Hungarian photographer Flora Borsi digitally “distouches” images of models. After analyzing fashion portraits, the artist took note of the overt emphasis on perfection the images took. She then decided to play with the process to perfect by attempting the opposite. Her images wink to the classic artist portrait, perhaps even take their composition from what looks like could be a model or actor’s headshot, yet instead of aiming to portray women at their most beautiful, her mission was to create something truly unusual. Her portraits highlight distorted faces of women that tend to have three eyes, peculiar brow lines, and lips that droop, giving an almost absent chin. With a thread of shiny hair and dramatic lighting, this body of work almost acts as a portrait series of genuine alien beings. The artist explains the project in her own words:
“In this project I’ve been analyzing some fashion portraits, how perfect they are. So I made the opposite of retouching, somehow I distouched these pictures of perfect models. This project is connected to surrealist painters point of view: beauty wasn’t enough to give me interest. I love imperfections as much as I love surrealism. These pictures are my little monsters, no one wants to look like them, because they are totally unique.”
Borsi’s work uses digital manipulation in order to explore her fascination with surrealism. She focuses on issues surrounding identity, relationships, emotions, and dreams with the aim to investigate the complexity of the human psyche.