Debra Broz, a ceramic artist in Los Angeles, has a dedication to manipulating the conventional ceramic animals used and loved for kitschy home decor. Through her art surgery, she forms nearly mythical renditions of hybrid-animals. Although they still look cute, there is something inherently off and relatively creepy about them. Starting by sourcing and finding old ceramic pieces she is attracted to, Broz then re-assembles and grafts parts and pieces of different ceramic sculptures together. Arms, legs, multiple heads- she tries it all. The doe-eyed Franken-furries still contain an element of innocent, their new freakishness framed with such subtlety that it is nearly camouflaged; for many viewers it takes a second glance to even notice that something is amiss within the structure and proportion.
Broz eloquently articulates her work in an interview, “The thing is, it all depends on perception. Though kitsch may act as if it is the antithesis of fine art, if you start trying to analyze it you run into many of the same complex issues you would if you were analyzing fine art. Personally, I enjoy the intellectual play that is part of analyzing objects. It seems funny to me that people desire to take content away from things rather than explore it. Part of what makes the world interesting is how complex it is, and I’d rather have the complexity, with all its difficulty, than a watered-down, idealized and simplified version. That is part of why I’m interested in kitsch. If you really start looking into it, it is just laden with references.” (Excerpt from Source)