Kate Shaw captures the magnificence and mystery in nature in her hypnotizing landscapes created from acrylic paint, glitter, powder, and resin. Each piece exudes the undeniable and powerful force that the rolling hills and mountains hold. Shaw portrays monumental forms of beauty, such as glaciers and cliffs, in an environment swirling with vibrant color. These mesmerizing, whirling hues are created from pouring paint, letting the movement of the color form naturally. Although these paintings show nature and landscapes, they look anything but natural. The colors Shaw has chosen are completely abnormal. Her mountains drip with oranges and pink while her trees rage with rich reds and blues.
There is a strange balance of natural and artificial brilliance captured in Kate Shaw’s work. Her use of different types of materials creates different textures and reflective surfaces that transform the landscapes even further. They are like environments from another planet, just as incredible as they are unfamiliar. Kate Shaw’s landscapes conjure conflicting emotions of growth and manipulation, showing natural beauty with synthetic qualities. Kate Shaw explains her intentions behind this dichotomy.
“My practice aims to convey ideas of nature, alchemy and cycles of creation/destruction. The paintings and video works deal with the tensions and dichotomies in the depiction of the natural world and our relationship to it. I am concurrently exploring the sublime in nature whilst imbuing a sense of toxicity and artificiality in this depiction. My intention is to reflect upon the contradiction between our inherent connection to the natural world and continual distancing from it.”
Her captivating work will be on display at Mirus Gallery in San Francisco in February of 2016.
Some may say basketball is their religion. Well, if you worship the game, then these stained glass basketball backboards might be right up your alley. Like stained glass windows that depict religious icons in churches and cathedrals, artist Victor Solomon places breathtaking and beautiful stained glass windows in place of basketball backboards. These are not likely to be used at any court that you’ve ever seen, as they are likely to shatter into a thousand pieces. Each piece is ornamented in luxurious materials and gems, including the basketball goal’s net and rim. This series, cleverly titled Literally Balling, embodies the lavish lifestyle and luxury that NBA all-stars. These superstars being like royalty, Victor Solomon adds an age old, delicate art to their domain.
Solomon hand assembles these brilliant and intricate creations in the timeless beauty of the Tiffany Style. What is ironic about this work is that although hypnotizing to look at, none of the remarkable basketball goals are by any means functional. They are as fragile and as easily broken as success and wealth. If a basketball player gets injured, they can be done with playing the game forever. Their career could be over. Solomon’s goals embody this brilliance, power, and delicateness that a life in the sports industry can have. If you want to see more of Victor Solomon’s amazing work, you can see more of his work here.
Canadian artist Drew Mosley paints vivid scenes of anthropomorphic animals on layers and layers of resin. Being an artist and a carpenter, his work contains layers of resin that sit inside custom made wooden frames. Being surrounded by incredible nature in his hometown of Ontario, he draws inspiration from the breathtaking beauty of the wild. The little forest creatures he depicts in his artwork are no doubt animals that he has come across on hikes or in daily life. Drew Mosley’s furry friends look like characters from a storybook, with lots of personality and quirky qualities. Although the critters are wild, they act somewhat like humans by carrying objects such as traveling packs and flags.
Drew Mosley creates in depth atmospheres by painting on individual layers of resin. Each animal almost seems to be popping out of its lush habitat, appearing three-dimensional. Even the feathers of the owl seem to be standing straight up, creating a very real sense of volume and shape. By using this technique, the artist renders extremely realistic textures of fur, feathers, twigs, and leaves. Many of his dioramas include found objects that sit right in the resin, jutting out from the piece. In Mosley’s work titled The Egg Thief, a real quail egg is included in the composition, making the entire piece look all the more realistic. The artist also being a carpenter, he creates sculptures and installations of his wild critters. (via Colossal)
Artist Valerie Blass reimagines an age-old subject in art, the figure, and uses her distinctive artistic vision to create her intriguing sculptures. She manipulates and abstracts the human form until some of her subjects look like entirely different beings. By constructing her artwork from an eclectic variety of different materials, each figure becomes highly stylized and unique. Ceramic, Styrofoam, paint, plaster, and even artificial hair are just some of the materials that can be found making up Blass’s artwork. Referencing material culture, one can see the many textures and elements transforming each figure.
Valerie Blass’s figures hold in intense, psychological quality due to their lack of identities. Although there are many fine details in her work, Blass often leaves out the figures’ face. Sometimes, even part of the body is gone. These aspects are replaced by surreal characteristics such as a heap of black hair or a colorful, organic mass. Each piece of Valerie Blass’s takes on a life of their own, with their own, unique textures and colors forming a new kind of creature. Her work is both bizarre and beautiful all at the same time, leaving you puzzled about what exactly it was that you saw. This Canadian artist has an impressive body of work, with her art being owned in both public and private collections around the world.
Are you always in search of the perfect color palette? Well, Pantone Café has not only given you just that, but their brilliant hues are available now on a platter. Finally, food that is worth snapping a picture of! Now, the food you eat can match your mood or even your outfit. Each serving tray, cup, napkin, slushy, and food item has been matched with its Pantone color equivalent. Even the espresso machines hold incredible, eye-catching colors that are impossible to ignore. The menu at the Pantone Café is a masterpiece in itself, with the food and beverage choices being grouped in palettes that are to die for.
This minimalistic café provides an incredibly modern, aesthetically pleasing atmosphere down to the last napkin. Each colorful edible has its appropriate Pantone color name, with delicious hues such as pistachio green, canal blue, strawberry pink, and dazzling blue. Each meal contains such amazing color that it is almost too beautiful to eat. The café is a perfect little Pantone universe where color and design meets culinary beauty. This is a place where you can truly taste color and create delicious palettes for your own palate. This pop-up restaurant is located at the Grimaldi Forum and will be open only until September 9th. (via The Creators Project)
Artist Filippo Minelli uses the ethereal smoke bomb to paint atmosphere in vibrant colors in his striking series Silence/Shapes. This title refers to Minelli’s intention of giving the concept of silence a physical form. His clouds of color give off the impression of a demanding presence, taking over the incredibly picturesque surroundings that it inhabits. The photographer’s smoke bombs always take place in breathtaking environments, like deep in the mountains are on the surface of a serene lake. The boldness of the colored smoke is a harsh contrast to the calmness of its environment. However, the smoke can be as unpredictable and wild as the wilderness it is in, as it swirls and explodes with color into the misty air of forests and meadows. Even further, some of the most incredible views of Filippo Minelli’s compositions are of his smoke bombs wafting through the air of abandoned buildings. The organic shapes that the clouds take on create an amazing juxtaposition against the manmade structures that enclose around it.
When exploring this aesthetically genius series of Minelli’s, you realize that there is a complete absence of human form. No people are ever present. It is almost as if the colored clouds are a life of their own, standing in for human life. In one of Filippo MInelli’s photographs, it even appears that a bright, orange cloud is resting on a bench outside. The smoke begins to take on personality and substance, traveling to different natural environments and absorbing their majesty. Filippo Minelli explains the inspiration behind the series.
“The idea came to his mind when looking at political demonstrations footage, when he noticed that when the smoke was coming into the scene people stopped screaming and the scene was visually silenced too, so he thought of the smoke as the shape of silence taking over.”
The nightmarish sculptures of Italian artist Sasha Vinci are both alluring and unsettling. With the human body often being his subject, his work portrays a sense of longing, a palpable sense of a tormented soul. Having work with titles like The Eternal Wait and You Are Here You Exist, the suffering of human existence is strongly felt. Ripe with emotion, his mutated figures look for a sense of belonging in the world. His fleshy subjects seem to have skin that melts off their feet and hands, binding the two together. Vinci’s subjects are trapped by means of their own body, perhaps a metaphor for humanity’s own self-destructive nature.
Although monochromatic, we can almost see the color of flesh and blood absent in many of his sculptures. In his artwork titled The Eternal Wait, the drips of flesh coming down from the entire body add an intensely graphic, carnal element that is extremely alarming. We cannot see the face in this or any of Sasha Vinci’s figures, adding another layer of isolation to these already lonely creatures. One of Vinci’s more disturbing sculptures is The Hung, where a person’s body, or what’s left of it, is being hung. The body has been disfigured, with half of its limbs missing from its faceless body. The artist’s work forms a truly ominous atmosphere that draws you in while at the same time chilling you to the bone. Sasha Vinci, being a multi-talented artist, also creates work in mediums such as installations, performance, painting, drawing, and writing.
(via Hi Fructose)
Self Portrait in Black Lingerie with Camera and Mirror, 1955
Bettie Page Reclining on Sofa at Coral Gables, FL, 1954
Self Portrait in Polka Dot Bikini with Rolleicord Camera, 1963
Original personal and behind the scenes photographs of infamous pin-up models Bettie Page and Bunny Yeager are now on view at the art gallery Gavlak, in Los Angeles as part of the exhibit How I Photograph Myself. You may think this is a strange title, but it actually refers to a book that Bunny Yeager herself wrote during her lifetime. Born in 1929, Yeager was not only a wildly successful pin-up model, but also a photographer herself who very often took her own photographs. She came into modeling after meeting actress Bettie Page shortly after studying photography at Lindsay-Hopkins Technical College. Bettie Page asked Bunny Yeager to photograph her, and Yeager eventually began modeling herself. She was not only an accomplished photographer and model, but also a scriptwriter and author, publishing How to Photograph Nudes and How I Photograph Myself, hence the exhibition title. These books went on to influence such well-known photographers as Cindy Sherman and Diane Arbus.
What is so interesting about these photographs, besides the obvious appeal and seductiveness of the pin-up style clothing and curvy women, is that Bunny Yeager was able to become so successful both as the photographer and model; the artist and the muse. Her femininity and beauty was laid out on a silver platter as a model, yet she could be taken seriously in a time when men dominated almost any scene. To portray yourself in such a sexual way and also sought after as a woman in your craft would still be an accomplishment today, let alone in the 1940s and 50s. Bunny Yeager was able to work against the traditional male gaze, and create her own photographic style that is both delicate and alluring. How I Photograph Myself will be on view at Gavlak from July 25th to August 29th.