Jim Darling’s paintings use tromp-l’oeil airplane windows to frame picturesque though abstracted landscapes. The windows create a consistent context for the imagery, which otherwise might not be as recognizable. I’d hazard to say many of the people reading this article have had the compulsion when on a plane to take a photo of the view below, but rarely if ever does it turn out as what you see. Darling’s paintings manage to maintain the feeling of what you’re seeing out your window. They are abstracted views of farmland divided into squares and circles by roads, or blocks of suburban houses with pools and green yards of grass.
It’s especially interesting to see the very realistic rendering of the window beside the loose and impressionistic landscapes. Each window responds to the painting within it. The windown accompanying the New York skyline, depicted in sandier colours, maintains the same colour themes and scratchy technique, but still appears much more meticulously realistic than the loose style the city is painted in.
These paintings are rather subdued in contrast to some of Jim Darling’s other works. Recently he’s been creating large-scale installations and even what you could call sculpted paintings. His installations are made of discarded items and junk to create a giant yellow robot, or a curved X in the middle of a church in Detroit. For his painted sculpture he made a head puking water with a motorboat riding through it, all out of wood and painted in simple colours. Check it out on his website. (Via I Need A Guide)