I wanted to issue an apology for committing the ultimate blogging sin: mixing up two artists’ works (!!). So here is my attempt to correct my error.. the HARMLAND/CHARMGLAND post I made was actually composed of two Flickr accounts’ works: Hardland/Heartland and Portrait Painters. This post is about HL/HL, and the next will be Portrait Painters. Damn, the internet is a tricky business.
This description is taken straight from the horse’s mouth:
“Hardland/Heartland is an amorphous cluster of artists working to create an ongoing visual investigation of our own personal histories, cultural interactions and possible futures. Using intuition and collaboration, we have embraced multiple mediums and methods that allow us to present our findings, not as definite statements, but instead as a more pragmatic communication of ideas that can be built upon and developed over time. These results are pieced together to form a lexicon of personal symbolism that serves as an authentic record of our creative endeavors and interaction.”
Inspired by American pro wrestling promotional videos from the late 1980s and early 1990s, Ben Aqua developed his own series of wrestling personas, each delivering messages of extreme hate, violence, and hyper masculinity.
This video addresses a view of pro wrestling as a fascinating calamity of simulated ultra-violence, consumer culture, and homoeroticism.
My friend at Zachary Kellogg at CalArts is having an opening tonight. It looks really great- whoever in the area should go check it out. I’m probably going to attempt the 357875445 mile treacherous drive as well.
Zachary Kellogg’s practice revolves around an ever changing fantasy typically using motifs involving fictitious relationships, masculine symbolgy, queer aesthetics, love/ obsession, and sadness/ hope.
Genetic mutation, cancerous lesions, and other bio abnormalities taking shape in gif illustrations by Spanish group Videogramo. Kind of has, like, a whole Discovery Museum kind of feeling. Some of the gifs take a bit to load, but they’re definitely worth the wait.
I really like how the isolation of the object and their illumination by the camera give the plants human characteristics- those not getting any love. The ones in our office are slowly resembling these :[
Sawatari’s vision of Lewis Carroll’s “Alice in Wonderland” is truly one of the strangest, most out-there interpretations of the well-known story. Risqué in terms of its frank, nude depiction of a youthful Alice, the book’s unintentionally psychedelic tone brings to mind Monty Python, Peter Greenaway, and Vogue Bambini.