KKK robes recreated, bullets shot on purpose on white paper, a video pointing out the current incarcerations and lynching images depicted on a throw. Paul Rucker’s exhibition is comprised of texts, a video, quilts, textiles and installations. All with the aim to tell stories that will shock, question and reflect on America’s police violence. According to Paul Rucker, it’s an ongoing process, hence the title of his exhibition: ‘Rewind’.
The artist’s vision is plural. The exhibition translates a dramatization of how the history of racism is affecting our present lives. The Klan robes are made out of new fabrics to strike and draw curiosity. He is using powerful symbols of racism to lead our current society to communicate and debate. His subjects are intentionally provocative.
When he stitches killing images on throws that are originally suppose to bring warmth and comfort, he is deliberately choosing to oppose two major elements: life and death.
In a ten minute video, he represents the 2.3 million people currently imprisoned on a map. The use of different color make the rendering visually more effective and speaks a greater deal to the eye.
Another series consists of shots on pieces of white paper. They are created with a pistol and are named by the city and date of the event. The artist runs a series of statistics and unveils that a number of unarmed individuals were shot by the police. Once again Paul Rucker wants to make a visual impact. Instead of explaining and narrating a story, the shots on the white papers create tension. It’s an effective summary of a thousand words.
The purpose of this exhibition is to make a clear testimony on what has happened, is happening and will, undoubtedly happen again in the future.
Paul Rucker’s ‘Rewind’ exhibition is displayed at the Baltimore Museum of Art until November 15th 2015. (via huffington post)