The photography of cooking enthusiast and photographer Brittany Wright simply and beautifully displays the natural range of hues held by various types of fruits and vegetables. The Seattle-based photographer states that she has a goal to learn how to cook everything and anything. Sharing cooking ideas and recipes online, Wright began photographing the ingredients to share as well. This love of experimentation with ingredients and flavors eventually lead to photographing the produce, starting her series titled Food Gradients. She arranges each edible item in rows, columns, and clusters according to their pigment or size, which is often attributed to the stage of lifecycle the specific food is in.
Some of the fruits and vegetables Wright chooses for her rainbows of ingredients naturally have a wide variety of colors, like apples ranging from deep reds to bright yellows. Others, however, are discolored for a different reason, because they are rotting and dying. Many of her Food Gradients brilliantly display the lifecycle of the item, showing the beginning of its life all the way to its elegant death. Because of her subject, you would think Wright’s inspiration comes from food photography, but because she sees food and cooking as a creative and artistic outlet, she finds more inspiration from abstract art. (via Faith is Torment)
” I see food as an art, and an opportunity to do something creative.”
Culinary artist Annabel de Vetten creates, bakes, and sculpts incredible, artistic edibles that tend to be on the dark side. She makes sinister sweets that look exactly like bird skulls, animal insides, and the exposed organs of a cadaver. All of her detailed work would be impressive as a sculpture, but to make it with chocolate, cake, and icing takes a very unique set of skills. Her morbid, graphic style of cake making grew from a background of fine art and, not surprisingly, taxidermy. During this practice, Vetten became very familiar with the site of guts and bones, which is why the inside of her human and animal corpses appear so real, even though they are actually desserts.
You may wonder who would want to eat something that looks so horrifying, but Vetten’s business is booming! Her business, clever named Conjurer’s Kitchen, is wildly successful and only continues to grow. This means that her cooking not only looks amazing, but it must taste great as well. In order to accurately construct each bone and blood vessel, Vetten must only use the finest ingredients. For her chocolate sculptures, she must use high quality Belgian chocolate, so that the features won’t melt away. For the coloring, she invents deliciously creative ways to integrate food that naturally has the hue she desires, making both her technique and her subject matter equally innovative and unique. Vetten’s sickening sweets may display a deathly subject matter, but more importantly display unbelievable artistic skill. (via Munchies.Vice.com)
Artist Pawel Bajew is a master of contorting the body and creating an oddly beautiful scene constructed from simple objects. In his series titled Freaks, the photographer creates surreal images of seemingly mutated bodies and disembodied limbs. However, disfigured his figures may appear, this effect is created mainly through simple minimal objects under the clothing or strangely placed props covering identifying parts of the body like the face or limbs. His cleverly placed mannequin parts and wigs form surreal scenes, some filled with isolation, others with humor. Each strange situation is not unlike a film still; holding dramatic poses and staged lighting. His figures seem tormented in some way, with the bodies twisting and bending in abnormal ways. The faces are often hidden in this series, distorting the identity of the person and causing an eerie, psychological effect on the viewer.
This intriguing, Polish-based photographer also captures amazing portraits full of detail and originality. His portraits are filled with self-portraits as well as others, embodying an eclectic group of eccentric individuals. Each subject seems like a fictional character, filled with exaggerated expressions and over the top costumes straight out of a novel. Bajew’s portraits are not without humor, as some figures have funny expressions, but also have a darkness about them, just like his series Freaks. His body of work as a whole personifies a distinct mood and peculiar atmosphere about it that leaves it distinguishable and unique.
Artist Kim Rugg’s incredibly meticulous artwork consists of slicing up and breaking down everyday sources of information, like newspapers and maps. Dissecting newspapers, she rearranges the words and letters, creating a new depth of meaning. She often cuts the letters out and places them in alphabetical order, throwing the message in disarray. If these newspapers were real, they may cause panic and mayhem, as they disrupt our normal access to worldwide information. Can you imagine if even online news from all countries suddenly appeared as Rugg’s newspapers do? Both her surgically cut newspapers and transformed maps deconstruct society norms of information and the restrictions our culture has placed upon them, and therefore us as well.
This London-based artists slices up maps and pieces them together again backwards, or purposely arranging the once solid land mass in a way that fuses together all elements of land, border, and ocean. She also creates her maps by hand, erasing borderlines and geopolitical issues that are so relevant in today’s society. Her recreations of man-made territories display a new topography; a world with no boundaries, where we all can live with no territorial restrictions. Each carefully incision made forms a part of the whole, redirecting your view to its small details. Rugg’s complex work invited you to investigate the information laid out right in front of you that is often overlooked. Other work of her that require our close inspection to really understand her subtle manipulations include magazines, comic books, and even cereal boxes. Her work can be found at Mark Moore Gallery in Culver City, CA.
Society has long had a fascination with dolls and the creepy connotations that come along with them, with such horror films as Child’s Play confirming our worst nightmares. Photographer Annie Collinge is no exception. Her own uncomfortable feeling associated with dolls has created a bizarre fascination inspiring her series 5 Inches From Limbo, which includes photographs of dolls with their human counterparts. Collinge find vintage, strange looking dolls in thrift shops and flea markets, and finds a person in the flesh that resembles the doll. She even dresses her humans to mirror their doll, creating a surreal vision of a person alongside their miniature, porcelain self. Eerie as it may sound, her photographs are relentlessly intriguing while still holding an odd beauty.
Originally hailing from London, the artist had traveled to Manhattan when she found her first doll for the series. The inspiration came when she spotted a vintage doll that boar a surprising likeness to her Aunt Yolanda, outfit and all. After this encounter, she searched for interesting, antique dolls or people that look somewhat like dolls themselves to start the next pairing. She will then find a doll to match her subject, or dress a person to fit the part. Either way, each chosen person displays a striking resemblance to each unique doll, with cherub faces and big round eyes. You may be wondering where all of the dolls end up after the photograph is taken. Well, although a little disturbed by them, the artist keeps each and every one. Dolls often seem to hold a life of their own, and with the help of Collinge, her dolls have now transformed into real life human beings, however unnerving it may be. (via Featureshoot)
Troy Coulterman sculpts weird and wonderful figures in bizarre circumstances. His use of unnatural, vibrant colors interrupts his already unusual sculptures, giving them an added edge. Graphic novels and comic book artists are the inspiration behind his exaggerated characters in his work, as if these vivacious and animated characters have jumped right off the comic book page and into reality. Receiving his Master of Fine Arts in Sculpture, Coulterman uses his skill to from his figures out of resin, often placing them in a realm with swirling clouds and dripping hair. Coulterman explains the meaning behind his highly stylized work.
“These abstract, absurd forms that interact with the figurative pieces, they’re in a way visual metaphors to describe the psyche of the figures, the emotional moments in the figures.”
Although some of his figures have geometric faces replacing what would be normal human features, most of his work has an element of abnormal organic matter spewing from eyes or engulfing the figure. These organic forms appear somewhat disturbing but ultimately beautiful with their striking colors and detail. Another aspect of Coulterman’s work that is impossible to ignore is each unique and dramatic facial expression his figures possess. Each expression the artist sculpts creates an unmistakable mood in his artwork. Originally from Ontario, Canada, Coulterman has exhibited all over the world and has been included in many different art publications. He is currently represented by Slate Gallery in Regina, SK, Canada.
Unbelievably, the stunning and incredibly realistic works of artist Robin Eley are not photographs, but meticulously created paintings! The artist uses oil paint to render hyper-real portraits with fragmented hues and picturesque, nude figures. Each figure looks so photorealistic, it is hard to believe that it is a painting. Every last element is executed perfectly, as you can even see every detail in the tattoos on the figures. As if painting realistic nudes with this high level of skill was not impressive enough, Eley displays his figures through fractals of color, as if they are behind stained glass. The geometric shapes cutting through the composition offer us a stark juxtaposition to the organic, soft bodies that are behind them. This sharp pattern dissects the human body into segments so that we may see it in a different light.
Eley not only paints his figures behind brightly colored, intersecting shapes, but also wrapped in materials like plastic. This highly textural element also gives an interesting contrast to the bare skin of the figures. The crinkles and creases in the plastic create a sort of fractured impression, just like Eley’s pieces with the “stained glass.” Originally from Australia, this L.A-based artist has had his work exhibited internationally and also has work in private collections all over the world. If you have the chance to see Eley’s prolific work in person, make sure to take advantage of it and experience every tiny detail of these hyper-real paintings.
The detailed paintings of Shawn Huckins portray common, day-to-day imagery while flawlessly integrating it into what seems to be miniature paint swatches. Although you may think that the artist paints directly on tiny paint cards used as color samples at hardware stores, but they aren’t actually small at all. In fact, these are not real paint cards, they are fairly large paintings that, thanks to Huckins’ finely crafted skill, are made to replicate exactly the different hues and segments of a paint card. If this was not impressive enough, the realistic imagery included in this series titled The Paint Chip Series, seem to fit perfectly into their settings. He creates a breathtaking mountain range on top of ”Cool Jazz” blue, and a “Pacific Sea Teal” has a pool splash erupting from its color patch. However, not all of Huckins’ imagery perfectly matches their chosen color. Many of the swatches have an unexpected twist, as his “Spring Moss” yellow has a car melting and sinking into the rich tone.
Huckins’ work is inspired by the beauty in the everyday, along with influential artists like Ed Ruscha and Andy Warhol. His work explores common imagery, like people sitting in chairs and an employee pushing a shopping cart, and their role in our lives. Even the paint cards are familiar objects that one might find in any home improvement store. Huckins explains these universal commonalities as a way to connect to our everyday surroundings and explore their meanings.
Mimicking the exact proportions, font, layout, and hues of miniature paint cards found at a nation-wide home improvement store, bands of color we may choose for our most intimate spaces—bedrooms, kitchens, family rooms—are an ideal stage to examine the everyday people and objects that occupy our world.