Australian artist Ben Frost’s Lost in the Supermarket (now showing at Bout, a reference to The Clash song, remarks on the over stimulation, confusion and daily hypnosis we are trapped by, as we struggle to stand still on a buzzing psychedelic landscape of brands, identities and social demands.
Luke Butler is a recent graduate from with an MFA from San Francisco’s CCA. For Luke Butler the greatest form of strength is openness. For his model of vulnerability, Luke Butler looks to a most stout and reliable figure. He didn’t have to make one up- if you have watched enough TV, you know this to be true. Doesn’t totally make sense? That’s ok. Check out Whitehot Magazine for a more in depth article about a visit to Luke’s studio.
Melbourne-based photographer Biony Ridley describes her work as an adventure or a fairytale, saying that her lack of organization when it comes to shooting images helps lends her work an element of chance.
Jon MacNair was born in Seoul, South Korea and grew up in the suburbs of southeast Michigan where he developed a love of drawing. After many years of having people tell him “You should be an artist”, he decided to attend The Maryland Institute College of Art where he earned a Bachelors of Fine Art in illustration. These days Jon can be found doing freelance illustration for many editorial publications. He has also enjoyed success with his fine art, having shown work in galleries across the country.
The most daring piece of public art ever commissioned in the UK, Turning the Place Over is artist Richard Wilson’s most radical intervention into architecture to date, turning a building in Liverpool’s city centre literally inside out. It runs in daylight hours, triggered by a light sensor. The piece consists of an 8 metres diameter ovoid cut from the façade of a building in Liverpool city centre and made to oscillate in three dimensions, resting on a giant rotator usually used in the shipping and nuclear industries, it cts as a huge opening and closing ‘window’, offering recurrent glimpses of the interior during its constant cycle during daylight hours. Amazing!
Anne De Vries is interested in “reducing a staged scene into a two dimensional image and then photographing it. The image becomes further removed from a dominant physical presence and allows the focus to shift more to the codes and spells that these tableaus evoke. These images are meant to exploit the visual and iconographic potential of the common world as a language.” Check out “Constructing Virtual Reality” (in collaboration with art group AIDS 3D– there’s something weird with their site right now, we’re not trying to give you guys computer viruses…) where a semblance of a 80’s/90’s cyber world is created by photographic tricks: long exposures and grid made out of strings with black light.
Artist Matt Barton graduated from Carnegie Mellon in 2006, spending his time there setting up mechanized taxidermy animals in strange and colorful situations. In “Time-O-Rama: Electric Infinity with Real Plastic,” made in 2006, there were 20 of those said motorized animals, two video projections, 5 sound cd’s, flowers blooming, leaves falling and changing colors, lightning and thunder, wine was dispensed from a nozzle sticking out of the deer’s ribs…and a partridge on a pear tree. That last one I added myself. Matt has also collaborated with Extreme Animals, hyper bitmosh-rock-band of artist Jacob Ciocci (Paper Rad).
Every piece of James Hopkins’ work challenges the limits of human cognition. My favorites from his series (though they’re all really cool) are “Balanced Works”, many of which pieces in this feature various types of alcohol- drinking and balance? – good combination, and “Perspective Sculptures” containing erratically proportioned instruments that would make up a rock band.