Swiss Artist Zimoun creates sound sculptures and installation art that is a little bit strange. Equal parts raw, industrial materials; equal parts mechanical elements, he creates rooms full of what seem like living and breathing objects. He combines cardboard boxes, plastic bags, old furniture, packaging tape, wires, light tubes, cotton balls and motors to transform a space into something very unexpected.
His low-fi sound architecture follows on in John Cage’s footsteps, an artist he says he thought a lot about when he was younger. Zimoun explains his fascination with combining sound, strong visual elements and bringing obsolete technology to life:
I’m interested in a mix of living structures on the one hand, and control about decisions and details on the other. A combination of structures continuously generating or evolving by chance, chain reactions or other generative systems, and a specifically delimited and contained space in which these events are allowed to happen.
By drawing our attention to these often over-looked, or under-valued materials, Zimoun forces us to examine the nature in industrial materials, and the industrial in nature.
His sound sculptures are a combination of clean modernist structures, and the forces of chaos reacting against each other. We see how the patterns and rhythms of machines slowly change, the longer they are allowed to run. Like Cage, Zimoun allows a great deal of chance affect his work. He lets his mechanical sculptures run for an indeterminable amount of time, allowing the space to become a self-governing, organic space. Zimoun’s art very easily blurs the lines between nature and man/machine.