Rupert Shrive turns his paintings into sculptures by crumpling, twisting, and sometimes including odd materials to create architecturally evocative works. In some of his works, the three-dimensional elements complement his portraits; in others, they deform the faces of his works, twisting cheeks and lips and replacing noses and eyes to create a patchwork of various styles and colors.
When you look at Shrive’s work, you get the sense that there’s something urgent and almost desperate being communicated. At the very least, you feel a slight wince as you think about how much of a calculated risk he must have taken. In an interview with Michael Peppiatt, Shrive says of his process: “… It is painful and I’m always very scared when I start crushing them and it’s very risky because you only have so many movements you can make before you’ve lost the big dynamic crush that you’re going for.”
Risky as it is, that extra third dimension is a crucial element of Shrive’s artwork, enabling him to highlight certain features and create unique landscapes out of his portraits. (h/t I Need A Guide)