made With Color to Create beautiful portfolio websites that set them apart from the pack. With clean layouts, easy to use interface, and drag and drop functions you can build a professional website in minutes. This week, we are pleased to present the embryonic world of  Made With Color user Tik Ka.

It’s a fantasy dreamland we’re entering. Tik Ka is a Chinese artist whose emotions translate in a multitude of soft, joyful colors. He depicts characters which could be aimed to entertain kids. The eyes and expression of his subjects speak a language of empathy, sincerity and gentleness. And even we, as adults, are touched but the vast generosity Tik Ka is offering us.

The work of Tik Ka is also known as “So Ha” Art. A combination of traditional Chinese culture and lovable babies and kids. The artist has incorporated Chinese characteristics with Western elements and Japanese superflat technique. He has created a style of his own, a signature easily recognizable. His most recent work has led him to represent purity and innocence with just a hint of a smile on the children’s faces. They appear angelic and heaven sent.

Before the life journey begins, we have all waited on a platform, gasping for the first breath, opening our eyes and catching a glimpse of the whole new world.  The platform is a place of purity, where only the heartbeat of the mother and the murmur of the outside world can be heard.”

Children’s faces, babies still connected to their mother by an umbilical cord. Tik Ka’s depictions dives our souls into an inviting, delightful and poetic aura.

Jati Putra Creates Surrealist Landscapes By Distorting And Manipulating Photographs

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In Jati Putra’s world, gravity doesn’t apply. People, nature and urbanism move around in total freedom. The sky becomes the ocean, dolphins dive in between seas and people enjoy a day at the beach inside a stadium. The pictures’ new aspect and the washed out colors resemble surrealistic landscapes inspired by Salvador Dali.

The Indonesian graphic designer knows how to manipulate and distort the simplest sceneries and create bizarre yet reassuring new environments. Using photo manipulation, he flips the main subjects around, alters ‘normal’ angles and shifts his characters into intriguing scenarios. The process is achieved in an unpretentious manner. Each picture demonstrates the ability for Jati Putra to envision an imaginary set as close to reality as possible.

Playing with reality, changing perspectives and the way we look at our daily lives. Without extravagant scenarios, the designer creates entertainment that is subtle and graceful. A surfer on the surface of the earth, jellyfish flying over a mountain or a lady admiring the earth imitating a sun-set. There’s no logic in Jati Putra’s elements. Only an invitation to travel in between a dimensional space of his own, drifting the viewer’s unconsciousness from the earth up to the sky, from his reality to his dreams. (Via Design Boom)

Satoshi Tomizu Traps Space, Galaxies And Planets Into Tiny Glass Spheres

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An entire galaxy trapped into a tiny glass sphere. Japanese Glass artist Satoshi Tomizu in his Space Glass series fabricates planets and dust trails by heating up glass. A traditional technique using heat energy and the talent of a man. The rendering is fascinating and creates a world of magic and fantasy.

The artist depicts the solar system and the universe inside transparent glass balls. The planets are made out of opals placed in the center, flecks of real gold and trails of colored glass that spins and twirls in concentric circles. They all are the size of an eyeball and have a small glass loop which allows the piece to be turned into a pendant. Each piece in unique and different.

Satoshi Tomizu’s work is full of details. The eye can catch the twirls of colors but quickly looses track of each individual features. There’s something magical in carrying a poetic scenery around one’s neck. Space dust, rainbow colored trails, stars and asteroids are elements which evoke fantasy and the possibility to escape the present moment. (via This Is Colossal)

Marius Budu Creates Structures, Patterns And Motifs Using Naked Bodies

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Female naked bodies displayed on a black monochromatic background. Photographer Marius Budu uses nudity to express the human condition. Based in Copenhagen, Denmark he has been working with nude subjects since 2006.

The women’s bodies are perfectly aligned and arranged. Forming shapes where the bodies can no longer be discerned individually. The overall images depict an architectural element rather than a gathering of women. Even though they are naked, there’s no ambiguous feeling upon looking at the photographs. Marius Budu plays with the light and shade; accentuating the different tones of the flesh. The models attitude is strong and focused, creating a powerful configuration.

The message is simple and efficient: to unveil the limitless potential of the human body. In the ‘Flesh Structures’ series, Marius Budu uses the bodies of women to tell us a story, to communicate his vision. Using the most basic mean in its original form, he translates his fascination for the human body into intense visual sculptures, inviting the viewer to “wonder or simply absorb”.

Made With Color Presents- Micah Ganske Depicts A Future Where Man And Machine Come Together To Create A Better World

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 Premier website builder Made With Color and Beautiful/Decay have teamed up again to bring you exclusive artist features. We show you exciting artists and designers who use Made With Color to create a clean and modern website. But it doesn’t just help artists create a minimal, mobile-responsive website; Made With Color also allows them to do it in only a few minutes without have to know any coding. This week we are featuring the work of New York artist Micah Ganske.

Soft, pale colors mixed with futuristic forms. Micah Ganske’s paintings are the reflection of future habitats and societies, combining the notion of technology degrading population with a hopeful note. Influenced by the ghost-town of Centralia, PA, the artist beautifully depicts abandoned city landscapes. 

In his series “My Future Is Always Tomorrow’, technology is taking over. The paintings  depict a world overtaken by technology and its effect on human kind. “My new sculptures and drawings express my hope that we will further use technology to improve and evolve our very selves.” Ganske’s vision doesn’t end with just paintings. Along with video and virtual reality experiences he also creates intricate sculptures of spacecrafts using a 3D printer. These are part of his fleet of spacecrafts that are meant to eventually come together to create a larger than life humanoid traveling through space. A symbolic vision to forecast humans embracing technology instead of enduring it.

Donna Pinckley’s Photos Of Interracial Couples And The Negative Things That People Say To Them

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A black and white photograph of a couple expressing nothing but tenderness and love. Donna Pinckley captures interracial couple posing naturally in front of their homes. Nothing should be perceived as wrong in these pictures, yet some people are not only condemning these individuals’ relationships but they are throwing hateful words at them. These can be read below the photographs, “as a reminder of how part of society sees them”.

After taking photographs of young children growing up through life, becoming adults and posing with their spouses, Donna Pinckley encountered a recurrent situation where women got to reveal the loathing comments they were facing because of their partner’s race. Her reaction to these women’s confidence has been artistic. She began to photograph interracial couples and depict their resilience and refusal to let others define them.

The couple are of all ages, and they represent any individuals in any country at any given time. This cold harsh reality is however counterbalanced by the message of hope these couples are giving us, via the mean of photography and the presence of Donna Pinckley behind it. A singular and effective way to spread a notion of tolerance and acceptance.  Despite the words, the looks and the attitude towards those relationships, the love and trust created by these couples is bursting and undeniable.