Such a great song and a great video with a lot of green-screen action.
French artist Michael Schouflikir’s work revolves the daily struggles we have with technology & modern human condition. Basically, the condition of our machines and nature that becomes more and more machine-like. We’re beat out and attacked by overgrown plants, take escalators towards our certain future of decapitation, and develop USB flash drives as bones. But don’t we kind of like it?
DNA Radio (German experts on biotech) converts the entire human genome to images and audio that will be streaming on the internet 24/7. Isn’t it crazy that figuratively, all we are made up of are these dots? Here’s a little science lesson for you…
Finnish illustrator/photographer/director Miika Saksi’s work is everything I love about fantastical and mythic Lisa Frank evoking creatures galloping the fine line between awesome and cheesy as hell. It’s almost as if (for me) the relationship between work I like, and what I can Google image search is basically one and the same…
AKA, the summation of my love affair with the internet. I saw this site on Rhizome.org 6 months ago, truly loved it for a day, forgot about it for a little bit, then wasn’t able to find it again and instantly regretted it (I remembered it as “MATHLAB” instead of “MATHWRATH”). Fortunately I was able to reunite with it yesterday when I saw it on VVork. I feel as if a part of my life has come full circle…
Continuing on my Flickr curatorial mission, here is oh carlyn, an artist based in Portland, Oregon.
One of my favorite things about her work is her method of documentation, which is basically for lack of better words, poor quality mobile-photography. But there’s something really nice about the way a cellphone takes pictures. It really captures the atmosphere… the intimacy of the air and dust.
Graphic designer Peter Saville has designed a white cardboard, flatpack plinth, for sale in a limited edition of 200, the idea being that in today’s age of ‘culture for the masses’ we’re all entitled to choose what merits artistic status.
The exhibition showcases the plinths with ‘work’ by a selection of Saville’s peers and friends including Hans Ulrich Obrist, Thomas Demand, Gavin Turk and Jarvis Cocker, each allowed to place whatever they wish on their plinth. The results vary from the sublime (Douglas Gordon’s pile of ash atop a charred plinth) to the inflated (Cerith Wyn Evans’ helium balloon).
Bree Apperley’s work is a bit nonsensical but it makes me feel really happy.