Hula balances his paddle board on the water the same way he balances the hyper-realistic paintings of women he depicts above the surface of that same water. The artist chooses abandoned sites and approaches the walls of his future murals by paddling on his surf board and carefully bringing his paint and brushes along with him.
Sean Yoro, a.k.a. Hula, represents women gracefully enjoying the contact of the water. The colors used are natural, dissolving with the stone color tones of the murals and the grey/green tones of the water. Geometric pastel signs are drawn onto the naked parts of their bodies such as the neck, shoulders and arms. The rest of their bodies is covered with water as Hula depicts only the top parts of the women’s bodies. The reflection of the pictures onto the surface of the water creates a double image, accentuating the peaceful and intimate moments caught by the artist.
Hula captures the smiles of pleasure and well being the women are experiencing in hidden places. Leaving the viewer wondering who these women are and if they even exist. Away from the city of New York, with nothing but his paint and his women, the moments spent scouting locations and painting in solitude in the middle of nowhere confers a meditative break to the artist.