Food artist Tisha Cherry takes iconic masterpieces of incredible artists and makes them even sweeter. By using just different colored icing and black or white Oreo cookies, Cherry replicates the work of such artists as Henry Matisse and Frida Kahlo on the inside of the treat. Creating art on a small scale is a difficult task in itself, but to use icing as your medium adds a whole different level of complexity. Cherry even forms a little painting palette out of delicious dessert elements to go along with her cookie creations. Her Oreo art emulates a wide range of different artistic styles. One cookie has a clouded eye from the work of surrealist artist Rene Magritte, while another contains a post-expressionist landscape by Van Gogh. There is even some recognizable contemporary icing art, including the happy faces of artist Takashi Murakami.
Los Angeles based artist Bovey Lee uses one single sheet of Chinese rice paper to cut and construct her unbelievably intricate urban scenes. The winding compositions she creates with simple positive and negative space forms a topsy-turvy world of concrete jungles, mountains, and wild flora. Even the clouds present in her work are fantastical as they swirl around the buildings like smoke. Bovey Lee’s process begins with rendering the composition digitally on a computer. She then prints these images and hand cuts each little detail into creation. These whimsical, impossible worlds are so complex you can search through the cut paper for hours, noticing small details like a person balancing across a tightrope, or a city floating on a cloud in the distance. Even the trucks passing by have unique patterns on each one.
Bovey Lee explains that her work is full of tension between mankind and our environment; a power struggle between two forces. Her work explores the intensions and actions of humans and the affect it has on our surroundings. Lee’s process can be tedious and time consuming, but at the same time meditative. The artist further explains her relationship with working with cut paper. (via Faith is Torment)
“My work is like drawing with a knife and is rooted in my study of Chinese calligraphy and pencil drawing. Cutting paper is a visceral reaction and natural response to my affection for immediacy, detail, and subtlety. The physical and mental demand from cutting is extreme and thrilling, slows me down and allows me to think clearly and decisively.”
Something strange is happening in the food chain in Josh Keyes’ new paintings. He renders powerful animals dominating the land; living among other species that they would otherwise never see in current times. A polar bear and a deer swim with the sharks in this artist’s surreal world where creatures run wild. His previous body of work featured the same majestic beasts, but in a sort of diorama display that has you feeling like you are a bystander looking in. Keyes’ new paintings immerse you right into the scene, creating a whole new atmosphere. The environments created are surreal, yet they seem familiar due to the common iconography included in the compositions. Although there are no humans present in any of Keyes’ paintings, we do see remnants of human life. Abandoned traces of civilization remain in the artist’s dystopian world. Street signs exist, but the roads are no longer there, now covered in plant life. Broken down, rusty cars are now trampled by wild fauna and vacant building’s are now part of their playground.
Josh Keyes’ work leaves us asking, what has happened to this world? More importantly, it asks, is this world better or worse than our own? There is a strong sense of environmental politics in the paintings, as the images could possibly be a warning sign for our not so distant future. The natural environment has been changing for some time at the hand of humans. Could this bizarre world be where this path is leading us? Living in Portland, Oregon, Josh Keyes feels a strong affinity with nature and the beautiful, natural environment around him. His incredibly realistic paintings are intriguing as they pull you into both their surreal beauty and their environmental urgency.
Have you ever finished a painting and completely destroyed your brushes, wondering if you would ever use your beloved, mangled, crusty tools again? Well, here is one artist that has found good use of old, filthy brushes. Rebecca Szeto takes found, used brushes, especially ones that could never be used again, and transforms them into little masterpieces of their own. The handle of her brushes are carved and painted to appear as fancy women, while the bottom bristles of the brush are left to look as they originally appear. With a little creativity and ingenuity, Rebecca Szeto makes the wider bottoms look like dress skirts. The stained, curled up bristles are now fringes to an elaborate gown, the paint being its silk.
The women Szeto’s brushes magically become many different kinds of women, taking on the form of all different shapes and sizes. They include women of different ethnicities and origins; one even portrays a mother adoringly holding her baby. You may have noticed some of the brush-women looking familiar to you. This is because several of the characters hold an art historical significance. For example, one woman is obviously Vermeer’s The Girl With the Pearl Earring, while another, maybe not so obviously, is the little girl in Diego Velasquez’s Las Meninas. Rebecca Szeto has cleverly taken an object that would normally be discarded, and with a little patience and skills, transformed it into something unique and amazing. Szeto explains further her intent behind these little women and what they convey.
“These works are an homage to an often lost sensibility and quality of touch and thought, not simply the superficial look of Old Masters’ works. The lady-like portraits are a playful strategy I use to introduce the more indelicate and subtler aspects of waste management and working women (underestimated, underpaid, unnoticed, yet unyielding).”
Erupting skulls and beautifully powerful hybrid animals take over the streets in the work of Puerto Rican artist Alexis Diaz. His work looks more like illustrations at first glance, due to their brilliant line work and convincing detail. However, each bizarre creature is much larger than life, climbing up each wall and towering over the viewer. Mixing a concoction of different animals to form entirely new species is one of the more recognizable trademarks in Diaz’s artwork, along with the repeating, iconic skull. Normally a mark of death, Diaz’s skull often spring forth life, as many of them hold birds that sprout from the cranium. Vivid colors and expressive detail show off this street artist’s skill.
The imagination seen in Alexis Diaz’s work is both incredible and intriguing, as combinations of animals come to life on the walls of the streets. In one mural, an elephant sports tentacles like that of an octopus, while in another, a bear and a buffalo become one creature. In one of Diaz’s most immense and striking murals, a hybrid snake and eagle circle around their prey of a skull with vessels of a heart. The animals rendered in Diaz’s work create a whole new space in which to live, as well as a whole new kind of animal. His handiwork can be seen sprawled all over the walls of the world in places such as Arizona, Puerto Rico, Slovakia, France, Austria, and Mexico.
(via This is Colossal)
Hyperrealist Kit King has created an extraordinary body of work filled with realistic rendering of intense portraiture. This Ontario based artist possesses an unbelievable skill in painting, which she used to create her larger than life images of emotionally charged faces. She does not merely recreate a person’s face in her paintings, but adds a focus on the moment behind the still image on what the person expresses. Many of her subjects look tormented, as their eyes appear weary, stunned, or bloodshot. The lighting King uses in her work adds a force of drama, drawing you into the transfixed gaze of the subject. She aims to spark your attention and capture a transient moment in time where one might feel the sting of these emotions.
The texture is as palpable as the complexity that is often found in the eyes of her subjects. We can almost feel the tangibly wet eyes in Kit King’s paintings as well as the smoothness of the skin. Even the make up in her paintings seem to be flaking right off the canvas. Her husband Oda King also being a talented artist, she often collaborates with him on several of her paintings. Kit King explains the intentions behind her concentrated skill and focus.
“Through a focus on hyperrealism, my paintings are reflections of the ephemeral visual relationships around us. Capturing fleeting moments that affect our emotional state from a singular glance, under the aegis of a heightened sense of reality.”
At first glance, these twisted, manipulated, and camouflaged bodies appear to be the work of a photographer who is very skilled in Photoshop. However, the subjects in these photographs are not the product of digital alteration, but were transformed at the hand of a simple paintbrush. Artist Natalie Fletcher uses the body as a canvas, applying her paint and imagination directly upon the skin of her subjects. Formally trained at art school, she broke away from the traditional method of painting after graduation and began her pursuit as a master of body art. The artist uses the lines and color applied by paint as a means to create a variety of different captivating and puzzling optical illusions.
In her series titled Just An Illusion, op art breathes new life on the skin of her subjects, as she covers the bodies in spiraling lines. The bends formed in the patterns seem to warp the bodies so to us they appear twisted, sunk in, and even cut open. In another series of Natalie Fletcher’s, titled Against the Wall, an illusion is still apparent, as each body has been blended into the background thanks to her painterly magic. In some cases, it is difficult for you to decipher where the wall stops and where the paint begins. Fletcher’s talents in body painting has not gone unseen, as she has won GSN’s “Skin Wars” and is in the process of traveling across the country, painting two bodies in each state.
Photographer Jonathan May reveals a poignant narrative of the lives of former Mexican gang members now united through a love of art and tattoos. This series, titled Desert Ink, explores a compelling story of eight men now leading honest lives away from the troubles of their past. Coming from a background filled with gangs, violence, drugs, and death, the men have set out for a new life to change their fate and future. Now living in Indio, California, these once criminals are bonded together in a different kind of brotherhood, one that is connected through their passion for tattoo art.
The men, Chip, Dreamer, Sinner, Lazz, Assault, Case 1, Angel, and G-Money, all began tattooing due to unforeseen circumstances. Those of them who spent time in prison began tattooing themselves and other fellow inmates. The others were also self-taught, creating homemade tattoo guns to pursue their newfound artistic talent. The eight of them, now working in their own shop, find redemption and purpose in focusing on something as positive and meaningful as tattoo art. It is a chance to make a permanent imprint on someone, almost literally. By rechanneling their efforts and talents into a constructive outlet, these men have found a shared talent that has united them for life. Jonathan May sheds a warm light on men who by no means have had it easy, but have found a way to change their lives for the better. (via FeatureShoot)